US TV

Review: The Family 1×1-1×2 (US: ABC)

 

In the US: Sundays, 9/8c, ABC
In the UK: Not yet acquired

Virtually everyone who goes to prison in US TV dramas deserves it. In fact, frequently, they don’t get enough prison and it’s clear that by the end of the episode they deserve more of it; there also plenty of people who deserve to be in prison but who aren’t because of ‘technicalities’ such as no evidence, yet the cops know they should be.

Why don’t we just let the prosecutors and the cops do what’s right and stick anyone they think is guilty of a crime in jail forever and ever, hey? That would sort out the crime problem, wouldn’t it?

Well, trouble is, not everyone found guilty of a crime – or even suspected of a crime – is actually guilty, as John Oliver recently pointed out:

A few TV shows have faced up to this reality, including Life, Rectify and most recently ABC’s Secrets and Lies. But largely, the accused-but-innocent man, while guilty of something like adultery, isn’t guilty of anything too bad.

So you’ve got to at least credit The Family with addressing moral ambiguity in a deeper way than before. Here we have former Brat packer Andrew McCarthy coming out of partial acting retirement to play a man accused of kidnapping, murdering and probably raping the young son of his neighbours, aspiring politician Joan Allen (The Bourne Supremacy, Manhunter) and her husband Rupert Graves (Sherlock). When they find videos on his computer of children being abused, it seems like an open and shut case for rookie cop Margot Bingham (Boardwalk Empire, Matador), and McCarthy is sent away to prison.

Ten years later, Graves and Allen have separated and the children, who include The Newsroom‘s Alison Pill, are all grown up. Then the son they thought had died turns up on a road, having been kidnapped and imprisoned Room-style for close to a decade. McCarthy may be a paedophile but he is innocent of the murder, so is released back into the community.

Can the real kidnapper be found? What will happen to the family now the son has returned? How will the community treat McCarthy once he’s among them again? Can McCarthy be a nice man who’s kind to kids and should be allowed to be around them, even if he does have some rather nasty videos? 

These are just some of the interesting questions the show poses, even if it answers none of them well. However, another question is: “With such an interesting subject matter and strong cast, how can it be so astonishingly dull?”

Continue reading “Review: The Family 1×1-1×2 (US: ABC)”

US TV

Review: Damien 1×1 (US: A&E)


In the US: Mondays, 10/9c, A&E
In the UK: Not yet acquired

666 problems but a she-jackal ain’t one.

Prequels and sequels to famous horror movies are all the rage right now. We’ve already had:

There’s also a pilot for a The Exorcist series on the way. Now we’ve got Damien.

Unless your knowledge of cinema is akin to that of a newborn child’s, that name should already be telling you what this is related to. In case it doesn’t, wee bairn, I’ll fill you in. Fresh off the back of the success of The Exorcist in the 70s, The Omen was Britain’s effort to cash in by taking seriously the Bible’s Book of Revelation. It details the birth and early childhood of ‘Damien Thorne’, the son of the US Ambassador to the UK (Gregory Peck) and his wife (Lee Remick). Except Damien’s actually secretly adopted and is really the son of the Devil and a jackal. Oh dear – he’s the Anti-Christ and he wants to bring about the Apocalypse.

Along the way, various people gradually work out that Damien has a ‘hint of the night’ about him, and are promptly rewarded for their imagination, detective prowess and faith in God with a gruesome, almost Final Destination-elaborate death.

Like The Exorcist, The Omen proved popular enough to spawn a couple of sequels, with that nice Sam Neill eventually becoming the grown-up Anti-Christ in The Omen III. However, Damien forgoes those two sequels in favour of continuing the first movie in its own way.

This time, it has that nice Bradley James (young King Arthur in Merlin) playing the grown-up Damien Thorne. Despite numerous flashbacks to the movie and its stalwart 70s fashions, Damien has apparently only just turned 30. He’s forgotten all about how his parents died, that governess of his committing suicide in front of everyone at his birthday party, those great big rottweilers that use to hang around protecting him and so on. He just wants to roam the world, taking Pulitzer-prize winning photographs of wars.

That is until he’s on assignment in Damascus and gets a literal baptism in blood by an old woman with white eyes who mumbles in Latin at him and says ‘It’s all for you.’ That’s not a good sign is it? 

After that, he starts to remember all those weird deaths that happened around him when he was growing up, in part prompted by all the new weird deaths that start happening around him. The question is, once he’s found his game-changing 666 birthmark and begins to believe for sure he’s a major player in the Bible: is being fated to be the Anti-Christ inevitable, like Norman Bates becoming a crazy serial killer in The Bates Motel, or can our Damien drink the blood of Christ, eat the body of Christ and accept Christ as his saviour so he can take up sheep farming or something instead, and all his friends can stop dying horribly?

Here’s a trailer and for a change, you can watch the entire first episode, too, below. Then we can discuss it after the jump.

Continue reading “Review: Damien 1×1 (US: A&E)”

News: Ripper Street, Young & Hungry cancelled; JK Simmons is Commissioner Gordon; Andie MacDowell – model woman; Geena Davis – exorcist; + more

Film casting

  • JK Simmons to play Commissioner Gordon in Justice League

Internet TV

UK TV

New UK TV shows

  • BBC green lights: King Lear, with Anthony Hopkins; adaptation of King Charles III; adaptation of Zadie Smith’s NW; and multigenerational family drama Wanderlust 

US TV 

US TV show casting

New US TV shows

  • WGN America green lights: pilots of adaptations of DC Comics’ Scalped and Arkady and Boris Strugatsky’s Roadside Picnic

New US TV show casting

Weekly Wonder Woman

Weekly Wonder Woman: DC Comics: Bombshells #32-33, Injustice: Gods Among Us: Year 5 #11, Justice League #48, Superman #49, Superman-Wonder Woman #26, Teen Titans #17, The Legend of Wonder Woman #16-17, Wonder Woman ’77 #16-17

Apparently, there was more filming of Wonder Woman over the weekend on some A-road northwest of London. I know this because it stopped my sister-in-law getting home from her mum’s on time. Can’t tell you what was being filmed, mind – that’s how good I am at news.

In other Wondy news, though, lots of releases in the past two weeks which I’ll review at different levels of sketchiness this week. In DC Bombshells, the Bombshells are lezzing up while fighting the Battle of Britain with the help of Steve Trevor, Wondy and her death horse. But Baroness von Gunther is back and she has a new horse of her own…

In Injustice: Gods Among Us: Year 5, alternative Wondy is having to deal with Bizarro Superman, while in Justice League, both Wondy and Steve Trevor are having to deal with all manner of godly and Amazon challenges.

Vandal Savage (and family) are continuing their attempts at world domination in Superman-Wonder Woman and Superman, while the Kryptonite-fuelled Superman isn’t quite sure whether Wondy is his girlfriend or ex-girlfriend… even if Wondy seems pretty sure.   

Over in Teen Titans, Wondy’s having to put up with some young superheroes burgling her flat to steal a stone head, while in The Legend of Wonder Woman, Diana is getting ready to strap on a very familiar outfit to fight the war in Europe. Be braced for another one of my helpful lessons in modern Greek while we’re at it.

And lastly, it’s time for a Very Special Wonder Woman ’77, in which we learn that killing elephants is bad.  

All that after the jump. But first, it turns out that The Legend of Wonder Woman now has a trailer. Be warned: as well as spoilers for already published issues, there’s a glimpse or two of issues to come, as well as some synth orchestra music straight out of a low budget smartphone game developed in the former Yugoslavia.

Continue reading “Weekly Wonder Woman: DC Comics: Bombshells #32-33, Injustice: Gods Among Us: Year 5 #11, Justice League #48, Superman #49, Superman-Wonder Woman #26, Teen Titans #17, The Legend of Wonder Woman #16-17, Wonder Woman ’77 #16-17”