US TV

Review: Life on Mars (US) 1×1

Life on Mars (US)

In the US: Thursdays, 10/9c, ABC
In the UK: I’m guessing the Beeb will buy it. What do you think?

This is the one we in Britain have all been waiting for. Despite running for only two series, time travel cop drama Life on Mars became something akin to the crown jewels – a national treasure to be revered by everyone. Even the awfulness of spin-off Ashes to Ashes couldn’t dull our love for it.

So when we heard that the US was going to adapt it, we all feared the worst and assumed terrible things were going to happen to our precious*. “Take your hands off our crown jewels, Yanks,” was the general reaction.

To be fair, once we saw the trailer and the pilot, we actually had a good reason to be dismayed. The trailer was truly awful and the pilot was bland. Relocated from Manchester to LA, the show ditched most of the characters, took away a lot of the fun bits without adding anything, and didn’t really have any style of its own.

And ABC agreed. It took one look and said, “Guys, do you want to try again? Because this is sh*t.” So the producers did try again. They changed production team, relocated the show to New York, brought back all the old characters and rewrote the script. Then they brought in heavyweight acting talent Harvey Keitel, Gretchen Mol and Michael Imperioli – and reshot the entire thing.

Wow. They say pilots can be unrepresentative of the series that follow, but that’s all pretty unprecedented – although unsurprising given just how few new dramas ABC is running with this Fall.

Has that been enough though?

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US TV

Review: CSI 9×1

CSI

In the US: Thursdays, 9pm ET/PT, CBS
In the UK: Five, Five US, Living, etc, ad infinitum

It seems that just about every time I review an episode of CSI, I make the following points:

  • It’s the only smart series in the CSI canon, with CSI:Miami being dumb, conservative propaganda with minimal resemblance to reality and CSI: NY being little more than live action fan fic now
  • It does dark and nuanced well
  • The characters feel like characters rather than plot advancers

And this time’s no different. We open, as we have in most previous years, with a big character-related episode. And my, isn’t it a tear-jerker?

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US TV

Review: Eleventh Hour 1×1

Eleventh Hour

In the US: Thursdays, 10pm ET/PT, CBS

Cast your minds back a bit. The Eleventh Hour was a really very bad ITV drama starring Patrick Stewart and Ashley Jensen, in which physicist Stewart worked for ‘The Government’ solving science-related crimes while bodyguard Jensen did her level worst to protect him. Derivative of just about everything from Doomwatch and Doctor Who to almost every US TV show ever made, it only lasted four episodes before being pulled.

So it was something of a mystery to me why Jerry Bruckheimer no less took a look at it and said to himself, “Yes, I’ll be having myself some of that.”

But, it can’t help be noticed that over the years, when the UK has done its level best to produce TV shows that look a lot like US shows but are simply awful, when the US remake them they’re a whole lot better. Look at Touching Evil. Mind-blowingly bad stuff in the UK, absolutely triffic in the US.

And thus it is with Eleventh Hour.

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The CarusometerA Carusometer rating of 5

Third-episode verdict: Knight Rider

So I’m in something of a quandry here. On the one hand, this is possibly the worst TV programme ever made, although Painkiller Jane is certainly going to give it a run for its money. Watching it makes me feel ill and that’s without the benefit of strobe lighting to give me epileptic seizures.

On the other hand, my wife – who has a pair of what she calls “80s goggles” that are jam-jar thick, apparently, and which she constantly exhorts me to put on, too – thinks the new series of Knight Rider is the best TV series in the world ever.

For my part, I’ll explain my issues with it. As mentioned in my review of the first episode, this is very much a show aimed at teenage boys and is about as intelligent as anything by the scribe behind The Fast and The Furious can expected to be. But every single part of it is excruciating.

For instance, we’re now three episodes in and everyone is being out-acted by Val Kilmer. Who only does a voice-over. And he’s Val Kilmer. Surely that should show signs of problems?

The characters are appalling. The fact that the hero is ex-Rangers (Brits: think the equivalent of our parachute regiment) and yet skinny science ex-girlfriend can claim to “have had the same training” and therefore be able to accompany him on the missions as his equal – and we can believe that – suggests more problems. Given that every plot now involves someone who ‘Mike Traceur’ aka Michael Knight knew in the army and they all look like they’ve been in the army – and he doesn’t – only shows up yet more problems. And the show can’t characterise consistently: one second Mike’s an alpha male with an eye for the ladies, the next he’s embarrassed at the possibility of having to kiss a co-worker.

Skinny science girl and faux-Ranger may bicker like they’re in High School still and have the emotional maturity to match, but they’re far from the worst characters. We have a Latino boss who stands there and acts gruff. For some reason, they’ve decided that having a gay woman in charge in the TV movie wasn’t manly enough so she’s always on missions to Washington whenever she’s needed.

And then there are the tech dweebs. I suppose it’s almost a stroke of genius to have two characters who MST3K the show on-screen as it goes along to pre-empt criticism, but they really are awful. More importantly, they tie into something quite insidious: the lads mag mentality of the show.

Okay, so original Knight Rider is probably to blame for this, but virtually all the female characters are in bikinis the whole time. Male geek is shown to be a complete loser, while female geek is hot, confident, attracted to bad boys, etc. Episode two was a repellent piece of rubbish about how guys have to be alpha dogs, treat women like dirt, etc, if they’re to survive in life (“If you’re not the shark, you’re food”). Episode three had all the boys goofing around with water pistols while the girls are all serious and focused on the job.

I’m not saying this is a piece of agit prop like Wonder Woman, but it does feel like the show is telling the next generation of boys that they’re rubbish compared to the far superior women, who are going to be outclassing them in just about every area of their existence, so they might as well not bother trying to do much more than play games, ogle the women, etc – and women will like that. Fair enough: maybe Knight Rider is trying to usher in the new matriarchy, in which case I for one welcome our new female overlords – if the men on here are the alternatives.

Lastly there are the plots, which are a big problem. They’re just dumb. More to the point, they make KITT the super-car look a bit rubbish. One of the joys of the original show was its Reaganite message that “technology is brilliant and can overcome all problems”. Now, thanks to advice given to the producers by Microsoft, KITT seems to be in trouble at almost every opportunity. It’s like they’re softening us up for the sequel to Windows Vista.

Overall then, until My Own Worst Enemy arrives, we’ve got the obvious stinker of the season, but I suspect it’ll lurch on for a while. To be avoided if possible if you don’t have 80s goggles.