In the US: Wednesdays, 10/9c, Comedy Central
Normally, my go-to take-home going forward from a review of a Comedy Central comedy is that it would have been funny – or at least funnier – if I’d been smoking something illicit while watching, which is pretty much what most of the target audience will be doing.
However, Corporate would fire me for that, unless I managed to find a scapegoat instead.
Set in the completely evil conglomerate of ‘Hampton Deville’, Corporate is actually a marvellously dark and edgy piece that looks like something David Fincher might have done in his Fight Club days, given half a chance. It’s written by and stars Matt Ingebretson and Jake Weisman as two minor executives at the aforementioned evil corporation who are already on their own life’s Plan B and have seen all hope and joy leave their existences thanks to Hampton Deville and its corporate culture.
Episode one is ostensibly about the company’s launch of a new tablet “eight times as large as the iPad”, which goes wrong when someone in the social media department creates an ill-taste Tweet about hurricane victims. CEO Lance Reddick (The Wire, Fringe) is enraged so sets mid-tier execs Anne Dudek (House, Covert Affairs) and Adam Lustick to find the culprit. They in turn delegate to Ingebretson and Weisman, who react very differently to being given power for the first time in their five year careers at the company.
Office Space
The first episode’s jokes are mostly about corporate culture (eg who gets first dibs at bagels, how open you should be about stress caused by your job, who should be cc:ed v bcc:ed and why, how to get free cake), which are reminiscent naturally enough of Office Space and its TPS reports. It’s also done very well and raised plenty of laughs from me along the way.
However, this is clearly Office Space for the social media generation, and the show understands the Twitter and the Facebook well, as well as its limitations, with the second half a great take on the power of social media to create bad publicity – and how easy it is for a ‘social media guru’ to change that and for corporations to end up not actually doing anything.
The void
However, the show’s equally interested in darkness, depression and crushed dreams. Plenty are the jokes on suicide and the death of hope – indeed, the first episode is called ‘the void’.
“Plan B failed – time for Plan C”
“Suicide?”
“That’s right! You’re such a good friend to know that.”
Flailing against corporate culture? Don’t. You can’t fight it. No good deed will go unpunished. All you can do is climb to the top so that you’re no longer under anyone else’s thumb.
Again, here it’s as accurate as with its analysis of office politics…
Conclusion
The fact it’s attracted the cast it has should be enough to convince you that this is at least a cut above the normal Comedy Central output. The more you know of the corporate world, the funnier you’ll find it, I suspect. Bleakly funny.
