UK TV

Gordon Ramsay and what it is to be a man

F-word hunting

As I mentioned at the beginning of the latest series of The F-Word, I wasn’t sure if I’d be able to watch it because of the planned slaughter of lambs. However, as well as the series-long lead up to the eventual culling of “Charlotte” and “Gavin”, the loveliest, fluffiest little Welsh lambs you ever did see – they actually skip and everything –  every week we’ve been having to watch Gordon and his planned culling and eating of anything that moves.

We’ve had to endure stabbing of live king crabs, stalking of deer with a rifle (to his credit, he couldn’t pull the trigger when the time came) and this week, Gordon went to kill some rooks with the help of his son, Jack, much to the horror of my increasingly vegetarian self.

Now, I don’t know if you’ve read Gordon’s autobiography or not, but Mr “Where are your balls?” Ramsay does go to great “Me thinks he doth protest too much” lengths to extoll his complete lack of misogyny. He’s even let a woman head up one of his restaurants, so he can’t be, can he?

But after tonight’s episode of The F-Word, the charge is a little harder to refute. Poor little Jack, when rushing off to collect the dead carcasses of rooks, points out they’re covered in blood.

“Of course they are!” says Gordon. “Don’t be such a girl!”

Oops. Can. Of. Worms….

US TV

The Random Episode Carusometer: Painkiller Jane

Random episode Carusometer for Painkiller Jane

At The Medium Is Not Enough, we – by which, of course, I mean I –  have a somewhat long-term policy regarding reviews of shows. Even the worst shows can get better after a few episodes, and of course, the best shows can get worse, too. So I hold off for a few episodes before stating for definite whether a show is worth expending valuable time on.

I started off with the third-episode verdict system: this uses The Carusometer, the most powerful and certainly the most egotistical TV quality system in the universe, to measure just how good a series’ first three episodes are before declaring whether they’re fit for human consumption. Look at Heroes: not exactly brilliant for the first two episodes but started to take off (literally) after three.

But there are some shows that still don’t find their way by their third episode, so I came up with the fifth-episode verdict system: if the show looks like it could get better, I wait for another two episodes before passing it over to the penetrating, darkly shaded gaze of The Carusometer.

But I’ve noticed that some shows still don’t get the hang of life for a few more episodes. Look at Torchwood: good start, absolutely dire middle, much better from about episode eight onwards.

Now there’s no way I’m hanging on watching some of these shows for their full eight episodes: one episode of Ghost Whisperer was enough and I couldn’t even last one minute of Angela’s Eyes. If I dumped them by episode three, there’s a very good chance they’re going to be awful forever. Yet to avoid possibly missing a good TV show that only finds its feet at the last moment, we need some system to pick them up.

So today, I’m instigating the launch of the Random Episode Carusometer, complete with not terribly impressive graphic I whipped up in Illustrator in less than an hour.

Continue reading “The Random Episode Carusometer: Painkiller Jane”

Tuesday morning’s news

And then… sniff… he found out he wasn’t who he thought he was… sniff… but to save everyone he had to give up the woman he loved… sniff… and then he saw what his life would have been like with her… sniff…

Film

  • Lots of clips from Fantastic Four: Rise of the Silver Surfer
  • Eek. Optimus Prime v Bonecrusher
  • Pathe and the Beeb are making films about Mrs T and Lord Nelson among others
  • Tarantino says Italian film industry is depressing. Italian film industry says he is. So ner!
  • Video of Speed Racer‘s Mach 5 and cast, including Matthew Fox, Susan Sarandon and Christina Ricci – you’ll have to watch an ad first
  • America’s version of Derren Brown, Criss Angel, is to appear in Mandrake, possibly as Mandrake

Commercials

  • Amy Winehouse’s mockney accent and ‘edgy’ image make Americans like her, not want to slap her [free registration required]

US TV

  • They’re looking for an extremely hot editor for the Daily Planet in Smallville
  • Spoilers for House, Lost, et al at Kristin. Plus they’d really like to get Christopher Eccleston back on Heroes
US TV

Season finales: House

House

House is a series that likes temporary mini-arcs. It never does a full-season arc; it never has an arc that really changes anything, since there’s always a magic reset button at the end; and it’s always about House himself, with the other characters rarely getting the fleshing out they probably deserve.

Season three has been no different. Probably the best so far, with Hugh Laurie now very comfortable in his role and even mellowing a little, it’s been even more House-centric than usual. The highlight was the David Morse storyline, which was excellent but let down by a cop-out ending, unfortunately.

But the subsequent Foreman arc and finale show signs that the producers want to move things on a little. Since we aim to have spoiler-free reviews here for the benefit of UK viewers, I won’t mention all the intricacies of the plot, only say that the little birds under House’s not-so-tender gaze are feeling restless. Cutty and Wilson get their usual minor “Oh House!” moments, like principals in some rubbish 80s high school sitcom. But everyone else seems to be getting pushier and pushier to good effect.

The show ends on a cliffhanger of sorts – a cliffhanger only if you believe a magic reset button isn’t being sent by parcel post to a certain New Jersey hospital right now – so be wary. But it’s not the earth-shattering ending that season two promised, and with House warming up, it’s likely that you’ll leave it feeling optimistic, rather than trepidatious.

Tension: 5/10

UK TV

Review: Doctor Who – 3×8-3×9 – Human Nature/The Family of Blood

Family Of Blood

I’m a big man.

I say this not to boast – although wey hey! – but because it’s a truism that it takes a big man to admit it when he’s wrong.

I admit it. I was wrong. Paul Cornell can write. He can write very well (subject to any possible script edits made by RTD, Helen Raynor, et al).

Continue reading “Review: Doctor Who – 3×8-3×9 – Human Nature/The Family of Blood”