Themyscira on DC's Legends of Tomorrow
Weekly Wonder Woman

Weekly Wonder Woman: Justice League #33, Trinity #15, Wonder Woman/Conan #3

Yes, it’s Weekly Wonder Woman – keeping you up to date on pretty much anything involving DC Comics’ premier superheroine, including which universes she’s in

Justice League is out tonight, both here and the US. The predictions are it’s going to do good box office – it’s already been released in a few countries and international box office seems to be good so far, allegedly doing the best ever for a Hollywood movie in Brazil (really?) – even if pretty much every review says “it’s not great, but at least it’s not Batman v Superman bad”.

TMINE will be seeing it tomorrow, so next week’s WWW will feature a full review – and will probably be on Wednesday.

If you want to read some Justice League stories before seeing Justice League, Syfy Wire reckons it’s got the top 5 for you:

However, while a lot of them are good stories, slightly problematic is the fact that most of them aren’t Justice League storylines, just stories that involve the Justice League or Elseworld versions of the Justice League. You’d think they could do better with so many decades to work with, wouldn’t you?

Movie news

Rumours have been swirling around that Brett Ratner – the world’s most average film director but also one of the financiers of Wonder Woman and also the subject of a lot of allegations of sexual abuse, sexual harassment, homophobia et al – has been shoved off future movies, including Wonder Woman 2, at the instigation of Gal Gadot, who would have refused to sign on the dotted line for any more movies were he involved. Warner Bros has since denied the story and Deadline says there was nothing to it. Still, here’s Gal Gadot sort of denying it but not.

Gadot has also discussed how Diana differs between movies, as well as being a role model and the loss of UN ambassador status. But still on a sexism roll, someone’s noticed that Justice League‘s costumes for its Amazons are somewhat different from those in Wonder Woman. Could having a male costumier on the former movie, a female costumier on the latter be the issue?

Still, several of the Amazons themselves seem to like the change, so maybe it’s not quite so clear cut.

TV news

Two weeks in a row we’ve had some TV news, which is quite remarkable. This week, DC’s Legends of Tomorrow made a brief visit to Themyscira.

Themyscira on DC's Legends of Tomorrow Themyscira on DC's Legends of Tomorrow

A little bit before the Trojan War it would seem, but the DC Universe is not our universe, of course. It’s also not the DC Extended Universe, so don’t be expecting Gal Gadot’s Wonder Woman to show up on it any time soon now.

Merchandise news

This one’s just spooky.

Wonder Woman Justice League Hot Toy

Comics reviews

After the jump, this week’s adventures of Diana in comic book land. We (thankfully) have the end of the ‘Metal’ tie-in storyline in Justice League #33. We (thankfully) have the end of ‘Trinity versus lots of other Trinities’ storyline in Trinity #15. And we (thankfully) have the latest pairing of Diana and Conan in Wonder Woman/Conan #3.

I should have probably saved that joke until next Thursday, shouldn’t I?

Continue reading “Weekly Wonder Woman: Justice League #33, Trinity #15, Wonder Woman/Conan #3”

Future Man
US TV

Review: Future Man 1×1 (US: Hulu)

In the US: Available on Hulu

Howard Overman has something of an affinity for aimless youth who end up on very important missions to save the world. He is, after all, the creator of Misfits, Atlantis and Crazyhead. The rather more famous Seth Rogen, meanwhile, has something of an affinity for feckless losers who spend all their time smoking weed, playing video games or both.

A match made in heaven surely? Well, now we have Future Man to find out, as Rogen exec-produces and co-directs this show based on an Overman idea (although not script). It sees Hunger Games‘ lesser star Josh Hutcherson playing ‘Josh Futturman’, an aimless 20-something still living with his parents (Ed Begly Jr and Glenne Headly) and who ‘works’ as a janitor at a STD research laboratory. There he’s bullied by Haley Joel Osment (The Sixth Sense) but comes under the protective wing of the laboratory’s boss, Keith David, who’s trying to find a cure for herpes.

However, at night, he’s a top game player, dedicated to beating impossible first-person shooter ‘Future Man’, in which the world has been taken over by ‘biotics’ and he and comrades ‘Wolf’ and ‘Tiger’ are the head of the resistance.

When Hutcherson becomes the first person to ever beat the game, the real Wolf (Preacher‘s Derek Wilson) and Tiger (Eliza Coupe of Scrubs, Happy Endings, Wrecked, Benched) come back from the future to reveal that the game was a recruitment tool to discover the one person with the skills that could help prevent the biotics from really taking over. Together, Josh, Wolf and Tiger must go back in time to prevent the future from occurring. But is Josh out of his depth or does he have secret skills that just need developing?

Current man

As you might expect given its pedigree, the show is both smarter than it sounds and also reasonably bro-ish. But it’s not great. Most of the jokes are about masturbation, usually to female video game characters, but occasionally just about sex in general and they’re not exactly the subtlest (Coupe: “We’re going to [go back to] ’69 now” Josh: “What? Erm, okay… What’s he [Wilson] going to do? Watch?”). There are debates about the nature of video games themselves, with long discussions about the realism of Super Mario, gamers’ real-life psychological profiles and what would happen if you introduced video-game violence into the real world, with all its many consequences.

The show is also self-critiquing, with Josh’s initial suspicion that Coupe and Wilson are playing a joke on him growing from “Okay, so that’s The Last Starfighter” to “Okay, so that’s The Last Starfighter meets Quantum Leap“; the show uses The Terminator‘s typeface every time there’s time travel; and when Josh arrives back in his family home back in 1969, a Back To The Future sting plays. There’ll be more movie parodies to come in later episodes, too, judging by the trailer.

However, while there are certainly quite a few laughs to be had, normally from Hutcherson’s reations and Coupe and Wilson’s lack of cultural understanding rather than the cringe-worthy jokes, this doesn’t have either the production values or direction (Rogen co-directs the first episode) to really pull off what it’s trying to do, with many of the obviously stunt doubles’ faces visible during fights, for example. The cast is good, with Britt Lower (Man Seeking Woman), Paul Scheer (The League, Veep) and Ron Funches (Undateable) also showing up in so-far minor roles, but squandered by a script that has few of Overman’s cleverer or dirtier traits.

If you like Rogen’s brand of loser gross-out, embarrassment comedy and you like sci-fi movies, you might find Future Man appealing. If not, you’ll probably simply feel like me that this is a show that’s about five or ten years late to a party that’s just about over.

Absentia
News

You’re the Worst, StartUp renewed; Jenna Elfman: Walking Dead; Amazon acquires Absentia; + more

Internet TV

Canadian TV

  • Jay Baruchel, Kelly McCormack, Jess Salguero et al join CraveTV’s Letterkenny

US TV

US TV show casting

New US TV shows

New US TV show casting

Frankie Drake
US TV

What have you been watching? Including Frankie Drake and Babylon Berlin

It’s “What have you been watching?”, my chance to tell you each week what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching. TMINE recommends has all the TV shows TMINE has ever recommended and TV Reviews A-Z lists every TV show ever reviewed here

We’re back on Wednesday again thanks to a massive surfeit of shows on Sundays and Mondays compared to the rest of the week (thanks, Babylon Berlin, Frankie Drake Mysteries, Travelers, Star Trek: Discovery and The Brave). Hopefully, that’s not rocked the bedrock of your beliefs about the universe.

Elsewhere, this week’s Boxset Monday was season 1 of 4 Blocks (Germany: TNT Series; UK: Amazon), and I’ve also reviewed the first episodes of the aforementioned Frankie Drake Mysteries (Canada: CBC; UK: Alibi) and Damnation (US: USA; UK: Netflix). I’ve not yet found time to review Sisters (Australia: Ten) (Narrator: he never will), which is now up to episode three, but I’m going to review the first episodes of both it and Future Man (US: Hulu) some time in the next week, and I might even have a whirl at No Activity (US: CBS All Access) if I have a mo – assuming the arrival of Marvel’s The Punisher (Netflix) on Friday doesn’t nuke my entire viewing schedule.

No other new TV shows this week and I’ve not watched any movies, either, which means it’s time to look at the tail end of the Fall season after the jump with the latest episodes of the regulars: Babylon Berlin, The Brave, DC’s Legends of Tomorrow, Dirk Gently’s Holistic Detective Agency, Frankie Drake Mysteries, Mr Robot, SEAL Team, Star Trek: Discovery and Travelers.

We’ll also be looking at the season finale of Professor T, although you’ll have to wait until next week to hear what I think about the final episode of Marvel’s Inhumans, as lovely wife hasn’t mustered up enough enthusiasm to watch it yet. I can’t really blame her.

Continue reading “What have you been watching? Including Frankie Drake and Babylon Berlin”

The Twilight Zone at The Almeida
US TV

The Almeida’s production of The Twilight Zone now has photos and a teaser video

Remember that production of The Twilight Zone coming to The Almeida theatre in December? Well, things are proceeding apace, it seems. We have some rehearsal photographs, such as this:

Behind the scenes of The Twilight Zone

(Bonus points if you can work out what episodes they’re adapting, purely from the photographs)

There’s a YouTube teaser video:

And director Tom Brennan has written an article about the difficulties of adapting episodes of an old US TV show for the stage:

So the TV show was like a kind of theatre, and in turn the theatre show is based on TV. It’s a strange transference of forms. There are certainly many questions that arise when thinking about the legacy of the show and its new manifestation on stage.

How do you do a pre-commercial break cliff-hanger onstage?
How do you create a high-concept perspective twist with no camera?
What is the best form for building tension?
What is the best form for creating a sense of the paranoid, the mysterious, the genuinely strange?

Forgive him for not knowing that The Twilight Zone wasn’t ‘the original anthology show’, mind.

I’m going to see it in December. How about you?