TMINE

Dear DC Comics, Please hire some proofreaders

I’ll do it for you if you pay me. I mean, let’s start with this week’s Catwoman #16. How are we spelling ‘assault’ here?

Catwoman #16

Okay, that’s just a relatively minor problem compared to some of the other typos in this week’s comics. Let’s move on to Aquaman #16. I appreciate Mera and Arthur (aka Aquaman) are underwater, but I really don’t think that’s the effect you’re trying to achieve in spelling your main character’s name wrong.

Aruthur

And then lastly, we have this in this week’s Superman #16. As if to add further insult to the injury of her being described as merely Superman’s ‘current lover’ in the next panel (yet more rebellion by Superman’s writers? The suggestion that it’s not going to last?), veering away from current DC shorthand (“the living goddess Wonder Woman”), we have Wonder Woman described as ‘Prince Diana of the Amazons’.

Prince, FFS.

Diana, Prince of the Amazons

DC – I know comics are a somewhat juvenile medium, but that doesn’t mean you have to spell like teenagers, too. Hire some proofreaders – it’s not like there’s much text for them to read, so it should be relatively cheap.

Audio and radio play reviews

Review: Vince Cosmos, Glam Rock Detective

Vince Cosmos, Glam Rock DetectivePaul Magrs is a very clever chap. He’s a lecturer in creative writing, and has written numerous books and audio plays. Not all of them are about Doctor Who, but quite a lot of them are. Indeed, he’s written a few Big Finish Doctor Who audio plays, including my favourite ever, the insanely clever Ringpullworld. He was even the author who managed to lure Tom Baker back to Doctor Who for a series of BBC audio plays, starting with The Hornets’ Nest.

Largely, if Magrs has a theme, it’s to deconstruct Doctor Who, not just as a show but how it’s written. Indeed, his most famous creation is Iris Wildthyme, a perpetually drunk, lying, sexually active Time Lady (the clue is in the name) with her own range of books from Obverse Books and a range of Big Finish audio plays that stars former Doctor Who companion Katy Manning. Iris, who travels the universe in a double-decker bus with a talking panda for a companion, originally started as a way to subvert Doctor Who, the Doctor and science-fiction conventions – she did what the Doctor doesn’t and that illuminated the nature of the Doctor in various ways.

All this is by way of introduction to Magrs’ latest creations, 70s glam rock star Vince Cosmos and his biggest fan Poppy Munday, who feature in a new series of audio plays from Bafflegab Productions, which is best known for producing The Scarifyers on BBC Radio 4 Extra. Starring Julian Rhind-Tutt of Green Wing, Hippies et al, Vince Cosmos: Glam Rock Detective is an origin story that sees Munday moving down to London from Sunderland and meeting her idol, Vince Cosmos… who for some reason seems to think the Martians are intent on invading the Earth. Is he mad? Will the Martians, if they exist be stopped? And will Munday manage to get her end away with Cosmos before the end of the play?

Sound a bit like it might be subverting and deconstructing Doctor Who? You’d not be wrong.

Continue reading “Review: Vince Cosmos, Glam Rock Detective”

What did you watch this week? Including The Following, Spartacus, Mr Selfridge, Being Human (US) and Arrow

It’s “What did you watch this week?”, my chance to tell you what I movies and TV I’ve watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations: 30 Rock, Archer, Arrow, Being Human (US), The Daily Show, Don’t Trust The B—– in Apartment 23, Cougar Town, Elementary, Go On, Last Resort, Modern Family, Mr Selfridge, Shameless, Spartacus and Suits. These are all going to be on in either the UK or the US, perhaps even both, but I can’t be sure which.

Being added to the list this week after rather a long time hovering close to the qualifying bar is Vegas – it’s not an absolute must-recommend but it’s about as good as network TV is probably ever going to be able to do with a period gangster show set in Las Vegas and it did have a cracker of an episode this week that managed to mix comedy with the nasty to great effect.

I’m also sticking Banshee on, even if it’s going to be a bit too ultraviolent for a lot of people and doesn’t exactly aim for verisimilitude a lot of the time. Spartacus is back and so is Top Gear: strange how the three presenters are great when they’re together, merely bearable when there’s two of them, and unbearable when it’s just one of them.

Some new shows started this week, none of which I had a chance to watch: The Americans, which has started on FX and has been acquired by ITV, which looks good but at two hours, was just a little bit too much for me to have caught in time; last night’s Do No Harm, which is a modern Jeckyll and Hyde story on NBC; BBC2’s Charlie Brooker’s Weekly Wipe and Channel 4’s Derek with Ricky Gervais. I’ll review them all (or the first two at least) when I’ve had a chance to watch them, probably on Tuesday. Oh yes, and Netflix has the whole of the new House of Cards for us to watch, too.

Also in the viewing queue: this week’s episodes of Suits, 30 Rock and Yes Prime Minister. But that’s it.

Now, some thoughts on the regulars.

  • Archer: Timothy Olyphant from Justified is gay for Archer. As fun as always, with a great ending that used silence to maximum effect.
  • Arrow: I appreciate that the producers would probably rather be making ‘Batman: The Early Years’, but did they have to take an existing Green Arrow villain (Count Vertigo) and basically turn him into the Joker, even getting the actor to do an impression of Heath Ledger? Good ep though. The flashbacks could do with advancing the story a bit faster, now, and when are they going to make the IT/general purpose science girl a regular?
  • Being Human (US): Curious how they’re shifting the show’s power dynamics to make it more female-centric. Where once it was all about Aidan and Josh with Sally a bit of an after-thought (a bit like the original then), it’s now all about Aidan, Nora and Sally instead. Everything’s in flux though, so let’s see if they can stabilise with the new dynamic.
  • Bob Servant Independent: Tried watching it, but despite Brian Cox’s best efforts it’s the usual “small man in a small town trying to be big” stick that huge chunks of bad British comedy are based on. So I gave up.
  • The Carrie Diaries: Got about 10 minutes into episode two before we completely lost the ability to concentrate. We’ll try again but I suspect this is a definite dud.
  • The Following: Well, what an amazing turnround. After a deeply nasty first ep that was empty and full of misogyny, it’s like the producers have sat down, asked “What’s wrong with this show?” and done as much as they could to fix it. So they’ve amped up the characterisation, dropped a lot of the sadism, dropped the rubbish female character and added a couple of good and interesting female characters, added in some Scream meta-ness, and focused a lot more on character relationships. Don’t watch episode one, if I were you, but start watching from episode two instead. Assuming you fancy watching a show about Edgar Allen Poe-inspired serial killers, that is.
  • Go On: A good Lauren episode and a good expansion of the set up with some more incidental characters. But it really needs to get funnier if it’s too avoid cancellation, as well as drop a few of the more rubbish characters that are hogging up the screen time.
  • Mr Selfridge: The first downright poor episode of the show, more soap opera than drama, and with some terrible acting in some quarters. But still enjoyable and had a few interesting historical notes about ‘the rational dressing’ movement.
  • Spartacus: Usually, it takes the show two or three episodes before it settles down and stops being all about the swearing, sex and violence, and gets on with the plot. This season, they’ve leapt straight in with plot and characterisation. Yes, it’s still a blood-bath and there was an orgy or two – it is still Spartacus – but some clever plotting and writing and actually not much by way of ornate swearing for a change. Also featured Ty from The Almighty Johnsons in a bit part, which was odd.
  • Suits: A decent Louis episode but not as clever as in previous weeks.
  • Yes, Prime Minister: Episode two was a marked improvement on episode one, but watching re-runs of the original, it’s clear just how inferior the new version is, both in terms of writing and performance, and it’s actually a little offensive at times. All the same, it does have some insight and good qualities, so if you’ve nothing better to watch, try it.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Spam, spam, spam… no, hang on… Vikings, vikings, vikings!

The History Channel is launching its first original scripted series on Sunday March 3, and given its subject matter and the fact at least one person round here likes Vikings, here are some trailers for it. Gabriel Byrne’s in it. Chris Hemsworth isn’t.

I wonder how historically accurate it is. You might think the answer is obvious, but I’ve seen some of the shows on The History Channel and it’s really not.

The Unknown (Ancient Seer)