What have you been watching? Including The Edge of Tomorrow, A To Z, black-ish, Homeland, Manhattan Love Story and Arrow

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

I was away last week, as you hopefully noticed, and while I had high ambitions of watching lots of German TV and telling you all about it, I didn’t turn on my TV even once the whole time I was there. It’s almost like I have a life or something.

I also didn’t watch much of the usual shows while I was away – except on plane flights and Germany ain’t that far away – which given how many new shows have been starting up or airing their second or third episodes, has meant a weekend of catch-up TV. But I’m nearly there, bar the latest episode of Homeland.

Of last week’s outright new shows on the main US networks, I’ve already reviewed The Flash, and I’ll be reviewing The Affair and Cristela either tomorrow or on Thursday. I might review Starz basketball comedy Survivor’s Remorse and the Audience Network’s manly-men MMA drama Kingdom, but they’re possibly a bit sporty for me, so we’ll see. I might also turn my eye to Canada’s women-western Strange Empire, and Australian political drama Party Tricks, too, towards the end of the week.

But that’s it for new new shows, so after the jump, I’ll be running through: A to Z, Arrow, Bad Judge, black-ish, The Blacklist, The Code, Doctor Who, Forever, Gotham, Gracepoint, Homeland, How To Get Away With Murder, Legends, Madam Secretary, Manhattan Love Story, Marvel’s Agents of SHIELD, Plebs, Scorpion and Selfie. Which ones will I keep watching and which ones will I be dropping? Keep reading to find out.

But before that, strangely enough, despite the epic backlog, I did manage to watch a movie this week.

The Edge of Tomorrow (2013)
Cowardly Tom Cruise enters video game Groundhog Day when he kills an alien during a D-Day style military campaign and inherits its ability to put time into a loop. Emily Blunt then trains Cruise in how to be a proper soldier, so he can win the war, thoughtfully killing him each day to reset the time loop. A cross between a first-person shooter and the Allied invasion of Normandy, the film benefits a lot from Doug Liman’s more thoughtful approach to direction and Cruise does well at first as a snivelling PR guy who has to learn to become a more conventional Cruise hero. Ultimately not making a lot of sense, it nevertheless is an engrossing and above-average piece of science-fiction with some scary-arsed aliens and that probably would have done a whole lot better under its original title of All You Need Is Kill.

Continue reading “What have you been watching? Including The Edge of Tomorrow, A To Z, black-ish, Homeland, Manhattan Love Story and Arrow”

US TV

Wonder Woman ’77 announced – so just who does read comics?

Who reads comics? The standard response – indeed, stereotype – perpetuated by TV shows including the likes of The Big Bang Theory is this:

Comic Book Guy

Comic Book Guy from The Simpsons – a fat, white, straight male nerd.

Stereotype it may be, but is it true? To some extent, yes. A poll conducted by DC Comics into who bought comics in US comic book stores found that only 7% of purchasers were women. And a lot of women don’t feel especially welcomed by the average comic book store.

But that’s all changing. Go to the average comic-con in the US and you will see people like this, for example:

Jay Justice as Wonder Woman

Yes, people who don’t fit the standard stereotype at all.

In part (but certainly not wholly) that’s because of online. No longer do you need to set aside an annexe of a house to collect comic books; no longer do you need to even step foot in a comic book store if you don’t want to. You can order graphic novels via Amazon or simply read them digitally on your tablet (or phone if you really just hate having perfect vision) using Comixology and other comic book readers.

So who reads digital comics? Increasingly, the answer is this:

A female nerd

Comixology’s sales figures indicate that as many as 20% of digital comic readers are young women, particularly outside the US. How about the remaining 80%, though?

You might think it’s just young men, who are part of the digital generation who shun dead trees. But you’d be wrong. Or at least DC thinks you’re wrong, because although it’s been happy to push digital comic versions of younger-skewing TV shows The Flash, Arrow and Smallville, as well as tie-ins with cartoons such as Batman Beyond 2.0, it’s also seeing a good deal of success with Scooby Doo crossovers as well as Batman ’66 – a series based on the Adam West Batman of the mid-60s.

Batman 66

Batman ’66 is already a best-seller and doing well in both print and digital, which is where it started as an ‘enhanced’ comic – that is one that had animations as well as standard comic panes.

Now, you might think that Batman 66 is an exception, because you could stick a Bat on anything from Fairy Liquid through to piles cream and Batfans would still buy it; more so, the original show is still wildly popular among the general populace and is a real pop culture icon.

Except this weekend, DC announced another title in the same vein: Wonder Wonder ’77.

Wonder Woman 77

Based on the 1970s TV series starring Lynda Carter, Wonder Woman ’77 will be a digital-first title debuting in December. Now Wonder Woman has obviously been doing very well of late in the nu52 universe. Pre-nu52, there was one Wonder Woman title, Wonder Woman, and she’d occasionally pop up in Justice League or some other titles. But now, as well as Wonder Woman, we have Superman/Wonder Woman, the digital-only Sensation Comics Featuring Wonder Woman and Wonder Woman ’77. That’s four concurrent Wonder Woman titles – more than there’s ever been before at any point in her 73-year history.

Clearly, she’s doing something right. But the question is: who will buy this new, digital-first title?

Undoubtedly, Lynda Carter is the platonic ideal of Wonder Woman as far as many fans are concerned, and there are aspects of the show that still define most people’s idea of who Wonder Woman is and the wonders she can do.

But largely, we’re talking about a show that never really entered the popular psyche and never got the re-runs in quite the same way as Batman. More so, it just wasn’t very good – try rewatching them, I dare you, because while the first season set during World War II is just about bearable, the latter two seasons are really hard going. Anyone coming to them fresh now is unlikely to be converted into an ardent fan by watching them.

On the other hand, I’ve got them all on DVD and iTunes, largely because I watched them all when I was a kid back in the 70s. So while I imagine there’ll be regular Wonder Woman fans giddy for any new Wonder Woman who’ll buy Wonder Woman ’77, particularly those who hate the nu52, I doubt anyone young who is uncommitted would flock to this in the same way they might to Batman ‘66

And I don’t think DC thinks so, either. I think it’s after a new group altogether from all the previous groups we’ve looked at – an older group that normally wouldn’t enter a comic shop but who are now enabled by digital technology to read comics, particularly those based on shows they watched when they were kids.

Yes, DC is after the Silver Surfers. How ironic.

I’ll be buying it, of course. Will you?

Whenever Trevor Eve gets too serious, remind him about Shadow Chasers

Trevor Eve is a serious actor. Very serious. Although best known for being only slightly grumpy in Shoestring, he’s gone on to some pretty dour roles in the likes of Waking The Dead, Kidnap and Ransom and the miserable Channel 5 ‘updating’ of Doomwatch. Even in interviews, he can be very serious.

But Trevor Eve has a sense of humour. Or at least he used to. He might not want anyone to remember that these days, but he did.

How else can you explain his decision to appear in the 1985 mystery series Shadow Chasers, in which he played an anthropologist blackmailed into working with tabloid journalist Dennis Dugan to investigate the paranormal? Created by Kenneth Johnson (The Bionic Woman, Alien Nation, V, The Incredible Hulk) and the Oscar-winning Brian Grazer (Splash, A Beautiful Mind), it was nevertheless the lowest rated of the 106 shows in the 1985-1986 season, with only the first nine of its episodes airing on ABC in the US, leaving the Armed Forces Network to air the remaining four.

Maybe the opening credits had something to do with that.

Poor old Eve – he never stood a chance. Maybe that’s why he lost his sense of humour?

Still, if that’s only whet your appetite for more, here’s the whole of the first episode.

News: Scarlett Johansson TV series, Twin Peaks returns + more

Did I miss anything?

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New US TV show casting

What have you been watching? Including Stalker, Bad Judge, Gracepoint, Bring Up The Bodies, The Code and Gotham

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Lots of new shows this week, and since I’m off in Germany on Monday – maybe I’ll report back to you on the tele, assuming I have the time to watch any – I’m not going to have time to do full reviews next week. So I’ll squeeze a few quick mini-reviews of them in today. Elsewhere, I’ve reviewed Manhattan Love Story, but I’ve also watched the following

Bad Judge (US: NBC)
You don’t have to go on an epic mental journey to work out where this show, exec produced by Anne Heche, Will Ferrell and Adam McKay, got its inspiration. Worryingly, it’s not even as good as either that TV show or the original movie, being a largely flat affair with Kate Walsh (Grey’s Anatomy, Private Practice) playing a pill-popping, hungover, casual sex-having judge who doesn’t really have a lot of respect for the law, but ends up helping criminals and kids who have appeared before her in court. Walsh is fun, the character herself is fun and it’s nice to have a heroine who’s permitted to be a pretty negative role model, but the jokes are lifeless and seemingly so in awe of how transgressive they think they’re being that they forget to be funny. In the show’s defence, it’s considerably less misogynistic than Bad Teacher was and the characters do seem to like one another and are engaging. But this is comfortably the worst show of the fall season so far.

Gracepoint (US: Fox; UK: ITV)
Ironically, I’m probably the one person in Britain who hasn’t watched Broadchurch, given that I knew Chris Chibnall was writing it, so in a sense I’m also the person in Britain best prepared to watch Gracepoint, its US remake, which even features David Tennant reprising his role as a police detective who moves to a small coastal town and finds himself having to investigate the death of child. On the other hand, I have seen both the Danish The Killing as well as The Killing (US), which is basically what Broadchurch was, so maybe I’m not.

All the same, I actually really enjoyed this intelligent, thoughtful, slightly slow-paced drama, more concerned with how the death affects its family and the town than necessarily who killed the boy. David Tennant’s American accent is moderately better compared to his Rex Is Not Your Lawyer efforts, although initially I thought he was going full Scottish and not bothering with an accent at all, so it needs a bit of work, and he also seems a bit out of place among the American (and occasionally Australian) actors. But with the exception of the dreadfully hammy Nick Nolte, the cast (which includes Anna Gunn from Breaking Bad and Michael Peña from End of Watch) is uniformly good, there’s emotion and it’s genuinely moving. Whether those who’ve seen the original will feel the same, I couldn’t say, but the producers have said the ending will be different – which as with The Killing I hear can only be a good thing, given how Broadchurch ended.

Stalker (US: CBS; UK: Sky Living – starts in November)
I do worry about that Kevin Williamson. He’s a good writer, but The Following isn’t exactly the loveliest thing on TV and it has some very dodgy attitudes towards women. But now we have another Williamson show entirely dedicated to exploiting women’s fears, with Maggie Q (Nikita, Mission Impossible III) leading a special LAPD unit that investigates and tries to prevent stalkers from doing unpleasant things to women. While there is an attempt to even the balance out with a secondary plot about a male stalker who stalks another man and with various comments about how bad men are, that’s largely a beard for the current Williamson antics of women screaming a lot while men do bad things to them. It doesn’t help, either, that the unit’s latest recruit, fluffy haired Dylan McDermott (Big Shots, Dark Blue, American Horror Story, Hostages), is actually stalking Elisabeth Rohm (Angel, Law & Order, Heroes) or that by the end of the first episode, thanks to some obviously stupid tactics by Q, she ends up getting her own (possibly second) stalker.

Unpleasant. Please don’t watch. Encourage Kevin Williamson to go back to making things like Dawson’s Creek again.

I’ve also been to the theatre to see Bring Up The Bodies, the sequel to Wolf Hall. Not quite as good as the first, largely thanks to history, rather than the writing, it covers how Thomas Cromwell helps Henry VIII to depose Anne Boleyn as queen so that he can marry Jane Seymour. An RSC production, it also suffers a little from having actors noticeably and confusingly playing multiple parts, as well as from having less of Nathaniel Parker and Lydia Leonard, who made Wolf Hall such as success, and from there being less of Cromwell’s personal life, too. As with Wolf Hall, it also clearly ends on a cliffhanger, which given there’s no part three, is a somewhat odd choice. But who knows what Mantel will do next?

Don’t bother watching if you haven’t seen the first one, since there’s no help beyond some awkward dialogue where Ben Miles’ Cromwell has to go around telling everyone their names for the audience’s benefit; and if you’ve seen Wolf Hall don’t feel compelled to see Bring Up The Bodies too. But if you go in with slightly diminished expectations, you should expect to see a reasonable amount of all the same qualities that made Wolf Hall such an enjoyable experience.

PS I say all this, even though it ends tonight. But just in case you’re planning on seeing it on Broadway…

After the jump, the regulars: black-ish, The Blacklist, The Code, Gotham, How To Get Away With Murder, Legends, Madam Secretary, Marvel’s Agents of SHIELD, Plebs and Scorpion.

Continue reading “What have you been watching? Including Stalker, Bad Judge, Gracepoint, Bring Up The Bodies, The Code and Gotham”