Tuesday’s “Young Leonardo Da Vinci’s Demons, US Friday Night Dinner, RTD’s Aliens Vs Wizards and more Call The Midwife” news

Theatre

British TV

US TV

  • Lost in Austen‘s Tom Riley cast as young Leonardo in Starz’s Da Vinci’s Demons
  • Kristin Chenoweth to visit Hot in Cleveland
  • CBS greenlights Greg Berlanti’s cop show Golden Boy
  • Ben Stiller to star in and direct HBO’s All Talk by Jonathan Safran
  • NBC picks up eight comedy pilots, including Friday Night Dinner
  • Dick Wolf’s Chicago Fire and Jason Katims’ County, starring Jason Ritter
Canadian TV

Review: The LA Complex (CTV/MuchMusic/The CW) 1×1-1×2

The LA Complex

In Canada: Tuesdays, 9pm ET, CTV/MuchMusic
In the US: Acquired by The CW for spring 2012

So here’s how TV normally works: you come up with a pilot episode and then you cast it. Normally, you’ll slip in a few Australians or Canadians because they’re cheaper. Then, to save more money, although your show is supposedly set in the US, you’ll film your show in Canada, with most of the supporting cast being Canadian, with just the occasional American flown in for luck. Once your show is made, you’ll then sell it to Canadian TV companies.

Now imagine the craftiness of the Canadians who have inverted that entire process with The LA Complex. It features a big group of Canadian actors – as well as an Australian – some of them famous from US shows, Jewel Staite (Firefly, Stargate: Atlantis) and Chelan Simmons (Kyle XY), some from Canadian shows (Cassie Steele from Degrassi: The Next Generation). They all play Canadians (apart from the Australian) – actors, dancers, singers, comedians and musicians who have all come to LA for a shot at the big time. Rather than being shot in Canada, it’s shot in LA and there’s the occasional American added for good luck (Mary Lynn Rajskub as herself). And now it’s been sold to The CW.

And despite the fact it’s largely about young, pretty actors, it’s really quite good and has an unexpected edge.

Continue reading “Review: The LA Complex (CTV/MuchMusic/The CW) 1×1-1×2”

The CarusometerA Carusometer rating of 3

Third-episode verdict: House of Lies (Showtime)

In the US: Sundays, 10pm ET/PT, Showtime
In the UK: Acquired by Sky Atlantic

Do you miss pilot movies? I miss pilot movies. Time was, you could set everything up for a TV series at a decent speed in an hour-and-a-half long movie. But you can’t these days – now you have to squeeze everything into an hour, or in the case of House of Lies, half an hour, hope that people like that enough to keep watching, then put everything you left out into the second and third episodes.

Trouble is, that’s going to give people a misleading impression of the show and they might not like all the fireworks you’ve had to add to get their attention.

So, in case you’ve forgotten already, House of Lies is a supposed insight into the world of management consultants that stars Kirsten Bell and Don Cheadle. And its first episode wasn’t very good: neither insightful nor funny, full of sex for sex’s sake, and locker room talk that made it clear that women weren’t welcome.

Since then, the show has simmered down. It’s got us by the balls and but it doesn’t want to knock them for six. It wants to play with them for a while. And it’s all the better for it.

Characters other than Don Cheadle get a look in; the relentless locker-room talk is mocked; some actual management consultancy is performed; the pitches to camera by Cheadle are now quite clever; there’s an ongoing story arc about the firm based on events from the first episode; it does have some really quite nice Machiavellian moments; and Richard Schiff has turned up as corporate Toby from The West Wing to be the boss. It’s actually a much more watchable show.

What we have now is a bunch of four people who spend all their time taking the piss out of each other, while skiving off proper work, trying to get as many freebies as possible and trying to shag everyone – possibly the closest America is ever going to get a British workplace environment. While it’s not really a subtle show, it’s no longer the insult to the intelligence the first episode was and it’s almost enjoyable. Worth a try from about episode two onwards, I reckon.

Carusometer rating: 3
Rob’s prediction: Will probably last a season, but not much more

Weekly Wonder Woman

Review: Wonder Woman #5

Wonder Woman #5 front cover

Would you look at that. Another cover for Wonder Woman that actually contains more action than the entire issue (incidentally, have a look at who Wonder Woman is tridenting while I ask, Rolf Harris-style, "Can you tell who it is yet?" Bet you can’t.)

Anyway, follow me quickly after the jump so we can talk about Wonder Woman’s first proper trip around London, the arrival of a couple of new gods, the unveiling of a cockney demi-god and some more of Wonder Woman’s super-powers, and how even though flattery may be the sincerest form of imitation, Tony Akins really isn’t Cliff Chiang. Spoilers ahoy!

Continue reading “Review: Wonder Woman #5”

Monday’s “666 Park Ave., Chuck up and a Grimm newbie” news

Film

Theatre

  • Jodie Prenger and Primeval‘s Hannah Spearitt join One Man, Two Guvnors

British TV

Canadian TV

US TV