Review: Strange Angel 1×1 (US: CBS All Access)

A real-life Satanist rocket scientist who was apparently tamer than an Ann Summers party

Strange Angel

In the US: Thursdays, CBS All Access

Aleister Crowley’s one of those people who you assume must be fictional. Just take this sentence from the opening paragraph of his Wikipedia entry:

An English occultist, ceremonial magician, poet, painter, novelist, and mountaineer, he founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century.

Bonkers, hey? Yet this Satanist-magician was real and if you’ve ever heard the phrase “Do what thou wilt shall be the whole of the Law,” you’ve heard the words of Crowley.

Also real was Jack Parsons, a US rocket scientist who helped to found the Jet Propulsion Laboratory and invented the first rocket engine to use a castable, composite rocket propellant. So far, so plausible, too. However, Parsons met Crowley in the late 30s and joined Thelema. He even ended up hanging around with L Ron Hubbard.

Bonkers, hey?

And now we have a biopic of Parsons that is actually all too easy to believe.

Bella Heathcote, Jack Reynor and Rupert Friend in Strange Angel
Bella Heathcote, Jack Reynor and Rupert Friend in Strange Angel

Do what thou wilt

The first episode introduces us to Parsons, who’s played with a certain glee by Sing Street‘s Jack Reynor – one of many members of an almost exclusively non-US cast. Parsons didn’t graduate college, as he needed a job during the Depression to look after his wife (Neighbours’ Bella Heathcote), so has been working in a chemicals factory instead. Nevertheless, he and buttoned-down Caltech student Peter Mark Kendall (Chicago Med, The Americans) have been working together to create a new kind of rocket that might even take man into space.

As we quickly find out, Parsons is something of a dreamer, being a reader of lurid stories that typically involve a Chinese, harem-owning, tiger-fighting king, although Heathcote isn’t quite so approving of his reading matter. Then into their lives comes furtive new neighbour Rupert Friend (Homeland). He encourages Reynor to live a little, “Do what thou wilt” being the only law that really counts. Before you know it, Reynor’s burgling houses, nearly drowning in a swimming pool, coming up with exciting new ideas for rocket propulsion, taking all kinds of risks, and nearly blowing up Caltech professors (Rade Šerbedžija) in an effort to get much-needed funding.

Then one night he follows Reynor to a local church and discovers him in a congregation, watching while Aleister Crowley (The Crown‘s Greg Wise) is busily sacrificing a naked virgin. Soon, stabbed to his and Heathcote’s door, is a satanic symbol. Are they in danger? Might they even want to join in?

Jack Reynor, Rade Šerbedžija and Peter Mark Kendall in Strange Angel
Jack Reynor, Rade Šerbedžija and Peter Mark Kendall in Strange Angel

Happy satanists

For such a potentially exciting and lurid subject matter, this sure is tame stuff. Exploding mini-rockets are the most exciting parts of something that could have been a Satanic sexfest on AMC where it was originally pitched, but here feels like it’s a group of neighbours in a gated community getting shocked by an Ann Summers party.

There is some great attention to period detail, as well as rocket science, surprisingly enough. The cast fit their parts well, even if Wise is vastly too handsome to be Crowley. But if you were expecting something a bit more exotic, the first episode avoids every opportunity presented to it and the trailer for the rest of the season suggests two women kissing is about as exciting as it’s going to get.

All of which means that this is going to be at most a vaguely interesting biopic about a probably far more interesting man. I’d give it a miss if I were you.

https://www.youtube.com/watch?v=5rKI4AV9fuU

Author

  • Rob Buckley

    I’m Rob Buckley, a journalist who writes for UK media magazines that most people have never heard of although you might have heard me on the podcast Lockdown Land or Radio 5 Live’s Saturday Edition or Afternoon Edition. I’ve edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for TV producers magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it “web site for urban hedonists” The Tribe. Since going freelance, I've contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network, TV Scoop and The Custard TV.

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