What did you watch last week? Including Red Dwarf X, Ben and Kate, The Mindy Project, Looper and Dexter

It’s “What did you watch last fortnight?”, my chance to tell you what I movies and TV I watched in the past two weeks that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations: The Thick of It, Moone Boy, Red Dwarf X and Homeland.

So here’s a few thoughts on what I have been watching:

  • Ben and Kate – Not much to say that I didn’t cover in my review of the first episode. I tried watching it. Everything about it bar Lucy Punch was dreadful. I couldn’t stand any more of it, so I switched off. Don’t bother with this one.
  • Dexter – Well, I was going to give it one last chance, and after a shaky “oh surely not” first few minutes of the first episode where they milked things out as much as they could, they finally settled down and gave us something that felt like Dexter again. Episode two managed to be as nasty and as high quality as episode one, so I’m sticking with it for a while at least.
  • Doctor Who – I finally got round to watching A Town Called Mercy. It was all right, I guess. Ben Browder was good for the 10 minutes he was in it. But it felt like a very tedious bit of old-school Who, in which the moral dilemma of the week is spelt out in excruciating detail, the liberal ideal is espoused and the liberal ideal is proved right at the end, no matter how unlikely that is, given the scenario we’ve been painted. Clunky, but with moments.
  • Elementary – More of a mystery story than the first episode and a bit more of the Holmes of the books got added in. A little blander perhaps, but a bit smarter and a bit better than the first episode, so I’m not writing it off yet.
  • The Last Resort – An almost literally nail-biting episode, but the whole thing falls apart as soon as any female characters appear. This isn’t because women shouldn’t be in such a manly show but because the writers appear to have no idea how to write women except as problems or as men. Plus an actress other than Autumn Reeser could probably pull off the “I may be a woman but I talk like a man” dialogue that she gets, but that’s not the actress in the role, unfortunately, so it just looks silly.
  • Made in Jersey – You have to admire a bunch of producers who admit to themselves that their pilot episode was a colossal cock-up and basically reboot the entire thing from the second episode, which is what the producers of Made in Jersey have done. Apart from shunting aside most of the cast, in favour of an all new cast that includes Ringer‘s Kristoffer Polaha, they’ve got rid of the Legally Blonde aspect, got Kyle MacLachlan to team up with our heroine and toned down the New Jersey stereotypes. There was also an interesting bit about how people in your own class can bring you down when you try to aspire. A definite improvement on episode one, even if it’s still not that much different from any other legal procedural.
  • The Mindy Project – Not quite as funny as the first episode but if you added up the comedy value of every other comedy on TV this week, combined, they still wouldn’t be as funny as The Mindy Project. The end scene was just nasty.
  • Moone Boy – Like an amiable stroll through 80s TV. Now promoted to recommended
  • Partners – While not quite as offensive as the first episode and the writers were clearly tailored the roles to their cast, by downgrading David Krumholtz to more of a nerd than an alpha male, it was still both unfunny and at least a little offensive, so I turned off. Avoid this one, too.
  • Person of Interest – I obviously abandoned this after episode three but since the mother in law has carried on watching, I thought I’d try leaping back in to see if has got any better. And largely, although the plot clearly has moved on and I found myself a bit lost at times, it hasn’t got any better. It’s the same. While Amy Acker being evil was moderately entertaining, the show still has the same flaws – the star, decent action taking place off-screen rather than on-screen and so on – makes this feel just like a lazy action star who’s feeling a bit tired and so sends the stunt double in rather than do the stunt himself.
  • Red Dwarf X – surprisingly good. Basically, it’s as though we never left series one or two and everything since has been ignored. I even laughed several times. Colour me surprised.
  • Vegas – More procedure-bound than the first episode, this was still a decent hour of drama. Good to see they’re adding another woman to the mix, this time on the side of evil, too.

Still in the pile: last night’s Homeland and 666 Park Avenue. Also, Strike Back: Vengeance, which we’re saving up to watch in one go at the end of the series.

And in movies:

  • Looper – A film that’s been getting a lot of hype, it’s actually a relatively low key, low budget sci-fi movie with some fairly imaginative ideas, a decent twist or two and the benefit of some CGI to make Joseph Gordon-Levitt look more like Bruce Willis. But other than that, you’re going to get more action on TV from Hunted and more complex plots from Doctor Who. So don’t believe the hype, don’t expect an action extravaganza, don’t expect to have your brain stimulated à la Inception. But do expect to enjoy about an half and a hour of the movie’s 2h20 run-time, and do be surprised by cameos from the likes of Piper Perabo and Garret Dillahunt.

“What did you watch last week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

Review: Hunted 1×1 (BBC1/Cinemax)

Hunted with Melissa George

In the UK: Thursdays, 9pm, BBC1. Available on the iPlayer
In the US: Fridays, 10pm, Cinemax. Starts October 19

Action heroines are few and far enough between, particularly on TV, that when a writer creates a female-centric action drama, such as Hunted, he or she has to decide to do one of two things: to be gender-neutral and ignore the fact it’s a woman doing the fighting or to be gender aware and tailor the writing accordingly.

Both ways can work – look at either Buffy The Vampire Slayer or Haywire – but both involve peril. You can be gender neutral like Burn Notice, but then you end up with Gabrielle Anwar, who hasn’t eaten food since 2005, regularly beating 200lb ex-special forces guys in hand-to-hand fights.

Nope, not happening.

Or you can be gender-aware like Missing, tailor your action scenes to the fact your lead is a tad smaller and weaker than the steroided-up 6’5″ male characters, but have have pretty much every single plot item happen because the lead is a woman, and in Missing‘s case, a mother.

Hunted, which features Home and Away star Melissa George as a former army intelligence officer who joins private sector company Byzantium Security – this decade’s Saracen Systems – to carry on spying but for the highest bidder, goes for the secret third approach: the hybrid option, in which pretty much everything happens because George is a woman, but the action scenes remain gender-blind, even though George is built like a Littlewoods catalogue model.

Hunted‘s implementation is probably the least satisfying of all the options (Haywire – more on that later – is secret option four: how to do it properly), results in George mooning about lovers, moving in with the bad guys to look after their kids and getting pregnant by a colleague. Yet somehow, despite the hand of Frank Spotnitz being behind the plotting and dialogue, both of which have the power to make your brain rot in the manly mirror universe of Sky/Cinemax’s Strike Back, Hunted is actually surprisingly okay: nothing extraordinary, nothing too smart and in many ways quite stupid, but with enough flair and action that it’s a passable enough way to spend your time.

Here’s a trailer:

Continue reading “Review: Hunted 1×1 (BBC1/Cinemax)”

Monday’s “Katee Sackhoff joins female Expendables, Red Dwarf X starts big and new US shows drop” news

Film

Trailers

  • Trailer for David Chase’s Not Fade Away
  • Clip from Skyfall

International TV

  • Russia to adapt Prisoners of War

UK TV

US TV

US TV casting

New US TV shows

  • NBC orders pilot for Joe & Joe & Jane
  • …and buys Tommy Johnagin relationship comedy
  • Elizabeth Banks sells female comedy to CBS, duo sell romantic comedy to Fox
  • CBS working on Bad Teacher TV series
  • Bob Daily and Mark Gordon sell drama to ABC
  • Chuck creators sell Midnighters to Fox
  • Michael Cuesta and Carol Mendelsohn sell detective drama to CBS
  • NBC adapting The Slap
  • Saving Grace‘s Nancy Davis adapting telenovela Teresa for ABC

New US TV show casting

  • Natasha Lyonne, Pablo Schreiber and Michael Harney join Orange Is the New Black
Sitting Tennant

Friday’s Sitting Tennant (week 37, 2012)

Hebbie's Sitting Tennant

Sister Chastity's Sitting Tennant

Toby's Sitting Tennant

Someone’s looking forward to the weekend, by the looks of it. See you on Tuesday!

  1. Sister Chastity: 15
  2. Hebbie, Toby: 5

Sitting Board of Winners 2012
January
Hebbie, Sister Chastity

February
Sister Chastity

March
Sister Chastity

April
Sister Chastity, Shilohforever

May
Hebbie, Sister Chastity

June
Hebbie, Sister Chastity

July
Hebbie

August/September
Toby, Sister Chastity

Got a picture of David Tennant sitting, lying down or in some indeterminate state in between? Then leave a link to it below or email me and if it’s judged suitable and doesn’t obviously infringe copyright, it will appear in the “Sitting Tennant” gallery. Don’t forget to include your name in the filename so I don’t get mixed up about who sent it to me.

The best pic in the stash each week will appear on Tuesday and get ten points; the runners up will appear on Friday (one per person who sends one in) and get five points.

Each month, I’ll name the best picture provider and then at the end of the year, the overall champion will be announced for 2012!

It's Hammer Time!

It’s Hammer Time!: X The Unknown (1956)

Time to be frightened. As we saw a couple of weeks ago, Hammer Films had great success in 1955 with its adaptation of the BBC’s The Quatermass Experiment. Desperate for more X-rated Quatermass gold – and to tap into the success of US monster movies – Hammer turned to Quatermass’s creator Nigel Kneale and asked him nicely if they could use the character of Quatermass in another movie, albeit one he wouldn’t be writing. Whether he said it politely or not, Kneale gave a definite ‘No’ to that idea.

So Hammer instead went ahead with a movie that can only be described as “Quatermass with the serial numbers filed off”: X The Unknown. Incorporating elements of The Quatermass Experiment with (ironically) the still-just-a-glimmer-in-Nigel-Kneale’s-eye Quatermass and the Pit, this sees nuclear scientist Bernard Quatermass Dr Adam Royston (American actor Dean Jagger) and Inspector ‘Mac’ McGill (Leo McKern) investigating a mysterious source of radiation in the Lochmouth area of Scotland that killed a soldier. What is it that killed him and is currently killing others? Well, that’s ‘The Unknown’.

Featuring a cast of future stars, including Anthony Newley, Kenneth Cope, Edward Chapman, William Lucas and Frazer Hines, and television directors/producers (Peter Hammond and Ian MacNaughton), the movie was never never as popular as The Quatermass Xperiment but has proved influential enough that horror writer Shaun Hutson this year published a novel that updates it to the present day. Notably, the film was supposed to be directed by Joseph Losey, one of many Americans who had came to the UK to work after having been placed on the Hollywood blacklist of supposed Communist sympathisers. However, when Jagger arrived on set, he refused to work with Losey and Leslie Norman replaced the director.

Enjoy the film, which is preceded by an introduction from Hammer historian Marcus Hearn

Continue reading “It’s Hammer Time!: X The Unknown (1956)”