What have you been watching? Including Remedy, Spun Out, W1A and Ender’s Game

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV.

New shows I’ve already reviewed this week:

I’ll be getting round to The CW’s The 100 either today or early next week, but I did try a few other new shows, too: two Canadian, one British.

Remedy (Canada: Global)
Dillon Casey is a doctor who comes from a family of medics, all of whom work at the same hospital for some reason. After cocking up something chronic, he’s forced to come back as a porter and we get to see hospital life from the viewpoint of everyone who works there who isn’t a medic. Which might be interesting and different (at least, if you’ve never watched Casualty), except it’s so self-consciously quirky and ‘family’, it’s practically unwatchable, so I gave up. Only really notable for Enrico Colantoni (Flashpoint).

Spun Out (Canada: CTV)
For reasons best known only to Canada, they’ve decided to produce a totally unrequested response to CBS’s The Crazy Ones that’s even worse. Starring Dave Foley of Kids in the Hall fame, it’s a multi-camera sitcom about a PR agency run by Foley, together with his daughter, and all the highjinks they get up to once newbie Billy from BSG turns up. All the same, it’s possibly one of the least funny things TV has ever produced.

W1A (UK: BBC2)
A follow up to BBC4’s cult comedy 2012, this reunites Hugh Bonneville and Jessica Hynes as the former Olympic organisers now recruited by the BBC to handle sensitive issues. I’ve not worked an awful lot for the BBC but it is recognisably accurate but exaggerated as a piece of satire. How funny it is for people who don’t work in television, I’m not sure, although parallels with any large organisation no doubt abound. Most of the humour, though, comes from wordplay, mostly provided by narrator David Tennant, and in the cameos by famous people, such as one by Alan Yentob and Salman Rushdie that’ll send your eyebrows through the roof. 

Bonneville is, of course, the hapless sensible everyman, dealing with a quagmire of neverending meetings with ‘timewasting morons’, trying to use common sense of all things to deal with problems. However, the show has a slightly dodgy edge, with Bonneville fighting against the excesses of liberal political correctness so the show also treads a slightly tricky path around things like the Countryfile age discrimination suit. Generally, a promising start, so I’ll be tuning in next week.

I also watched a movie:

Ender’s Game
Evil insect aliens attack the Earth and 50 years later, we’re still preparing in case they come back by training kids in war planning, in the hope their brains will be flexible and fast enough that they’ll make great generals. Essentially, Harry Potter in space school, right down to its own version of Quidditch, but with a pleasingly darker, smarter, nastier edge, our hero essentially someone who can outstrategise his bullies rather than who spends the whole time feeling put upon. The final battle is a big intense surprise; Ben Kingsley’s awful New Zealand accent is not a surprise. 

After the jump, the regulars, with reviews of Believe, Enlisted, Resurrection, 19-2, The Americans, Arrow, Banshee, The Blacklist, Community, Continuum, The Doctor Blake Mysteries, Hannibal, Line of Duty and Suits

Continue reading “What have you been watching? Including Remedy, Spun Out, W1A and Ender’s Game”

News: Arctic Air, Cracked cancelled, another Flash/Arrow crossover + more

Canadian TV

UK TV casting

US TV

US TV show casting

New US TV shows

  • ABC Family green lights: Alice in Arabia, Recovery Road and Unstrung

New US TV show casting

US TV

What have you been watching? Including Growing Up Fisher, Secrets and Lies, Red Road, Suits and Agents of SHIELD

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV.

Despite my having been away for a while, I’ve managed to catch up with many of the regular shows and even tried out plenty of new shows. Although I’ve now got three episodes of new Canadian medical show Remedy to wade through, I’ve been able to post reviews of:

I did also try one other new show:

Growing Up Fisher (US: NBC)
DJ Nash’s semi-autobiographical series, in which the Fisher family – blind attorney JK Simmons, mother Jenna Elfman and son Eli Baker – surprisingly grow closer after the parents get a divorce and Simmons finally gets a guide dog called Elvis. It’s nice, it’s got Jason Bateman doing the voiceover for that Arrested Development feel and David Schwimmer from Friends is an exec producer, too. Elfman and Simmons are both good. However, it’s not very funny, just mildly uplifting, and most of the humour revolves around Simmons’ blindness. If you find people being blind and trying to do things funny, it might be more up your street.

But after the jump, reviews of Agents of SHIELD, Helix, Red Road, Secrets and Lies, 19-2, The Americans, Banshee, Community, The Doctor Blake Mysteries, Elementary, Hannibal, Line of Duty, Suits and True Detective.

Continue reading “What have you been watching? Including Growing Up Fisher, Secrets and Lies, Red Road, Suits and Agents of SHIELD”

US TV

Review: Working The Engels 1×1 (Global/NBC)

Working The Engels

In Canada: Wednesdays, 9 et/pt, Global
In the US: NBC. Airing in 2014

Now the story of a wealthy family who lost everything and the one sondaughter who had no choice but to keep them all together.

I’m in something of a dilemma here, since my lovely categorisation system has broken down. Working the Engels is a co-production between Canada’s Global network and the US’s NBC network – the first ever Canadian-American sitcom. So does it suck because it’s Canadian or because it’s on NBC?

The show starts with a lawyer dying, leaving his wife (Andrea Martin from My Big Fat Greek Wedding) and family in debt to the tune of $200,000. US or Canadian? It’s not clear since this is one of those shows of nebulous geographical location. Neither is it clear why he wasn’t in a limited liability partnership. Presumably he was a very bad lawyer.

Anyway, the kids rally round, or at least the mousey lawyer daughter (Kacey Rohl who played Abigail Hobbs in Hannibal) does, and her pill-popping, airhead sister (Azura Skye who was Jane on The WB’s Zoe, Duncan, Jack & Jane) and minor criminal brother (Benjamin Arthur from CityTV/HBO Canada’s Less Than Kind) come along to both help and accidentally hinder her efforts to bring the family legal practice back into the black. Except it turns out that most of the deceased’s clients were either pro bono or stupid.

Written by Miss Congeniality’s Katie Ford and her sister Jane Cooper Ford, Working the Engels‘ comparisons with the much revered Arrested Development are obvious. Unfortunately, that’s merely in terms of set-up since it’s not very funny.

The script is short on laughs and pretty much every joke is signalled a mile off and has exactly the punchline you expect. Rohl underplays, everyone else overplays in exactly the same way that virtually every Canadian sitcom you care to think of demands (cf Satisfaction, InSecurity, Seed, 18 To Life, Men With Brooms, Hiccups). The equally requisite physical comedy is ineptly handled and directed. Skye and Arthur’s characters do slightly bad things but do it so nicely, it’s hard to consider them the drop-out liabilities the script demands. The supporting characters are mere stereotypes – the overbearing female boss, the obsequious male Indian, the valley girl client and so on.

In short, there are no redeeming features. Other than a naked Asian guitar-playing character. I’d not seen one of those before but I think she’s only in the pilot.

If I wanted to find something positive to say, I’d say that it is at least well meaning and gentle, rather than insultingly poor and crass, with everyone trying to ‘zing’ each other, like so many US sitcoms of late (e.g. Mom, The Millers, Super Fun Night). I only felt the urge to turn off a couple of times while I was watching it and that was more because I was bored than because I hated it.

But that’s about it and I think the fact NBC hasn’t announced an air date for it yet should speak volumes – if NBC won’t show it, it must be bad.

Here’s a trailer anyway.