Adrian Edmondson and Ben Elton: together again

A brief heads-up for those of you who lived through the 80s.

TEENAGE KICKS

A brand new sitcom by Adrian Edmondson and Nigel Smith.

Vernon (Adrian Edmondson) moves in with his teenage kids after a spectacularly nasty divorce. He’s genuinely excited about living in their student flat. A rebel in his youth (or so he thinks), it’s his chance to be young again. Naturally, his kids are mortified.

Vernon’s only refuge from his nagging children is the pub where he meets his oldest mate Bryan (Ben Elton), now a reasonably content, slightly smug, primary school deputy head whose ‘sorted’ life is in direct contrast with Vernon’s. However, neither is quite sure who’s getting the best deal.

At heart it’s a family sitcom, but the normal family structure has been turned upside down: here the young kids can’t get rid of their stupidly rebellious father.

The show will take place at Teddington Studios, TW11 on Saturday 24th February at 7pm. Minimum age limit is 16 years old.

You can apply for tickets by calling 020 8684 3333 or online at http://www.sroaudiences.com.

UK TV

Review: Primeval 1×1

Primeval

In the UK: Saturday, 7.20pm, ITV1. Repeated on Sunday, 4.25pm.

In the US: Probably BBC America at some point, but not acquired yet.

Normally, tuning into ITV1 on a Saturday night is about as appealing as swigging back a family fun-sized bottle of sulphuric acid (aka anything you’ve bought from Threshers). But then, before Doctor Who turned up, the same was true of BBC1. Now, Saturday is where it’s at.

ITV has noticed this. Never ones to come up with an idea of their own if someone else’s will do, the powers that be have decided that if coming up with family-friendly sci-fi worked for the Beeb, that same idea can be ‘borrowed’ and made to work on ITV1 as well — after everything’s received approval from 17 focus groups, five sub-comittees, two consultants and a man specially hired just so he can be fired if it all goes wrong, of course.

But just as The Tomorrow People, ITV’s ‘answer’ to Doctor Who in the 70s, turned out to be something completely different and acceptable in its own right (until the puppets turned up), so Primeval isn’t simply Doctor Who with the TARDIS serial number filed off.

Continue reading “Review: Primeval 1×1”

Things I learnt from television last week

24: There is a law of the television universe called the “Conservation of Family Goodness”. The total net goodness of any TV family must be 0. The more good one family member is, the more evil the other ones must be. If a family member disappears for some reason, their goodness or evil must be redistributed among the remaining family members.

The Class: There really is nothing funnier to American sitcom writers than English people. Or English people faking American accents. Or Americans faking English accents.

CSI: All the best ones die young.

CSI: Miami: No matter how stupid you think the show is right now, it just keeps getting stupider. David Caruso can heal people now, just by touching them.

Heroes: If you need a load of superheroes, in-breeding seems to be the way forward.

House: Sometimes, it’s the simple explanations that are the most interesting.

Lost: When Lost dawdles, it’s rubbish. When it starts explaining stuff, it’s great

My Name is Earl: No matter how good you think the show is right now, it will just keep getting better.

Prison Break: All cabals and conspiracies require a cigar-smoking room for their headquarters.

Smallville: Lana Lang is the western world’s biggest stalker magnet. She should be stuck at one end of Hollywood Boulevard to draw out the crazies.

Supernatural: After a while, the phrase “yellow-eyed demon” stops being scary and starts to become a bit funny.

Scrubs: Developing characters in a long-running show is a good idea.

Studio 60: Aaron Sorkin really can’t write women well. Also, after a given point in any Sorkin show, it will actually become impossible to work out what characters are talking about.

The Unit: A show, no matter how good, automatically jumps the shark as soon as the psychics episode arrives.

Share the thrill on Monday

God, it’s good to be up and working, isn’t it?

Doctor Who

  • The Sun reckoned John Simm was in negotiations to appear in Doctor Who. The Sunday Times said yesterday that he’s filming a kids’ show (allegedly. Can’t find it on the website though). Scottish Big Issue had him saying “’I’ve got one more thing in 2007, which was kind of unturndownable, and then I’ll stay away from telly for a bit’.” And The Independent says he’s definitely been cast. Yes, John Simm is… Maybe? [via TV Today]
  • Sheridan Smith talks about life as a companion. Discussions are underway for another load of BBC7 stories, apparently.
  • Looking forward to Recovery, Tennant fans? Apparently, highlights are seeing “Tennant in the nude, having sex and pooing into a bucket”.
  • John Barrowman expects series two of Torchwood will run in early 2008

Art

Film

British TV

US TV

UK TV

Insane special features

Crown Court



Just got through my review copy of The Sandbaggers, series three. What do you reckon the best special feature would be, bearing in mind it’s a classic early 80s British spy show, starring Roy Marsden?

Some sort of interview with Roy Marsden?

A director’s commentary, perhaps?

The scripts as a DVD ROM?

Wrong. Wrong. Wrong.

The actual special feature is a three-part story from Crown Court that features Roy Marsden.

Much as I loved – and it turns out love – Crown Court, the painstakingly, laboriously authentic dramatisation of typical English Crown Court trials of the 70s and 80s (this week, for three episodes, a woman accused of shoplifting), I’m not sure it’s quite right for the DVDs. Do you?