Captain Marvel
Film reviews

Orange Wednesday: Captain Marvel (2019) and Mile 22 (2018)

Every Wednesday, TMINE reviews two movies and infringes a former mobile phone company’s trademarked marketing gimmick

Two recent movies for Orange Wednesday this week, one of which only got released this week – yes, I’ve been to the cinema!

  • Captain Marvel (2019): Marvel’s first superheroine movie
  • Mile 22 (2018): Mark Wahlberg and his team of special forces spies has to get Iko Uwais 22 miles to an airport

Both of those after the jump.

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Peppermint (2018)
Film reviews

Orange Wednesday: Peppermint (2018) and Sanjuro (1962)

Every Wednesday, TMINE reviews two movies and infringes a former mobile phone company’s trademarked marketing gimmick

One of the nice things about doing TMINE is that it gives me a chance to watch things that either I’d never have known about without research or I’d never have got round to watching. Certain features of the blog have, in fact, specifically been geared up to this – Today’s Joanna Page, for example, may have seemed little more than an excuse to watch lots of Joanna Page, but it did enable me to watch some really quite good things I’d never probably have bothered with: Making Waves, David CopperfieldThe Cazalets, To The Ends of the Earth, to name but a few.

So it is with Orange Wednesday, which is forcing me to watch two movies a week. This is harder than it sounds, and not just because I’m lazy and have a lot of TV to watch as well. It’s because, actually, there aren’t that many good new movies out each week, even with Netflix getting in on the act. As a result, I’m having to hunt them out.

Of course, the downside is it also means I’m also watching some rubbish movies I would never have touched with a bargepole, otherwise.

Guess which categories this week’s Orange Wednesday movies fall into:

  • Peppermint (2018) – bank teller Jennifer Garner’s family is murdered, so she goes to seek her revenge
  • Sanjuro (1962) – Akira Kurosawa’s sequel to Yojimbo, in which ronin Toshiro Mifune helps a hapless bunch of clansmen deal with a corrupt local superintendent

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The Breaker Upperers
Film reviews

Orange Wednesday: The Breaker Upperers (2018), Hunter Killer (2018) and Velvet Buzzsaw (2019)

Every Wednesday, TMINE reviews two movies and infringes a former mobile phone company’s trademarked marketing gimmick

Orange Wednesday is back again and despite the format, it’s brought three movies along to be reviewed. Is that a breach of the rules? No, because one was so bad, I couldn’t get through more than half of it, so it isn’t technically a review.

Have a guess which of the three movies it is I couldn’t stomach very long:

  1. The Breaker Upperers (2018) – A New Zealand comedy in which two best friends run a business breaking up relationships
  2. Hunter Killer (2018) – Gerard Butler is a submarine captain who must avert a third World War
  3. Velvet Buzzsaw (2019) – Jake Gyllenhaal is an art critic whose live falls under the baleful influence of a haunted painting

You’ll find out the answer after the jump.

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What We Do In The Shadows
Film reviews

Orange Wednesday: Close (2019) and What We Do In The Shadows (2014)

Every Wednesday, TMINE reviews two movies and infringes a former mobile phone company’s trademarked marketing gimmick

Yes, three weeks in a row. Can you believe it? What consistency! Fingers crossed, I won’t be replaced by a meerkat at this rate.

Anyway, time to review not one but two whole movies again. This week, we’ll look at one of Netflix’s latest efforts, Close, in which Noomi Rapace plays a bodyguard who has to protect a young heiress. And following on from last week’s look at Das Boot, I’ll be catching up with another movie that’s imminently going to air a TV sequel: What We Do In The Shadows (2014).

Both of those after the jump.

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Das Boot
Film reviews

Orange Wednesday: Split (2016) and Das Boot (1981) + Polar (2019)

Every Wednesday, TMINE reviews two movies and infringes a trademarked former mobile phone company’s marketing gimmick

Would that I had a slightly larger brain, I’d have smartly introduced last week’s inaugural edition of Orange Wednesday by saying that I’d review two movies every week on Wednesday. Yes, a 2-for-1 movie offer called Orange Wednesday! Rings a bell, doesn’t it?

But I’m not. I’m also time-poor and lazy, so the prospect of watching two movies a week seems a bit of a stretch. But I’m going to give it a go.

In fact, if you look at the title of this week’s Orange Wednesday, you’ll notice I made a brave stab at watching three movies. Unfortunately, Polar was terrible so I gave up on it after about 10 minutes – I’ll tell you all about it after the jump, but technically, it’s not a review, since I didn’t finish the movie. I do have some editorial standards, you know.

After the jump, however, I’ll be definitely be looking at two movies that I’ve watched all the way through this week: M Night Shyamalan’s 2016 Split, starring James McAvoy, and Wolfgang Petersen’s 1981 theatrical cut of Das Boot. See you in a mo…

Continue reading “Orange Wednesday: Split (2016) and Das Boot (1981) + Polar (2019)”