Winnie The Bear
Film reviews

Orange Wednesday: London has Fallen (2016) and A Bear Named Winnie (2004)

Every Wednesday, TMINE reviews some movies and infringes a trademarked former mobile phone company’s marketing gimmick

So, given that Netflix makes movies now and Wednesday’s now free of WHYBW, I figured I’d make an earnest stab at watching a reviewing at least one movie a week from now on, in a feature I dabbled with calling “Hurt me, Gunther, make me bleed” but decided better of it.

First up are two very different movies, neither of which is especially new, but which will at least kick things off nicely.

London Has Fallen

London Has Fallen (2016) (available on iTunes)

Surprisingly not dreadful but still reasonably xenophobic and ludicrous sequel to Olympus Has Fallen that sees Gerard Butler once again having to protect US President Aaron Eckhart from a bunch of terrorists. This time, however, the action shifts to London and the terrorists are actually out to get every world leader – and they’ve got a few already.

Given Butler is Scottish and both a producer and financier of London Has Fallen, don’t be too surprised that he’s had enough clout over things to ensure that we don’t get a totally weird, US view of London and the UK, but something a bit closer to our reality. There are familiar landmarks and unfamiliar estates, and when the SAS turn up – which they would, of course – they’re sympathetically handled.

That said, there are niggles all over the place, including petty ones like Colin Salmon heading up Scotland Yard yet only being a Chief Inspector. Plus there’s a touch of the Fox News in the idea that there’s both a Deep State working behind the scenes in the UK government and that Islamist terrorists have infiltrated the police, et al in large numbers.

Importantly, though, while Olympus Has Fallen was ultimately ‘Die Hard in the White House’, London Has Fallen does switch up the formula considerably, making the whole thing more of a running, jumping bit of guerrilla warfare, interspersed with pitched battles, which lends itself to an entirely different form of action. Butler doesn’t have to handle everything by himself, with various others in the field with him to sort out the baddies in their own ways.

It’s nothing too remarkable, mind, but if you want a decent and unchallenging action pic on home soil, London Has Fallen‘s got the adrenalin shot you’ll need.

A Bear Named Winnie

A Bear Named Winnie (2004) (free on Amazon Prime)

A TV movie from CBC (Canada), starring a very young Michael Fassbender, as well as Stephen Fry and David Suchet, that tells the true story of Harry Colebourn, who served with the Canadian veterinary corps during the First World War. While heading off from Winnipeg for the front line in Europe, he buys a bear cub who ends up becoming the corps mascot and he thusly names Winnipeg – Winnie for short.

Of course, you can’t take a bear to the front line, so Colebourn ends up leaving the incredibly tame bear in the hands of zoo keeper Stephen Fry at the London Zoo, where she becomes very popular with the children who even get to play with her. So popular, in fact, that one Christopher Robin Milne decides to rename his own bear, Edward, Winnie…

Although for copyright reasons, that can’t be mentioned in the movie itself.

Given that there aren’t that many details to the story available, the movie is simply an extrapolation of what happened, but quite a timid one. As a result, action jumps around a lot, with the entire War passing in the space of a scene, for example. It also doesn’t quite know who its audience is and what it wants to do with what story it has, so one moment it’s all about immigration, the next it’s about gallant Canadian lads fighting under the command of drink-sodden, class-obsessed English generals (Suchet), then it’s about PTSD and then it’s a comedy about trying to keep ‘the beaks’ from knowing you have a bear in your suitcase. Or their suitcase.

But even though at times it feels a little like an extended episode of The Littlest Hobo but with a bear instead of a dog, it’s still a moving affair with some delightful bears. Fassbender’s accent is as variably Irish as normal – he goes for Irish-Canadian, which give Colebourn was from Birmingham in the UK originally, is an odd choice – but you’re probably used to that, and you can spot the likes of Aaron Ashmore and Gil Bellows in minor roles. There are some impressive period details and everyone has a lot of fun.

Worth a watch if you fancy some lovely family viewing.

Ant Man and the Wasp
Film reviews

Movie Thursday: The Incredibles 2; Mission: Impossible: Fallout; Ant-Man and the Wasp

Every so often and less than it would like, TMINE reviews some movies

With TV now winding down for the Christmas break, I’ve had the chance to watch some movies, all of which were out in the summer but I didn’t get a chance to watch. So after the jump, let’s talk about: The Incredibles 2, Mission: Impossible: Fallout and Ant-Man and the Wasp. See you in a mo…

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Christopher Robin
Film reviews

Movie Tuesday: Deadpool 2, Downsizing, Game Night, The Man Who Knew Infinity, Rampage, Solo, Christopher Robin, Oceans 8 and Jack Reacher: Never Go Back

Okay, so it’s been a while since TMINE last reviewed some movies (cough, cough, six months, cough, cough). Oh dear. As with all these things, it’s not because I’ve not put the prep work in, it’s just the difficulty of finding the time to do the actual writing. Still, this failing does make Weekly Wonder Woman look like an almost hourly occurrence by comparison. Sigh.

Anyway, here’s Movie Monday (on a Tuesday, which emphasises the problem yet again) to rectify that deficit. After the jump, in varying degrees of sketchiness, six months’ worth of movie reviews. See you in a mo…

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Au service de la France
Streaming TV

What have you been watching? Including Au service de la France, Dead Lucky, Stargate: Origins and You Are Wanted

It’s “What have you been watching?”, your chance to recommend to fellow TMINE readers anything you’ve been watching this week/month

I’m calling it – summer season is dead. It has ceased to be. It is an ex-season.

Before TMINE went away on its holidays, I pointed out how quiet July had been worldwide, but while I was away, the number of new shows has been small. Very small. Castle Rock (US: Hulu) and Dead Lucky (Australia: ABC) were released and Netflix gave us Insatiable, but that was basically it.

Sure, there have been returning shows, but new shows haven’t had a look-in and a lot of shows that used to air over July and August have postponed their returns until the end of the month or September. That even includes the final season of The Lost Ship, which was filmed a year ago, so production concerns clearly weren’t stopping it from being aired in its usual slot.

I’m guessing that ratings haven’t held up for any TV shows. Probably because everyone’s been on holiday. Or maybe it’s because of my fearsome “if it starts in August, I won’t review it rule.” That’s probably it, isn’t it? Still, it does make my life easier.

Thankfully, new shows have already started coming online. Netflix has this very day given us Ghoul, The Innocents and Deadwind, while Amazon has woken up again and is giving us Tom Clancy’s Jack Ryan next week. I’ll try to watch some, if not all of them, and give you at least one Boxset next week. After that, I’ll be struggling to catch up with the release schedule, with new Iron Fist coming, The Last Ship back, and season two of Ozark due on 31st.

In the meantime, I’ve been continuing with the usual viewing queue, although that’s now down to just Shooter, given Condor and Marvel’s Cloak and Dagger finished their runs while I was on holiday. All of them I’ll discuss after the jump.

I also scoured around for new shows to watch, as well. Of the shows I mentioned last time, I could never quite bring myself to watch the rest of Jongo but I made a brave stab at the properly subtitled second season of You Are Wanted. I also managed to catch the movie version of Stargate: Origins, and started a new French show: Au service de la France (A Very Secret Service). But we can talk about all of those after the jump.

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The Avengers: Infinity War poster
Film reviews

Movie Monday: Avengers – Infinity War (2018)

Eighteen. Although there have been many more movies featuring Marvel comic book characters or that have been made by Marvel Studios, there have been 18 ‘Marvel Cinematic Universe’ movies since the studio began Phase One of its ambitious, interconnected franchise plans in 2008 with Iron Man. That’s more than an entire season of the average US TV show these days.

Getting to the end of your first season without getting cancelled is impressive enough. Getting this far with a relatively consistent continuity, despite numerous writers and directors, is even more impressive. But getting this far with at least some really good movies coming out of the endeavour is nothing short of amazing.

The key to the MCU’s longevity is that while some characters hop around and appear in other movies, each movie has had a different roster of superheroes to play with, ensuring a different tone and freshness to each one (hopefully). In addition, each main character’s franchise has stopped after three movies: it’s not Iron Man 18 we’re watching in cinemas, since we stopped at Iron Man 3, and Thor, Captain America and co have similarly bowed out after three movies or fewer in favour of new arrivals such as Black Panther and Doctor Strange.

However, one important feature of the MCUs is its periodic reunions of characters from all the franchises, both past and present, for something typically Earth-shattering that requires a combination of superheroes to defeat. These movies cement in the audience’s mind the idea that the MCU is truly interconnected and that missing out on one film is possible, but it’ll be like missing an episode of a serial TV show if they do. Iron Man might not have got a fourth movie, but he’s shown up in The Incredible HulkCaptain America: Civil Warand Spider-man: Homecoming, too. And that’s before we even get to the ensemble The Avengers movies, in which everyone turns up, whether they’re dead or not.

Which is where we get to the problem. Movies aren’t TV series. Sure, you can stretch them to three hours or so if you want, but if you’ve got literally dozens of regular characters in separate movies, when you bring them all together in one movie, how do you give them enough screen time to properly service them as characters while still having a decent plot?

Avengers: Infinity War

The Avengers: Infinity Characters

When Avengers: Age of Ultron came out, I suggested that writer-director Joss Whedon had done just about as well as anyone could be expected, given how many characters he had to squeeze into his script. In retrospect, my review was probably a bit more generous than the movie deserved, since it hasn’t held up so well on repeated viewings chez TMINE. But it’s still not bad.

One area I was also wrong about was in suggesting that Whedon was about the only person who could have pulled it off. Whedon was, of course, the king of Marvel’s Phase One, but since then, some unexpected new royalty has hit town: the Russo Brothers. Improbably picked to direct Captain America: Winter Soldier following their work on the paintball episode of Community, they immediately hit the ball out of the park with what to my mind is the best movie of the entire MCU – and a damn fine spy/action movie in its own right. No small surprise then that they got its sequel, Captain America: Civil War, to direct as well. That movie can also be considered The Avengers 2.5 in its own way, given how many MCU characters are in it, and while it wasn’t as good as Winter Soldier, it was still a really good movie.

Hopes were therefore high for their Avengers: Infinity War, the first of two movies designed to polish off the first three phases of the MCU – the season finale, if you will. By contrast, the once box-office transforming The Avengers and The Avengers 2‘s character rosters feel more like a small piece of local theatre, given there are probably twice to three times as many characters for them to juggle, both old and new. Infinity War also had to round off the massive storyline that’s been building since as far back as Thor.

No pressure, then.

Fortunately, they’ve certainly risen to meet the challenge, managing to out-Whedon Whedon himself.

Avengers Infinity War

The story so far…

For those of you who haven’t been following the linking storyline – and it does get explained in Infinity War, you’ll be glad to hear – there are six great big McGuffins known as Infinity Stones that have been popping up all over the MCU in the likes of The Avengers, Thor: Dark World, Thor, and Guardians of the Galaxy. Each of these has a different mega-power and the Big Bad of The Avengers, Thanos, wants to collect them as he’s basically an intergalactic Thomas Malthus – believing that life outstrips resources, it’s his mission to wipe out half of all life in the universe so that the survivors never have to worry about starvation, overcrowding et al ever again. If he gets all six stones, he can kill everyone with a single wave of his specially made Infinity Gauntlet (guess what that’s for).

Naturally, Earth’s mightiest heroes – as well as Thor and the Guardians of the Galaxy – aren’t really inclined to let him. But even combined, can they really take on a Titan who can beat the Hulk in a fist fight, crush a god’s neck with his bare hands and hurl a moon at someone he doesn’t really like? And give that Infinity War is the first of two movies that answer that question, who’s still going to be left standing at the end of this one?

You may be surprised. Both non-spoilery and spoilery reviews after this trailer and then the jump.

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