Le bureau des légendes (Le Bureau)
French TV

Totally Serialized: Le bureau des légendes (The Bureau) – saison 3

Although I’m not 100% sure it’s still running its Totally Serialized events, the Institut français du Royaume-Uni is still being very marvellous and running French TV events in London. To save me some hassle, let’s pretend it’s still called Totally Serialized so I don’t have to rename this section.

Office admin out the way, appropriately enough, the first ‘Totally Serialized’ of 2018 is a showing of the first two episodes of the third season of Le bureau des légendes (The Bureau) (France: Canal+; UK: Amazon), as well as a Q&A with producer Alex Berger.

Le Bureau des Légendes

FRA | 2014 | Series 3, episodes 1&2 | 2×52 mins | showrunner Eric Rochant | directed by Samuel Collardey | with Mathieu Kassovitz, Jean-Pierre Darroussin, Léa Drucker cert. tbc | in French with EN subs | UK Premiere

If you were hooked by The Bureau, rejoice, here comes the UK premiere of the new season! Based on real-life accounts by former spies, this French addictive series depicts a branch of clandestine undercover agents, dispatched in key and hostile locations around the world. Offering a new perspective on intelligence agencies and intricate geopolitical issues, this third season centres on “Malotru” (Mathieu Kassovitz), who is taken hostage by ISIS.

Followed by a Q&A with Alex Berger, Producer of The Bureau

It’s taking place on Wednesday 24th January at 8.30pm at the Institut in London and you can book tickets online – seats are still available.

Incidentally, I don’t know if the Institut is misspeaking or not, but the Tweet I spotted about the event talks about it being a preview, suggesting that the full season might finally be coming to Amazon…

UPDATE: Turns out there’s also a debate the next day about politics on TV, chaired by Walter of Walter Presents fame:

Power and Politics: The Hottest Genre in TV Drama

22:45-23:45

Chaired by Walter Iuzzolino, the curator behind global drama channel, Walter Presents, ‘Power and Politics: The Hottest Genre in TV drama’ will lift the lid on some of the most popular recent hit thrillers and royal dramas. Why have they struck such a chord with international audiences, and what successful formulae do they share? Meet the producers, writers and actors behind blockbuster hits like Spin, The Crown, Victoria, and The Bureau, and explore the line where fiction and reality meet. Who is manipulating whom, and to what extent is fiction shaping real life politics and public opinion? Mathieu Sapin, author of comic books on politics will also join the debate.

Speakers
  • Alex Berger, Producer of The Bureau
  • Gregory Fitoussi, Actor in Spin series
  • Daisy Goodwin, Creator and Writer of Victoria
  • Andy Harries, Executive Producer of The Crown (season 2)
  • Mathieu Sapin, Political Comic Book Author and Illustrator
Chair
  • Walter Iuzzolino, Global Drama Curator
Mackenzie Crook and Kelly Reilly in Sky Atlantic's Britannia
UK TV

Boxset Monday: Britannia (UK: Sky Atlantic; US: Amazon)

In the UK: Available from Thursday on Sky Atlantic
In the US: Will be available on Amazon

What is Sky Atlantic’s new show Britannia all about? The obvious answer is that it’s about the second Roman invasion of the British Isles (aka Britannia), way back in AD43. David Morrissey (State of Play, The Walking Dead) is the Roman general in charge of the invading legions who thinks that he can do better than Caesar did 90 years earlier. The tribes of native Celts who once lined the shores to repel Caesar’s invasion are now led by Ian McDiarmid and Zoe Wanamaker, who are at each other’s throats thanks to a wedding ceremony gone wrong as the results of a bit of treachery, so seemingly no obstacle to Morrissey. Around them are other Celts vying for power, including McDiarmid’s son Julian Rhind-Tutt (Green Wing, Hippies); meanwhile, McDiarmid’s warrior princess daughter Kelly Reilly (Sherlock Holmes, Black Box, Above Suspicion) wants nothing but peace and her father’s approval.

However, it wasn’t just the Celts that helped repulse that first invasion. It was the druids and their genuine magic that sent Caesar running back to Rome in a tizzy. And it’s that magic that’s the real reason for Morrissey’s desire to lead Claudius’ legions to victory – he wants to visit the underworld to meet the dead and he needs the help of the druids, including their chief the 10,000-year-old Mackenzie Crook (The Office, The Detectorists). That’s something ‘outcast’ druid Nikolaj Lie Kaas wants to stop as he thinks Morrissey might be a demon from the equally demonic Rome.

But underneath that literal explanation of the plot, there is as the title suggests a deeper introspection of the nature of Britain, Britishness, change and immigration fit for our post-Brexit world. Plus a little bit of ultra-violence.

Continue reading “Boxset Monday: Britannia (UK: Sky Atlantic; US: Amazon)”

Stan Against Evil
News

Clique, Liar, Chewing Gum, The Walking Dead, Stan Against Evil renewed; Lady Dynamite cancelled; + more

Internet TV

UK TV

US TV

US TV show casting

  • Jack Huston and Maximiliano Hernandez join AT&T’s Mr Mercedes
  • JR Cacia to recur on The CW’s Dynasty
  • Marisa Tomei to guest on Hulu’s The Handmaid’s Tale

New US TV series

New US TV show casting

  • Jeffrey Self, Chrissie Fit, H Jon Benjamin et al to star in Pop’s The Demons of Dorian Gunn
Burden of Truth
Canadian TV

Review: Burden of Truth 1×1 (Canada: CBC)

In Canada: Wednesdays, 8pm, CBC

TV seems to think that any professional is a master of all trades. See those Crime Scene Investigators? They’re not just scientists, they’re great at doing police investigations, interrogations, you name it, according to CSI. Paramedics? Who needs them when the fire brigade can do it all for them in 9-1-1?

Lawyers, of course, are well known for investigating and solving crimes themselves on TV. But until now, we’ve not really had “lawyer as epidemiologist”.

Burden of Truth sees Smallville‘s Kristin Kreuk playing a high-flying lawyer at a firm run by her dad. A golden opportunity to win the custom of a big pharmaceutical company comes along, when a group of girls in a small town start suing the firm, claiming that its HPV vaccine is making them ill. All Kreuk has to do is get them to stop their claim and she wins the business. Trouble is, it’s the same small town she grew up in and which she and her dad were hounded out of 17 years earlier for reasons not as yet revealed.

Reprehensible?

For a while, Burden of Truth looks to be a pretty reprehensible piece of work. Despite Kreuk’s vehemency against ‘anti-vaxxers’, all signs point to the show becoming Big Pharma Is Bad and Kreuk switching sides when she finds out the truth. Numerous scenes have Kreuk trying to pay off the locals, all while she dishes out mealy mouthed “temporal proximity does not indicate causality” responses to the touchy feely “your vaccine made me sick” girls and their families.

Fortunately, about halfway through, it becomes clear that actually, the vaccine’s fine and CBC isn’t about to cause a Canada-wide public health crisis. Hopefully, viewers will indeed learn that simply because you did something and you got sick afterwards, it doesn’t mean what you did made you sick.

What the show then becomes is Kreuk deciding to go Erin Brockovich, and stay in town to work out what really caused the illnesses and to somehow make amends for whatever it is her dad did that still has people punching her and spitting at her 20 years later. Whether she’ll be fingering Big Mining, Big Chemical, Big Agro or Little Chinese Herbal Medicine (warning: may contain traces of anthrax) as the true cause is the mystery that will drive the rest of the season.

Burden

That still leaves a show that’s makes you feel like it’s sent you an envelope of incriminating photographs, such is the emotional blackmail going on. The lawyering is all slightly perfunctory and the show’s heart is really in having Kreuk feel bad.

Numerous are the scenes in which children curse Kreuk for offering them $50,000 and opine things like “I always wanted to be a lawyer but now I’ve met you I don’t” or “You may have worked for a big company but I thought you were a human being. But you’re not.” Kids, hey? Thick as mince, the lot of them.

Meanwhile, police officers unexpectedly pull up and say things like “I never thought I’d see a Hanley in this town, not after what your dad did.”

The show has all the subtlety of a Hallmark movie about single mothers.

Amiable

Manipulative it may be, but it’s reasonably amiable manipulation. Kreuk is more plausible here as a big city lawyer than she was as a big city police detective in Beauty and the Beast. She also has decent chemistry with Peter Mooney (Rookie Blue), who plays the town’s hero lawyer and her former High School sparring partner. And despite all the emotional blackmail, it’s always nice to see a show about people being nice, even lawyers.

So I might keep on watching this. To be honest, I really just want to find out what caused the sickness. Even thought the trailer below suggests it’s something else, I do hope it’s the Chinese Medicine store. That would really dick up the anti-vaxxers (“They’re natural remedies, you know?”).

Rebecka Martinsson
Airdates

When’s that show you mentioned starting, TMINE? Including Breathe, Absentia, Rebecka Martinsson, Doctor Doctor and Deep State

Every Friday, TMINE lets you know when the latest global TV shows will air in the UK

Only one acquisition without a premiere date this week – Netflix has picked up Syfy (US)’s yet-to-be-made George RR Martin piece Nightflyers. Otherwise, a lovely feast of dates for new shows lies ahead of you, two of which I’ve actually seen and reviewed, which is nice.

Continue reading “When’s that show you mentioned starting, TMINE? Including Breathe, Absentia, Rebecka Martinsson, Doctor Doctor and Deep State”