Month: March 2012

Sitting Tennant

Tuesday’s Sitting Tennant (week 12, 2012) – and the final ever caption competition winner is revealed

20 March 2012 Rob Buckley 7 Comments

Shilohforever's Sitting Tennant

A fabulous bit of catching up Shilohforever, I’m sure you all agree.

  1. Sister Chastity, Shilohforever: 35
  2. Hebbie: 15

First off, let’s award an especially deserved final 10 points to Ms Rullsenberg for her inspired bit of captioning this week. That makes her the winner of March’s Sitting Tennant captioning competition. A big well done to her again!

  1. Rullsenberg: 30
  2. SK, Toby: 10

Tis a sad day, because it marks the end after nearly four years of the Sitting Tennant caption competition. There simply aren’t enough people feeling inspired enough to caption pictures of David Tennant sitting down any more, it seems. It’s been a great run and I’d like to thank everyone who’s ever contributed so much as a single caption to the competition over the years, but particularly those frequent contributors who’ve made it such a blast to run over the last few years, including Ms Rullsenberg, SK, Toby, Marie, Jane Henry, Electric Dragon, Lisa G, Virpi, Janice, Joe B, Dani, ecg, Rachel, whogal, Persephone, Jaradel, Sister Chastity, Rev/Views, and George. Those who have triumphed over the years will, of course, be remembered always:

Feel free to continue captioning non-competitively, of course, and the picture competition will continue. Good luck with this week’s picture-hunting everyone!

Sitting Board of Winners 2012
January
Pictures: Hebbie, Sister Chastity
Captions: Rullsenberg, SK

February
Pictures: Sister Chastity
Captions: Rullsenberg

March
Captions: Rullsenberg

Got a picture of David Tennant sitting, lying down or in some indeterminate state in between? Then leave a link to it below or email me and if it’s judged suitable and doesn’t obviously infringe copyright, it will appear in the Sitting Tennant gallery. Don’t forget to include your name in the filename so I don’t get mixed up about who sent it to me.

The best pic in the stash each week will appear on Tuesday and get ten points; the runners up will appear on Friday (one per person who sends one in) and get five points.

Each month, I’ll name the best picture provider and then at the end of the year, the overall champion will be announced for 2012!

TMINE is moving to Disqus commenting

20 March 2012 Rob Buckley 30 Comments

Well, I built this blog on rock and roll – aka Movable Type – which seemed like a good idea back in 2005, but not so much these days. It’s been lagging a bit (well, maybe not but since it’s all being done in Japanese now, how would I know?) over things like Facebook and Twitter integration, bug fixes, server stresses, spam fighting etc, so in a concerted effort to fix most of the problems, I’ve decided to move the blog commenting system over to Disqus.

This should offer all sorts of exciting features in the long run as well as in the short-term, but it’s all going to be in a state of flux for the next couple of days or so, while I iron out the bugs. At the moment, Disqus is importing all the blog’s comments (over 15,000 of them…) and it should have them imported within 24 hours or so. Until then, this place is going to be a bit schizophrenic.

Bear with me and it should all turn out fine soon enough! Thanks!

Tuesday’s “Brian Cox joins Gotham, Homeland up and The Walking Dead sets a ratings record” news

20 March 2012 Rob Buckley Post a comment

Film

UK TV

US TV

US TV pilots

US TV

What did you watch last week? Including The Almighty Johnsons, Dirk Gently, Shameless, The Mechanic and The Thin Man

19 March 2012 Rob Buckley 2 Comments

Tom Cruise running in Cougar Town

It’s “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

First, the usual recommendations: The Almighty Johnsons, Archer, Being Human (US), BeTipul, Community, Cougar Town, The Daily Show, Happy Endings, House, Modern Family, Portlandia, Ringer, Shameless (US), Southland, Spartacus, Suburgatory, 30 Rock and Top Gear. Assuming they’re on where you live, of course.

The observant will have noticed that I’ve promoted The Almighty Johnsons to the A-list there. I’ve caught up to those lovely New Zealanders now and I’d have to say that the first season is really good and really takes over from about episode eight onwards; the second season is a lot darker though, has some holes in the cast that the show really feels, as well as some changes to the set-up and general approach to the show – away from gods v goddesses to gods v (spoiler) Loki – that make it weaker. But it’s still a good show and the signs are that subsequent episodes will repair some of the damage. But what’s with Anders’ beard and all the rubbish new haircuts for everyone?

Now, some thoughts on the regulars:

  • Being Human (US): a slightly obvious twist last week that was still a good change for the show. Much better than the UK version now
  • Community: As close to normal as Community gets, and fabulous.
  • Cougar Town: Not just the Scrubs crossover to end all crossovers but we got ‘Tom Cruise-running’ as well. Excellent work all round.
  • Dirk Gently: Different in tone from the first episode, with Matt James (Doctor Who – The Impossible Planet) on scripting duties. Less a holistic mystery than an actual mystery, it was easy to guess the very sci-fi explanation for what had happened, but that didn’t actually matter. It was even surprisingly touching. One complaint: St Cedds (good), not filming in Cambridge (bad).
  • Happy Endings: A bottle episode, but a well-handled bottle episode, particularly the body swap at the end. Yes, you read that right.
  • Kung Fu: Second season now. The fighting’s getting better. The scripts aren’t getting faster, though, even with ninja.
  • Modern Family: Meh. So so.
  • Ringer: What? I mean seriously, what? Those flashbacks to Siobhan and Andrew made literally no sense within the context of the first two episodes of the show. But it’s Ringer, so what was I expecting?
  • Shameless: Heart-rending two episodes in which to see dreams crushed by other people. One that Ayn Rand-ists should watch.
  • She-Wolves: England’s Early Queens: Didn’t actually watch this one, but my lovely wife did and she reports that it’s quite good in and of itself, but if you know anything about the period before Elizabeth, it’s very basic and you won’t learn much.
  • Southland: Wow. What an episode. This week’s the finale. This should be traumatic.
  • Spartacus: Really very awesome (haven’t watched Friday’s yet), thanks to an influx of Germans, although the constant use of rape as a way to elevate the danger levels is getting very tired. I’m now almost used to Liam McIntyre as Spartacus, even though he’s still not up there with Andy Whitfield.
  • Suburgatory: a bit more drama than comedy, but good to see Robin Givens still getting work.
  • 30 Rock: The return of Dennis! Yey! And “You Soloed me” – a classic line.

And in movies:

  • The Thin Man: a classic Dashiell Hammett story, while the plot is typical 1920s/30s intricate murder-mystery, it’s absolutely worth watching for possibly the first depiction of a modern marriage in a film:

  • Fear and Loathing in Las Vegas: Despite the presence of Terry Gilliam behind the camera and Johnny Depp in front, absolutely not a patch on the book and curiously uninvolving.

  • The Mechanic: Jason Statham takes on the Charles Bronson role in this unspectacular remake of the 70s movie about a professional hitman who takes on an assistant. A few good set pieces, but lacking the humour of the average Statham film, as well as the characteristic fight scenes, this is basically a movie by the numbers but with a few elements that take it above the normal. Reasonable enough, but don’t expect to see anything new.

How about you?

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

The CarusometerA Carusometer rating of 2

Third-episode verdict: Awake (NBC)

19 March 2012 Rob Buckley 2 Comments

In the US: Thursdays, 10/9c, NBC
In the UK: Not yet acquired

And thus we continue with Awake, in which homicide detective Jason Isaacs has a car crash and wakes up to find himself in two realities: one where his wife died, one where his son died. When he goes to sleep in one reality, he wakes up in the other. Which is real, which is imaginary? Or are they both real?

The really very good first episode largely looked at the two different lives Isaacs now leads, having to deal with two deaths yet still having his loved ones alive in another reality. Episode two then shifted the focus to the murder cases that Isaacs has to investigate, with clues in one reality helping to solve the case in another reality (although not quite vice versa); episode three then sees Isaacs having to help a man in one reality who’s dead in the other reality.

Slightly problematically, the murder cases, while intelligently done, just aren’t as compelling as Isaacs’ home situation and the ideas about grief and loss that it raises. We’re also starting to get ‘rationalisation fatigue’, with therapists in both realities coming up with increasingly unconvincing explanations for how Isaacs can know things that he shouldn’t possibly know unless the other reality truly existed – when there’s obviously no good reason at all, the therapists conveniently ignore that particular difficulty. And then there’s ‘patient partner’ syndrome, familiar from dozens of sci-fi and fantasy shows, with Isaacs’ partners being fobbed off with equally implausible explanations for the impossible and deciding to accept anything for a quite life.

Lastly, episode two saw the head of a worrying conspiracy theory rear its ugly head, which adds an extra implausibility to a show that’s been trying to stay fully convincing outside of its central conceit. That’s really not a good sign. And despite the producers’ stated intent to make us not want to care about what has caused this reality split, that conspiracy is really doing the exact opposite.

Yet, despite these caveats, this is still one of the most fascinating, intelligent, adult shows on network TV at the moment. It’s going to get cancelled, obviously, because its ratings aren’t great and it’s NBC. But I’m hoping it will stick around to find its feet.

Carusometer rating: 2
Rob’s prediction: Fingers crossed for more than one season, but I doubt it