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Question of the week: what were you favourite shows of 2015? Here’s my Top 9!

TMINE’s about to take its traditional Christmas and New Year break. I’ll be back on January 4th with the Daily News, reviews, a competition, event round-ups and more. But I’m going to leave you with a question to keep you occupied: what were your favourite shows of 2015? They can be old shows or new shows, but let everyone know your reasons below or on your own blog.

For the record, here’s my Top 9 (yes, 9), in no particular order other than the order I remembered them in…

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Question of the week: do you like to binge?

Yes, ‘Question of the week’ is back… on a Thursday. Odd, hey? Well, in case you haven’t noticed, I am odd, so that would explain it.

To be fair, I did say I was going to discuss this on Monday. I just forgot, that’s all.

One of the current challenges of keeping up with all the latest TV is the arrival of binge watching. Obviously, back in the day, no one could binge watch. TV was transmitted and you waited for the repeats before you could watch a programme again. If you were lucky, there were repeats, anyway, but you weren’t always that lucky.

Then video recorders came out and you could record entire series off the TV if you wanted. If you could work out how to program the video. And remembered to set it to record two minutes before an episode started in case it began early or your clock was wrong. And remembered to add 20 minutes afterwards in case the sport overran and your programme started late.

Then TV companies started to release all the episodes of a TV series on video once they’d been broadcast. The boxset had been born.

Then videos became DVDs. Then iTunes releases.

And then TV itself went on the Internet and suddenly you didn’t have to wait for a weekly broadcast slot – the TV could be released whenever the ‘broadcaster’ wanted to, to your set-top box, your computer, your phone or your watch. Broadcasters started putting pilot episodes of TV shows on the Internet before transmission, hoping to drum up interest for the broadcast. Sometimes they’d put the pilot episode on TV and release the rest on the Internet immediately afterwards. Sometimes they’d put the whole show on the Internet in one go, too, hoping word would spread and attract actual viewers, particularly if they’re a small broadcaster.

And then the likes of Netflix came along who only worked on the Internet and decided they were going to release TV shows whenever they wanted and entire seasons at a time, because people would watch the whole show in one go over a weekend.

Now, Netflix is pretty sure it’s onto something, although occasionally, particularly outside the US, it goes with a weekly release. And it’s model that others are emulating, too. Amazon Prime does the same and now Crackle’s joined in, too.

Which is all well and good. Some people like to binge. And my first question to you is: do you? Do you prefer to have all the episodes in one go so you can watch at your own pace, or do you prefer the discipline of watching a TV series episode by episode, week by week?

But in the past month, we’ve had at a bare minimum – this isn’t an exhaustive list – the release of entire seasons of Master of None and Jessica Jones on Netflix; The Man In the High Castle, Flesh and Bone, Transparent and Mozart In the Jungle on Amazon Prime; South of Hell on WE tv; and The Art of More on Crackle. 

Which is a lot. Now there’s probably a few people with the time to watch all of those and, of course, there aren’t that many people who are going to want to watch all of those shows – I can’t imagine many of the people watching alternative reality period sci-fi Nazi drama The Man in the High Castle are alternating it with seedy ballet dancing drama Flesh and Bone.

All the same, here’s my second question to you: are there now too many new shows to binge watch? Are you finding it hard keeping up? Would even prefer it if there were fewer new shows?

As always, leave your answers below or on your own blog with a link

Streaming TV

Season review: Marvel’s Jessica Jones (Netflix)

In the US/UK: All 13 episodes are available on Netflix

When superhero comic books first became popular in the 20th century, it was largely because they were fantasies. Male fantasies for boys. Superman may have been a fantasy of immigration, but it was also about a mild-mannered man who could never reveal his all-conquering power to anyone, not even the woman he loved from afar. Of course, if she knew what he was really like, then she’d fall into his arms without a moment’s hesitation.

Batman? A boy orphaned by crime who devotes himself to destroying those who would make him feel frightened. The Hulk? A ‘milksop’ scientist with a terrible temper that others better not unleash by bullying him. Spider-man? A nerdy boy with pretty much the same issues as Superman. Captain America? A man who could defeat the Nazis while remaining true and good and honourable.

You get the picture. Lots and lots of power fantasies for lonely boys.

Superheroines took a while to appear and represented different kinds of fantasy. The first, Wonder Woman, was originally intended as both a male and female fantasy – a precursor to a better, future, female-dominated world, with Wonder Woman an icon of feminine power that women could embrace and men could accept. But with a slightly kinky subtext and male authors, her popularity often stemmed from… other sources. Future superheroines didn’t fare much better, and frequently fared much worse.

Which meant for decades, many girls and women found comic books to be female-unfriendly areas that were practically a panopticon of the male gaze. There were plenty who became involved or who became readers, but they were the exceptions. And although male authors came along who tried to make female characters less fantasies than they had been before, that was pretty much the rule.

That was even the case when comic books started being adapted into movies. Think Sue Storm perpetually having to disrobe in the street in Fantastic Four. Think Black Widow in lingerie shots in Iron Man 2. That Wonder Woman movie? Only just being made, just as we’re about to get our third series of Batman and Superman movies in the past 40 years. And try to find superheroine merchandise from those movies for your daughters if you dare.

But the times have been a changing, of course. Have a look on Facebook and you’ll discover that more than 50% of the people who identify as comic book fans are women. And while only 3% of the people who’ll step into a comic book store are women, more than half of those who read digital comics are women.

Marvel, of course, has been doing rather well at the movie with its comic book adaptations. However, it’s got considerable stick over the years for not giving any superheroines their own movies – particularly Black Widow. Now that’s changing, with a Captain Marvel movie due… in 2019, a full 11 years after Iron Man came out.

On TV, of course, we’ve already had Marvel’s Agent Carter, except she’s not a superheroine, per se. But finally, we have our first, fully fledged superheroine TV show, the second of this year’s Marvel’s Netflix ‘Defenders’ shows following Daredevil – Jessica Jones. And what’s interesting about Jessica Jones is that despite being based on a character and a story created by two men, I think what we have is the first instance of an on-screen superheroine who’s there for a female audience and who’s a female fantasy.

Or should that be nightmare? It could be both. After all, it’s got David Tennant in it.

Beware: some spoilers ahoy.

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