What have you been watching? Including Blunt Talk, The Island/Το Νησί, Y Gwyll/Hinterland, Impastor, Continuum and You’re The Worst

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Can you feel it? Can you? It’s coming. It’s nearly here. It’s the Fall 2015-16 US TV season! Hoorah!

But not until next week. Not properly, anyway, which is why the only new US TV show I’ve reviewed this week is FX’s The Bastard Executioner and the only regular US shows I’ll be examining after the jump are the season finale of Impastor and the latest You’re The Worst. In desperation, I even went back a few weeks to give Patrick Stewart’s new August-debuting series a go, too.

Blunt Talk (US: Starz)
Patrick Stewart plays a former British marine turned US chat show host whose ratings are on the down turn. He ends up high on drugs and alcohol, and in the arms (and bosom) of a young, transgender prostitute, and is promptly arrested – well, once he’s stopped beating up the cops. What will happen to his career now?

This is a comedy by the way. It’s not one of those crazy old-fashioned things with jokes, but instead mainly seems to get by on seeing Stewart not being a ‘English gentleman’. This might amuse Americans, unused to English people doing such things, but as Stewart himself points out in the show, we’re a bit more used to idiosyncratic Englishmen here.

The only rays of hope in the show are the moments Stewart has by himself with Adrian Scarborough (Gavin & Stacey, Plebs), his former Falklands batman, which are actually pretty good fun, even if filtered through a strange US prism.

Overall, by the end of the first episode, I really wasn’t sure what the point of the show was. It’s not satirising anything, it’s not doing a The Newsroom or a The Larry Sanders Show. It’s just Stewart being a mild-mannered, self-harming dick.

Here’s a trailer.

But that’s it for US TV. Oh well.

However, there’s more to the world than America. Indeed, elsewhere, I’ve reviewed the first episode of Australia and New Zealand’s new 800 Words, and after the jump, I’ll be looking at the continuing adventures of Canada’s Continuum and the return of Wales’ Y Gwyll/Hinterland. There’s lovely, hey?

And as if all that wasn’t enough, I broke a rule and took a look at some Greek TV.

The Island/Το Νησί (Greece: Mega)
The reason for my rule-breaking is that this year marked the 10th anniversary of the publication of Victoria Hislop’s The Island, a novel set in the first half of the 20th century on the Greek islands of Crete and Spinalonga. On Spinalonga is a fortress where Greece used to send people with leprosy until a cure was discovered in the 1950s and the story is about various love affairs, some of which involve people who end up on the island, and how that affects their families.

As well as a Q&A with Hislop, the night featured an airing of the first episode of Το Νησί, Greek television’s 2010/11 24-part adaptation of the novel, which despite being made for €4m and a couple of bottles of raki, is actually very lavish and emptied the streets when it aired. Indeed, it has only ever been beaten in the ratings twice, both times by sporting events, one of which was the opening of the Athens Olympics.

The adaptation is pretty faithful to the book, right down to the modern-day London bookending, which features a pre-Downton Abbey Dan Stevens. It’s all very lavish and well made in Greek terms, too, although equally, it’s very Greek and emotionally drawn out, too. Acting’s pretty good, with Evgenia Dimitropoulou playing a double-role of both the modern day Alexis and her own aunt Anna – as Alexis, she does a good job of playing a British-Greek girl who doesn’t speak Greek that well (hers is about as good as mine, in fact), although she seems to understand an awful lot, even some quite obscure words such as λεπρός (leper), when she winds up in Crete.

The series has never aired in the UK, surprisingly, although I’m sure BBC Four will get round to it some day. However, you can watch all of it on YouTube, albeit without subtitles, if you hunt around.

There were a few celebs among the audience at the Q&A, including Patrick Barlow and Robert Young, but one in particular pretty much stalked me all over Blackfriars and at the Q&A the entire evening. He made his bilingual acting debut in the first episode of the series, which I’ve embedded below – see if you can spot him. I’ll give you a clue – he first appears at the 3m59s point.

Continue reading “What have you been watching? Including Blunt Talk, The Island/Το Νησί, Y Gwyll/Hinterland, Impastor, Continuum and You’re The Worst”

What have you been watching? Including Interstellar, Arrow, Gotham, Elementary and Plebs

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Despite the fact a couple of shows in the US have decided to take a wee break this week, the moving of “What have you been watching?” to a Friday hasn’t quite solved my backlog issues. So I haven’t yet watched this week’s The Affair or Jane The Virgin – which might be telling me something, or might not be. Otherwise, I’m up to date.

Elsewhere, I reviewed The McCarthys and I managed to watch a movie this evening:

Interstellar (2014)
Christopher Nolan’s latest. Christopher Nolan is, of course, a genius and Interstellar is another convention-defying, mainstream movie industry-defying blockbuster with little busting or indeed action. Three of its biggest stars are only revealed halfway through and the whole thing is set in some dystopian near future where the Earth is dying and our only hope is for Matthew McConaughey and Anne Hathaway to travel through a wormhole to a distant galaxy and try to find a new planet. An odd combination of 2001, 2010, Silent Running, Planet of the Apes and, erm, Signs, it’s thoughtful, tries its best with science – it’s one of the few movies to even attempt to have the repercussions of relativity as a main plot point, let alone worry about whether a black hole is spinning or not in order for its singularity to be of the right kind, or try to simulate five dimensions with just two – and has some lovely outer space bits filmed in Iceland.

But I don’t know whether it’s because I’m a genius, too, because virtually all the twists and turns the movie runs through seemed blindingly obvious to me. I saw them all coming and was mildly disappointed when the movie did exactly what I expected it to do, particularly in one particularly bonkers bit towards the end. YMMV, but I’m off to watch Gravity and Inception again after this, both of which do aspects of Interstellar much much better. Still, it is a Christopher Nolan movie so automatically in the top 10% of all movies this year, despite a run time of three hours and nine minutes, and it does handles emotions and the people side of things much better than previous Nolan movies have, while still being very smart.

After the jump, I’ll be running through: Arrow, The Blacklist, Elementary, Gotham, Gracepoint, Homeland, Muianey, Plebs, Selfie and Scorpion.

Continue reading “What have you been watching? Including Interstellar, Arrow, Gotham, Elementary and Plebs”

What have you been watching? Including The Anomaly, Constantine, Chef and Doctor Who

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Sunday’s overload of TV, as well as a generally busy weekend, means that I’m very slightly behind on my viewing. That means that still in the viewing queue are the latest episodes of The Affair, Homeland, Mulaney and Marvel’s Agents of SHIELD. I’ve also got the first episode of The McCarthys to watch as well. As a result, I think “What have you been watching?” should shift to Friday again for the next few weeks, to deal with the latest schedule fun.

I did give The Knick (US: Cinemax; UK: Sky Atlantic) a brief try. This is Steven Soderburgh’s little project, starring Clive Owen, which aired in the Summer while I was away on holiday. Set in a turn of the 20th century American hospital, it appears to exist mainly to allow Soderburgh to play around with a brilliant surgeon who’s a racist drug addict and for Owen to try out an American accent that doesn’t fit him very well. It didn’t inspire me to watch any more of it anyway.

Before I get on to the regulars, though, I’ll briefly mention a few films I watched this week.

Chef (2014)
Jon Favreau is a cook who ends up having a fight with a restaurant critic (Oliver Platt) and getting fired. He decides to go back to basics by driving around the US in a van, but thanks to the fight going viral – and his son tagging along for the ride helps out a lot there – he soon becomes incredibly popular. Largely, the movie exists as a metaphor for Favreau’s experiences of going from independent movie making to big franchise movies (eg Iron Man) and back to indie movies again, and he’s got a lot of acting pals along with him to help (eg Sofia Vergara, Scarlett Johansson, Dustin Hoffman, Robert Downey Jr). But it feels very self-satisfied, not least to the effect the portly Favreau has on women, and ultimately very predictable.

How Do You Know (2010)
Reese Witherspoon is a baseball player who hooks up with fellow athlete and ‘playa’ Owen Wilson. But should she really be with lawyer Paul Rudd, who’s a little bit too ready to commit. How will she know? Why should you care? You shouldn’t and won’t. A fabulous cast that also includes Jack Nicholson, and directed by TV comedy super-director James L Brooks, but the funny bits are all in the trailer.

The Anomaly (2014)
A strange futuristic little movie, in which Noel Clarke from Doctor Who is a soldier who keeps waking up to find himself in all kinds of strange situations, only for him to lose consciousness again after 10 minutes. Cue the next strange situation. Over time, he begins to piece together what’s going on – at least, when he’s not being punched a lot by Ian Somerhalder (Lost, The Vampire Diaries) – and it could change the world. Directed by Clarke and also featuring Alexis Knapp (Pitch Perfect, Ground Floor), it looks surprisingly good for a low budget indie movie and has some good ideas: in its own way, it’s the Megaville of this decade. But it’s somewhat sabotaged by some well choreographed but poorly shot, impactless fight scenes, a decision that all the female characters should be topless/naked at some point or other, and by leaving Brian Cox to almost literally hang around with nothing to do. Blink and you’ll miss Freema Agyeman as Clarke’s wife.

That’s it for new new shows, though, but after the jump, I’ll be running through: Arrow, The Blacklist, Constantine, Doctor Who, Elementary, Forever, Gotham, Gracepoint, Homeland, Marvel’s Agents of SHIELD, Muianey, Plebs and Scorpion. Will I be dropping any this week?

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US TV

What have you been watching? Including Strange Empire, Coverband, Electra, The Flash and Doctor Who

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

You may have noticed I was playing epic catch-up on Saturday, in contravention of my normal rule of weekend blogging. So on top of Friday’s all out efforts and a couple of extra ones today, I’ve reviewed the following new shows, some of which have already been acquired for Blighty’s viewing pleasure:

Yay, me. No back log now. Time to have regular weekends again. Phew.

In fact, so ahead of myself am I that I’ll point out that ages ago, I reviewed NBC’s Constantine, which starts on Friday. Okay, it’s changed a bit since the pilot but you’ll get the general point.

But I’ve not stopped there. Oh no. Because I’ve also watched a New Zealand and a Canadian show just for luck. Okay, I was a bit behind on all of them, so I’ve only seen the first episode of each, but honestly, that felt like enough.

Strange Empire (Canada: CBC)
Set in the 1860s on the Alberta-Montana border, this sees three women (Cara Gee, Tattiawna Jones and Melissa Farman from Lost) band together for survival after virtually all the men in their town are murdered and those remaining behind battle for power. Very nicely made and already being described as the saviour of CBC, it’s historically interesting but about as tedious as any other western, and none of the characters really grabbed me.

Coverband (New Zealand: TV One)
A one-hit wonder band reunite back in New Zealand years after they were famous. Unfortunately, the female lead singer was the one who was a success, leaving the terminally unsexy rest of the band to make it by themselves, something at which they fail miserably. Now having to deal with the pressures of normal lives and forced to do cover versions of other bands’ records, they suck completely until they stagecrashed by Laughton Kora, who shows them what rock charisma and singing really are, so they hire him. Kind of.

It’s an amiable and accurate enough show, based on cast member Johnny Barker’s own experiences as an Auckland cover band musician, and were there enough time in the world, I’d probably tune in for a few more episodes. But the show’s not so inspiring that I’ll throw something else aside for it and I’ve already seen The Wedding Band crash and burn, so I don’t think I need to see that happen again.

Unfortunately, New Zealand doesn’t want to produce any globally available videos of its own shows, apparently, so here’s a picture of the cast to tide you over.

Coverband

That’s it for new new shows, but after the jump, I’ll be running through: Arrow, black-ish, The Blacklist, Doctor Who, The Flash, Forever, Gotham, Homeland, Marvel’s Agents of SHIELD, Plebs, Scorpion, Selfie and The Walking Dead.

But hey! Before you go, I should mention I went to the theatre, too!

Electra (Old Vic)
Kristin Scott Thomas as Electra, a new translation of Sophocles’ original text by Greek tragedy stalwart Frank McGuinness, music by PJ Harvey – what could go wrong? Well, not much actually, beyond a certain staticness to the direction, a slightly weak performance by Jack Lowden as Orestes and a very strange performance by Tyrone Huggins as Aegisthus. Other than that, a fine piece of work, surprisingly faithfully staged (although that’s not quite how Greek people prayed), with an outstanding performance by Thomas and a surprisingly funny text by McGuinness – in part to cover up for casting slightly older than originally written, but also to hide the unlikelihood of Electra not recognising Orestes. Liz White (Life on Mars) gives the best performance I’ve ever seen from her as Chrysothemis, Electra’s sister.  

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