Reece Sheersmith and Mark Gatiss
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Help crowdfund Blood on Satan’s Claw with Mark Gatiss and Reece Shearsmith

Blood on Satan's ClawThem there Bafflegab people (producers of Baker’s End, The Scarifyers, Hammer Chillers and The Brenda and Effie Mysteries) have a new crowdfunding project on the way that will feature those highly famous League of Gentlemen people Mark Gatiss and Reece Shearsmith:

46 years after the original film, Mark Gatiss and Reece Shearsmith are fronting a new audio adaptation of ‘70s horror classic Blood on Satan’s Claw.

Produced by Bafflegab Productions and adapted by horror writer Mark Morris, Blood on Satan’s Claw will also feature the star of the original film, Linda Hayden, alongside a stellar cast that includes Alice Lowe (Sightseers, Prevenge), John Heffernan (Ripper Street, Jonathan Strange and Mr Norrell), Ralph Ineson (The Witch, The Office) and Philip Hill-Pearson (Shameless, Good Cop).

Some scenes were recorded earlier this week, but Bafflegab will be starting a crowdfunding campaign in coming weeks to finance the remainder of the project. Crowdfunders will be able to receive exclusive rewards by donating towards production costs. There will be more details at www.bafflegab.co.uk or Bafflegab’s Facebook page in the next few days.

Mark Gatiss says: “I first saw Blood on Satan’s Claw in the Friday night horror slot on Tyne Tees television, when I was a kid. I remember it vividly because it scared the life out of me. It’s so distinctly different. The pitch for the film is so strange, and it’s very much in that folk horror tradition: dark, bucolic, earthy and genuinely disquieting. It’s a fabulous tale.”

Linda Hayden added: “It’s lovely working with Reece Shearsmith and Mark Gatiss, as they’re huge fans of the film. I’m really honoured. It was always a really atmospheric piece, and the script to this new audio really captures that.”

Scriptwriter Mark Morris says: “I was first captivated by its unsettling, nightmarish atmosphere at the age of 12 or 13, since when it’s been one of my favourite horror films. I leaped at the chance, therefore, to adapt and expand the original screenplay for this new audio version, and from day one this has been a real labour of love. The calibre of the cast we’ve been able to attract to the project is phenomenal, and a testament to the film’s enduring impact. Blood on Satan’s Claw is back – and I’m incredibly proud, this time around, to be a part of it.”

Blood on Satan’s Claw sits alongside Witchfinder General and The Wicker Man as one of the three films which make up the sub-genre known as folk horror. In it, a village in 17th Century England is overcome by a Satanic plague, after a hideous skull is found in the furrows of a farmer’s field. The village youth fall quickly under the devil’s spell and retreat to the woodland to conduct games of sexual violence and sacrifice.

Gatiss is, of course, correct: Tyne Tees television scares the life out of everyone. Fingers crossed, with a bit of your cash, he and Shearsmith will be able to scare you with this new version of the movie.

Hakeem Kae Kazim
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Will on TNT
US TV

Third-episode verdict: Will (US: TNT)

In the US: Mondays, 9pm (ET/PT), TNT
In the UK: Not yet acquired

It’s no coincidence that the best moment in the third episode of Will was a straight lift of the famous opening scene of Trainspotting, complete with Iggy Pop’s ‘Lust for Life’ playing in the background, since it’s a show that very much excels when it remembers to have a lust for life. Unfortunately, when it forgets that zest, it becomes just an ordinary, turgid period drama.

It’s a retelling of William Shakespeare’s ‘lost years’ when he first came to London, all given a punk make-over by Baz Luhrmann’s long-time writing partner Craig Pearce and Elizabeth‘s director Shekhar Kapur. Will‘s first episode is a truly exciting piece of work giving us a contemporary Elizabethan London, full of fire and joys and a Clash soundtrack, yet still clearly anchored in the history of the time. We get to see Shakespeare’s first (possible) play performed, while he does his best to hide his secret catholicism from the authorities, who include spy and writing rival Christopher Marlowe. There’s also a love interest to inspire him, although given he’s married to Anne Hathaway and has a whole bunch of kids, he’s torn between his new love and his catholic beliefs.

And it was all marvellously exciting in the same way A Knight’s Tale and Moulin Rouge were. Episode two (Cowards Die Many Times), however, was a far duller, joyless piece more interested in Marlowe’s pouting and Shakespeare’s potential as the leader of a Catholic uprising than life and theatre in all its glories. 16th century theatre as the punk rock of its time? Who cares when there’s torturing of the innocent to be had?

For about half of episode three (The Two Gentlemen), the show looked like it had lost its way and was continuing on the path set by episode two. But along came Iggy Pop (unfortunately without show co-star Ewen Bremner around to join in) and once again, all was right in the world, as Shakespeare learns that good artists borrow, great artists steal – in this case, literally – and before you know it, he’s crossing out the names from a Spanish book to give us The Two Gentlemen of Verona, all while Marlowe is having rampant gay orgies to try to inspire a Doctor Faustus out of himself.

Provided Will confines itself mainly to the man and his work while maintaining its fabulous punk aesthetic and appreciation for time, place and language, it’ll be must-see TV. It throws away dusty, tedious period dramas to give us something far more compelling and joyful that still manages to give us some actual history. But when it gets lured back into the ordinary and the conventional, it’s as unremarkable as John Ford.

Barrometer rating: ‘2 or about as good as John Barrowman’s appearance in Doctor Who

The Barrometer for Will

E4's Crazyhead
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I'm Sorry
Streaming TV

What have you been watching? Including I’m Sorry, Friends From College, GLOW and Game of Thrones

It’s “What have you been watching?”, my chance to tell you each week what movies and TV I’ve been watching recently and your chance to recommend anything you’ve been watching.

First up, it’s a warm welcome to the returning “TMINE recommends“, which went missing in action during the recent TMINE redesign while I worked out how to reproduce it in WordPress. To be honest, though, I hadn’t updated it in a couple of years, so it wasn’t quite as useful as it was before. But I spent a little bit of my weekend recommending things in the system, so it should now be as complete a list as it was in its glory days.

I’ve also been working on some variably useful A-Z indexes of reviews, including ones for all the TV reviews, audio play reviews and Internet TV reviews. More to come when I’m not exhausted. With all of these, though, I’ve yet to work out a good way of including the weekly mini-reviews from WHYBW, so they’re not 100% complete, but they’re the best they’ve ever been all the same.

Trawling through them reminded me of all manner of shows that I’d completely forgotten about, too. Remember Mr Sunshine and Pepper Dennis? Of course you don’t.

Right, now the admin’s out the way, let’s talk TV.

Things are starting to hot up again in TV around the world so expect some actual reviews later in the week and the start of next week. You’ll certainly be getting a third-episode verdict of Will tomorrow and I’ll probably be doing you a third-episode verdict of Snowfall next week, since I haven’t got round to watching last night’s episode yet. After the jump, I’ll be looking at the latest episodes of the now very short list of regulars: Ronny Chieng – International Student, Twin Peaks and the returning Game of Thrones. I’ve also managed to work my way through the whole of GLOW and I’ve tried two new shows: I’m Sorry (US: TruTV) and Friends From College (Netflix). See you on the other side!

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