Review: Stargate Origins 1×1-1×3 (Stargate Command)

Raiders of the Lost Stargate

Stargate Origins

Available from Stargate Command

The Stargate series is one of the most successful science-fiction franchises in history. While it doesn’t yet have the longevity of Doctor Who, it could get there, even though it’s struggled a bit at times.

It began with a relatively simple, blockbuster movie that sees the US military hiring an archaeologist (James Spader) to help them understand an ancient alien artefact found in the Egyptian desert in the 1920s. The giant metal ring turns out to be a gateway to another world, on the other side of which are the descendants of Egyptian slaves still in thrall to an alien pretending to be their god, Ra. Although the military, led by Kurt Russell, initially plans just to nuke the planet, they end up freeing the slaves and killing the bad guy. Hoorah!

Since this wasn’t yet the age of the three-movie franchise, from that idea was born a follow-up TV series Stargate SG-1 that continued the story and expanded it. Before you knew it (well, after 10 seasons), there were different races of different aliens impersonating different gods on countless worlds, dozens of Stargate teams, and further spin-off series including Stargate: Atlantis and Stargate: Universe, all of which added up to a metric fuck-tonne of continuity and mythology.

All good things have to end some time, though, so the franchise has been somewhat dormant for a few years. But since August, it’s been building an online presence over at ‘Stargate Command’, which now has its own, exclusive, 10-part, shortform series, Stargate Origins.

Saving the world again

Stargate Origins does a tricky job of navigating that decade+ of mythology to give us a show that almost miraculously fits in with Stargate continuity, and acts as both a sequel to the movie and a prequel to the various TV series, all while being faithful to its predecessors yet doing something a bit different.

The show is set in 1938, 10 years after archaeologist Paul Langford (now played by Star Trek: Enterprise‘s Connor Trinneer) discovered the Stargate in Egypt with his then young daughter Catherine. He’s still in Egypt. He still doesn’t know what the Stargate does. In fact, he thinks it’s a new kind of Rosetta Stone.

Meanwhile, Catherine (Ellie Gall) is now a grown woman on the verge of marriage to a British soldier (Philip Alexander). She’s losing interest in the Stargate and is thinking of heading off to archaeological projects new.

Then the head of Hitler’s Occult Unit (Aylam Orian) turns up. He’s found a bit of parchment in Thailand that reveals the Stargate’s true nature, as well as a set of seven signs on the gate that will open up the doorway to another planet. Hopefully he’ll be able to find something he can steal for Hitler and Germany while he’s there – and he’s taking Trinneer along to help him.

Can Gall, Alexander and local soldier Shvan Aladdin open the gate, rescue Trinneer and save the world from both aliens and Nazis?

Raiders of the Lost Gate

And that’s the first three episodes – they’re only 10 minutes each, so we’ve effectively had just the first act of a three- to four-act, 1h40 movie. Overall, while they’re a bit cheaper looking than the TV series and movie, they’re actually not half bad.

Stargate Origins is also fun and smart. While carefully not really contradicting anything the future shows say about both Stargates and Catherine Langford, it manages to avoid the heavy weight of continuity previous shows have had to deal with, while marrying the strengths of Stargate and Raiders of the Lost Ark.

The Raiders comparison I don’t really have to explain – you can spot the parallels even from the plot summary above – but it’s not an angle the show has ever taken before, despite the time travel options it made available to itself in episodes such as 1969. That gives it a both a different tone to the other shows as well as a period charm.

Also as per Raiders, the Nazis are a smart and worthy bunch of adversaries, not merely mono-dimensional moustache twirlers. They know a lot more than Trinneer does and Orian spends a lot of time guessing correctly what’s going on while Trinneer makes obvious gaffs. There’s also comedy: Orian has a camera crew with him to record everything for posterity and despite the short runtime of each episode, Stargate Origins is wise enough to have silly little scenes, such as when director Sarah Navratil tries to work out which side is Orian’s best side.

It also keeps in some of the features of the movie that didn’t quite make it to the TV series, such as the Go’auld and their followers still only speak a derivation of Ancient Egyptian, not English. Yet at the same time, all the more established features of the TV shows are there, such as the ‘dial home devices’ that are supposed to run the Stargate and continuity is respected.

New team, new pricing

This is a web series for a small platform so expecting great acting is probably a mistake. All the same, both Gall and Trinneer make for a decent pair of leads whom you want to root for. Everyone else is a little bit hammier than is optimal and Alexander doesn’t exactly make you have huge hopes for Britain’s chances in Africa in the Second World War – you can tell why Catherine ends up with Ernest. But we’re not talking ‘YouTube Star’ bad and everyone is more than watchable.

Is this all worth the price? Well, what is the price? It’s a little unclear. You get the first three episodes for free, just by registering for a Stargate Command account. After that? Dunno.

It may be that the remaining episodes will be available for a fee. At the moment, for US$20, you currently get access to not just Stargate Origins but every Stargate TV series, so it might be bundled with that. $20 sounds a bit pricey for the final to two or three acts of a single movie, but if you want all the other TV series, too, that’s not bad.

However, $20 only gets you access to May 15, after which “the All-Access content will no longer be available through your All-Access Pass, but you will still be a member of the Stargate Command community, which will continue.”

What happens after that? Dunno. This interview doesn’t make it much clearer either.

So it’s all a good start, but you might want to hold off getting sucked into Stargate Origins until the final pricing model is revealed, just in case it turns out there’s something scary on the other side.


  • I’m Rob Buckley, a journalist who writes for UK media magazines that most people have never heard of although you might have heard me on the podcast Lockdown Land or Radio 5 Live’s Saturday Edition or Afternoon Edition. I’ve edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for TV producers magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it “web site for urban hedonists” The Tribe. Since going freelance, I've contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network, TV Scoop and The Custard TV.