Audio and radio play reviews

Review: The Companion Chronicles – The Catalyst

The CatalystAm I getting soft or are the Big Finish plays getting better? It just seems like there’s been a fair few of late that have been pretty good rather than tedious and incomprehensible (bar any eighth Doctor story with Lucie in it).

Anyway, we’ve reached the last of the second season of The Companion Chronicles, Big Finish’s audio book range in which old companions read stories because the Doctors in question are MIA. After Steven, Jamie and the Brigadier, we now have Leela as the companion of choice for Tom Baker. Like Romana II before her, you’d have thought the Gallifrey range of stories would have mined Leela’s character pretty thoroughly by now.

But we haven’t, because there’s always the question of what happened to Leela after Gallifrey – both the series and the planet.

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Audio and radio play reviews

Review: Doctor Who – The Bride of Peladon

The Bride of PeladonThe ‘Peladon’ stories of Doctor Who are held in high regard (by some). It’s not hard to see why. After all, it’s not often that Who ever tries to create entire civilisations of weird aliens with depth and individuality.

The stories are set in the future on the feudal planet of Peladon which has suddenly became very interesting to the rest of the galaxy thanks to the discovery of the mineral ‘trisilicate’ in its mines. An alien delegation, with representatives from Arcturus (spongy blob in a glass box), Alpha Centauri (green, one-eyed giant penis in a cape), Mars (scaly green Ice Warriors with helmets) and Earth (floppy grey-haired dandies – oh wait, it’s the Doctor, incognito), turn up to decide on the planet’s admission into the galactic Federation. Then before you can say “Agatha Christie”, they’re being bumped off one at a time.

At first, suspicion descends on those naughty Ice Warriors, who spent most of the Troughton era trying to invade Earth. But it soon turns out they’re reformed characters and someone else is to blame. The Doctor solves the mystery just in time for brandies and cards, with the hindrance of his useless companion Jo who spends most of her time being romanced by the King of Peladon.

The second story, set a few years on, is typical left-wing agitprop of the time in which the miners of Peladon rebel at being exploited. The morals of the story are that whenever workers strike, you must give in to whatever they demand, because it is just, and that miners are thick and can be manipulated by those deceptive Ice Warriors, who aren’t always good after all. Just you wait, Peladon, you’ll be sorry when your whole planet gets trisilicate induced global warming. It also features new companion Sarah Jane Smith hectoring the Queen of Peladon into standing up for herself and to stop being such a girl.

Now we have Bride of Peladon, the first bit of creative writing by regular Big Finish director Barnaby Edwards since he was at school, and what would appear to be a sequel of sorts to those two Peladon stories, mixing in elements of each. Except, naughtily enough, just like an Ice Warrior trap, it’s all a big bluff and it’s really a sequel to a completely different story.

Oh yes, and Eminem the pikey Pharoah gets thrown overboard. What a shame.

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Review: Big Finish downloads service

Fingers crossed, I’ll be giving both Bride of Peladon and Catalyst a listen this week, which might mean I review them as soon as… next week.

However, I thought I’d draw your attention to a couple of things first. Number one is that Big Finish now has a podcast. It’s a little bit cringeworthy, but it’s worth listening to since you do get advance information and behind-the-scenes explanation. Most notable in that is the first podcast, in which Nick Briggs explains the rationale behind the pricing structure of the downloads service. Did you realise, for example, that the US pricing of downloads is about $7.99? If you can follow Nick’s reasoning for that in comparison to the £12.99 charge for the UK (which appears to amount to “they’ve been paying over the odds for ages now, so now it’s the UK’s turn”), you’re a smarter person than I.

It’s also got a blog (of sorts. Guys, have you heard of comments? Permalinks?) which occasionally turfs up a bit of news, too.

I’m also producing the next run of Doctor Who Companion Chronicles, which has been a fantastic experience. I’ve chosen the companions and the writers and come up with eight (yes eight – you heard it here first) stories that I hope will please others as much as they please me. Oooh, I wish I could reveal more. I wish I could tell you who is flying into the country in May to return as a character that was such a pivotal part of my childhood but, sadly, for now you have to guess. Likewise I can’t reveal which one star from the last series is coming back this year.

Let the guessing on that one begin.

Over the weekend, I decided to give the downloads service a try, just to let you all know what it’s like. Here were my experiences…

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Audio and radio play reviews

Review: Doctor Who – The Condemned

The CondemnedYes, I’ve skipped one. Sorry, I was more excited by the prospect of another Charley story, this time with the sixth Doctor, than I was about finding out how Erimem gets thrown overboard through the help of a giant penis in a cape (Pertwee fans will know what I’m on about. Maybe). I’ll get round to Bride of Peladon some time in the next fortnight, I reckon.

Now the thing about most Doctor Who stories is they’re inherently crime stories. They may be set in outer space or the future, but nine times out of ten, someone’s been killed, the Doctor investigates, unmasks the evil-doer and puts a stop to their plans. The end.

Of course, the real world isn’t a detective novel and when a crime gets committed, particularly a murder, usually the police will be involved – and they’re not as cack-handed in real-life as they are in Sherlock Holmes stories. So The Condemned‘s quite an interesting idea. What if the Doctor landed at a crime scene in 2008 and got arrested by the police? Proper, Manchester police at that.

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Audio and radio play reviews

Review: Doctor Who – Dead London

Dead London Ever since BBC7 pumped Big Finish full of cash so they’d produce a range of original eighth Doctor audio plays to break up the constant repeats of Lionel Nimrod’s Inexplicable World, Sheridan Smith as Lucie Miller has been the companion du jour for Paul McGann – it was only a matter of time before India Fisher’s Charley Pollard was shown the TARDIS exit, although through the mysteries of temporal mechanics she’s now going to be a companion of the sixth Doctor, starting with Condemned (review coming soon, I promise).

Following Charley’s departure in The Girl Who Never Was, we now have the second season of Lucie stories. Whoopdy doo. It’s not that I dislike Sheridan Smith – I think she’s pretty good in Two Pints…, although you’d be hard pressed to fit a fag paper in between her performance in that and these audio plays – it’s just I really don’t like Lucie.

I’m trying to work out why. So far, my list of arbitrary reasons includes

  • her being one-dimensional and despite the massive wodges of Rose-esque familial development, she doesn’t come across as a real person, just the sort of person who appears in Radio 4 plays
  • she perpetuates the stereotype of Northerners being thick, workshy whingers who are full of themselves and only like to argue. This, I must emphasis because it’s the Internet, IS NOT TRUE
  • she doesn’t really bring anything to the party in terms of skillset. What, as they probably asked her at the career fair, can you actually do?

Not especially great as a list, but hey ho.

Whether it’s because it was all slapped together in a hurry or it was for BBC7, the first season of Lucie stories was a touch uninspiring. As I remarked at the end of Human Resources:

As a whole, the season’s been okay. Sheridan Smith has been a memorable companion, if a little too Peri-esque in the level of bickering. Paul McGann’s performance has been variable, but good on the whole. The big names in the guest cast have been uniformly excellent, even if the minor players haven’t. The plots haven’t really yielded any memorable villains or monsters and there’s been a little too much silliness. Not bad over all, though, and certainly the best thing BBC7’s done for a while.

Dead London, however, is actually quite good. Not brilliant, a bit confusing, but well paced and moderately entertaining. Whether that’s because it doesn’t have any BBC7 involvement, I don’t know.

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