US TV

Review: Heroes 3×1-3×2

Heroes 3x1

In the US: Mondays, 9pm, NBC
In the UK: Mondays, 9pm, BBC2. Starts October 1st

Heroes was the show everyone loved during its first season. The one real breakout hit of that year’s new entries, it was an ensemble Unbreakable for the small screen: ordinary people suddenly find they have superpowers and have to work out what to do with them.

Then came its second season and then it wasn’t quite as loved as it was before. Apart from its crimes against Ireland and the disappointingly unsuper finale to the first season, the second season just plodded along like it was Lost or something. Bah. Where were the superfights and the superpowers? Why did we have to deal with all these rubbish new heroes when the old ones didn’t have enough screen time as it was?

Fortunately, along came the writers’ strike in the US and curtailed the second season, forcing it to speed up and giving the writers more time to think of a decent third season.

So now, it’s back, finally, after a hell of a wait. The writers have regrouped. Have they managed to fix their mistakes and return Heroes to the glory of the first season?

And more importantly, since it’s the only really important question in the whole of this introduction and perhaps even the world, is there any point to life any more or is Ali Larter definitely still in the cast list?

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US TV

Review: CSI: Miami 7×1

CSI: Miami 7x1

In the US: Mondays, 10pm ET/PT, CBS
In the UK: Five, Five US, Living, Living+1, blah, blah, blah… Soon and then forever

Yes, it’s back again, even though it never seemed to have gone away. It’s CSI: Miami, the world’s favourite source of mind-blowingly stupid storylines, science-fiction masquerading as police procedures, and acting that needs a whole new thesaurus full of synonyms for ‘atrocious’ for it to be adequately described – and it’s back on our screens, ready to make us all go ‘WTF?’ again.

Aren’t you glad? It’s just so much fun, isn’t it?

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November at the BFI

Time for our regular round-up of tele events at the BFI. No TV season in November but there are isolated pockets of TV-ness to be enjoyed

  • 3rd: Sir David Attenborough in conversation. Preceded by episodes of Life on Earth and Life in the Undergrowth
  • 30th: The Naked Civil Servant. Next month will feature a preview of An Englishman in New York

Members’ priority postal booking opens 29 September
Members’ online and phone booking opens 6 October
Public booking opens 10 October

There’s also a bit of a Play for Today theme this month. Every Saturday and Sunday, the Studio will be holding free, 47 minute performances of some of the best bits from plays such as Mike Leigh’s Nuts in May and Jack Rosenthal’s Bar Mitzvah Boy. And the Mediatheque has a few additions to its existing library of plays, including David Hare’s Dreams of Leaving, starring a young Bill Nighy.

As always, visit the BFI web site for more details

The CarusometerA Carusometer rating of 2

Third-episode verdict: True Blood

Time for a third-episode verdict on HBO’s True Blood, which has already been picked up for a second series. Three episodes in and, thankfully, we’ve transcended the teen girl fantasy supernatural source material that characterised the first episode and moved on to more interesting, darker pastures. 

The show is now an interesting take on prejudice. Rather than a simple slating of intolerance, the show questions how tolerant the tolerant really are. Would you be so quick to defend vampires from stereotyping and violence if you knew they fed on babies, for instance?

The show still suffers from its virginal heroine’s tedious innocence – right down to dressing in white for every occasion – and the way Southeners are almost universally portrayed as stupid, intolerant and sex-crazed. Stephen Noyer’s brooding vampire Bill is so repressed he’s downright dull.

But it’s actually pretty creepy, can be quite humorous, is surprisingly sexually explicit and deals with some quite dark subject matter.

So The Medium is Not Enough has great pleasure in declaring True Blood a two or ‘Partial Caruso’ on The Carusometer quality scale.

PS If you want a longer, more in-depth review of True Blood, I’ll be looking at it in the October issue of Action Network magazine

Tuesdays’s West Wing meets Obama news

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