Audio and radio play reviews

Big Finish: the downloads

Peter Davison as the Doctor

First, a brief apology – I’m behind in my Big Finish reviews. Trouble is, while I’ve been working from home for the last week, enabling me to put some actual work into the blog for a change, it means I haven’t been doing any commuting. No commuting, means no iPod listening (except when I’m doing the housework), so I’ve not been listening to any of the plays. Never fear, though, I hope to have reviews of The Bride of Peladon, Condemned and Dead London sometime soon.

But 1st February marked two important events. Number one: Big Finish redesigned its web site again so that it’s almost usable. Almost. They have a slight issue with labelling. You’ll see. And they could do with hiring a proofreader (hint, hint).

Number two: it’s started to sell its plays as downloads. No more ripping to iPod for me then. Woo hoo.

Almost.

Let’s look at the pricing. Price of a two-disc play on CD: £14.99. Price of a download: £12.99. Hmm. Okay, so, you’re not having to pay P&P either, but that’s not a huge reduction. £2 less and I don’t get the CDs, the box liner notes, etc? (Well, I haven’t bought any yet, so maybe you get them as PDFs).

I don’t feel “incentivised” by that. All the same, I suspect that’ll be the way forward for me from now on. How about you?

Audio and radio play reviews

Review: Doctor Who – Return to the Web Planet

Return to the Web Planet

Mention The Web Planet to almost any Who-er, and you’ll likely as not get a great big smirk in response. It was a story written in the Hartnell days before anyone really ‘knew’ what Doctor Who stories were supposed to be like. A rather brave attempt at hard SF, it involved the planet Vortis, a world populated entirely by various giant-sized species of insect and absolutely no humans other than the Doctor and his companions.

Yes, giant butterflies, ants and larvae on a budget of £2 7s 6d, back before anyone had anything like the technology to do it properly. You can imagine what it was like, even if you’ve never seen it. Go on, imagine it.

Tee hee.

Fortunately, audio plays don’t have this problem so Big Finish, throwing the fifth Doctor and Nyssa at the world of the Menoptera, Zarbi and Venom Grubs, can let their imaginations run wild, content in the knowledge that we’ll do the rest of the work.

Yet somehow, it’s almost impossible not to think one thought while listening to Return to the Web Planet: “Tee hee”.

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Review: Doctor Who – The Girl Who Never Was

The Girl Who Never Was (Doctor Who)

Ah Charley. How we’ll miss you. Well, assuming we’ve not been listening to any of your stories since the Divergent Universe disaster.

When Big Finish was starting up and figured it could invent a few new companions of its own, Charley was the only one of the new companions who could be described as good or popular (sorry Evelyn and Erimem fans). Enthusiastic, actually wanting to travel with the Doctor for a change and with a good chemistry with the eighth Doctor, she made even the cruddier stories tolerable. We also were treated to a precursor to the Rose/Doctor romance that was tastefully done and with a near-adult depth that the onscreen equivalent would be sorely lacking.

Then C’rizz turned up, the writers forgot how to write for Charley, the romance wasn’t so much nipped in the bud as snapped off at the root without any real explanation and the best companion of the Big Finish range quickly became a next generation Tegan or Adric.

As people have been surmising since Sheridan Smith landed the BBC7 companion gig, Charley’s days have been numbered for quite some time. Following the departure of C’rubbish in Absolution, we now have Charley’s swansong in The Girl Who Never Was. Written by her creator, Alan Barnes, it gives us more than a few reminders of why she was once so good as well as few bemusing moments that I will now coin a new adjective to describe: Bigfinishian.

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Audio and radio play reviews

Review: The Companion Chronicles – Old Soldiers

Old SoldiersAfter yesterday’s tussle with awfulness – aka the Companion Chronicles’ Helicon Prime – we come face to face with something a whole lot better. Nicholas Courtney’s Brigadier has been a companion of sorts – or at the very least a practising Friend of the Doctors – since the Troughton years, appearing opposite him, Hartnell (in The Three Doctors), Pertwee (for most of the era), Tom Baker (a couple of stories), Davison (The Five Doctors and Mawdryn Undead) and Sylvester McCoy (Battlefield). He’s also been something of a Big Finish regular, cropping up in The Spectre of Lanyon Moor (with Colin Baker), Minuet in Hell (with Paul McGann), the UNIT range of stories as well as a few others. So quite why they need him to have one of his own Companion Chronicles, I’m not sure.

All the same, of the three stories in the second series of the Companion Chronicles, Old Soldiers is probably the best. A traditional narrative in which Courtney reads the story to the listener rather than to another actor, it’s firmly in keeping with the Pertwee era and fleshes out both the Brigadier and UNIT a little.

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Audio and radio play reviews

Review: The Companion Chronicles – Helicon Prime

Helicon Prime

I don’t remember the Patrick Troughton era of Doctor Who being particularly sh*t. There was a multitude of classics – Tomb of the Cybermen, Invasion, The Moonbase, Enemy of the World, The War Games, The Faceless Ones, and The Mind Robber to name but a few. Sh*t it was not.

So why then have Big Finish, when given two chances to finally put together a couple of Patrick Troughton stories through their Companion Chronicles range, decided that ‘sh*t’ was the defining characteristic of the era? In series one of the Companion Chronicles, we had the Zoe tale Fear of the Daleks, which was just painful to listen to. Now we have Frazer Hines reading another piece of rubbish. Oh dear.

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