What have you been watching? Including Power, Crossbones, Halt and Catch Fire, Continuum, Suits and more

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Despite working from home for most of this week and ironically therefore having more time to write things but less time to watch them, I’ve managed to keep up with the vigorous summer schedules (blimey, I remember when summer was dead and there was nothing to watch. Now look at it). Not many new shows starting this week, though, although I have reviewed the first episode of Steve Bochco’s new TNT show Murder In The First. And I also gave Power a go.

Power (US: Starz; UK: iTunes et al)
To say I was putting this one off as long as possible would be an understatement. Stop me when you want to get off: night club owner is also a drugs kingpin in a series exec produced by 50 Cent. It just sounds like it’s going to be horrible. And it was. I managed to get through 10 minutes before just deciding that the torture, relentless 50 Cent soundtrack, abuse/debasing of women et al was really not going to make it an enjoyable experience. It wasn’t without its virtues: it stars Omari Hardwicke (Dark Blue) and Naturi Naughton (The Playboy Club), who are both good, even though Naughton basically only has to act selfish and stupid. The direction is fine and it’s well shot. It’s surprisingly bi-lingual.

However, the next 50 minutes of the episode might be the best crime show since The Wire, but I’d rather watch open-heart surgery, because there’d be more humanity in that.

After the jump, yet more, with a round-up of the regulars, with reviews of 24, Continuum, Crossbones, Enlisted, Halt and Catch Fire, and Penny Dreadful

Continue reading “What have you been watching? Including Power, Crossbones, Halt and Catch Fire, Continuum, Suits and more”

What have you been watching? Including The Night Shift, Godzilla, Penny Dreadful, Enlisted and Silicon Valley

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

After letting things slide a bit last week, I feel a bit chuffed with myself because this week, I’ve managed to watch everything in my viewing pile except for one episode of Prisoners of War and today’s episode of Old School. I’ve even put up some proper reviews of new shows:

Yay me! I even remembered that I’d watched NBC’s Night Shift last week but forgot to review it. Because it’s so bad (as one reviewer put it, it’s for people who couldn’t cope with the intellectual rigour of Chicago Fire)

Night Shift (US: NBC)
A summer medical show, in which all bunch of tedious human beings try to outdo each other at how great they are as doctors, nurses and paramedics. Literally every scene involved a new character arriving, someone flailing at medicine, and then Johnny New Arrival showing some technique he or she had learnt in Iraq, volunteering with underprivileged children in Zimbabwe while recovering from chemotherapy and the like, and then rubbing it in the face of everyone else. Bizarrely, it features Jill Flint who gave up a decent job playing an efficient hospital administrator in the enjoyable Royal Pains to play an efficient hospital administrator in this steaming pile of offal.

Even more excitingly, I’ve watched another movie:

Godzilla (2014)
A frustrating, tantalising piece of work that sees Bryan Cranston trying to work out what destroyed the Japanese nuclear power plant he worked in with his wife (Juliette Binoche), while his body-disposal expert son Aaron Taylor-Johnson tries to get back home to his wife (Elizabeth Olsen). Except it turns out that dinosaurs still roam the Earth and they really don’t care what cities stand in their way.

In many ways, a lovely tribute to original with some of the scenes recreations of scenes from the original Toho series of movies but made to look truly realistic and devastating. Some thought’s gone into making the bad monsters, why Godzilla wants to save us from them and why some giant cockroaches would even need to be able to create electromagnetic pulses (when you spot it, you’ll kick yourself). But despite a full hour of work by director Gareth Edwards (Monsters) to make you care about the humans before the fights properly start, you still don’t give a toss about them and ultimately, you’ll just want to see Godzilla punching some big monsters – except largely Edwards cuts away to a news broadcast whenever anything gets too close to being exciting. And there are whole bits that are absolutely irrelevant. The final fight is great, though, with some truly whoop-worthy moments, and the HALO drop almost atones for the lack of action in other places.

After the jump, yet more, with a round-up of the regulars, with reviews of 24, Enlisted, Penny Dreadful, Prisoners of War and Silicon Valley

Continue reading “What have you been watching? Including The Night Shift, Godzilla, Penny Dreadful, Enlisted and Silicon Valley”

US TV

Mini-review: Halt and Catch Fire 1×1 (AMC)

In the US: Sundays, 10/9c, AMC

Of all the events in history you might have expected to have seen dramatised on TV, the quest in the early 1980s to develop 100% IBM PC-compatible computers by reverse engineering IBM’s proprietary BIOS chip probably wasn’t one of them. Leave it to AMC, then, to expand the envelope, because here we have Halt and Catch Fire – named after an obscure assembly language instruction – which seeks to do just that.

Starring Lee Pace of Pushing Daisies as Joe MacMillan (the Steve Jobs of the piece), Scott McNairy as Gordon Clark (the Steve Wozniak), it sees former IBM salesman MacMillan go rogue and turn up at a fictitious Texan computer company a year later. There he meets Clark and persuades him to help him build a PC-compatible. Along the way, he’s also recruited a bright young engineer, Cameron Howe (Mackenzie Davis) who’ll help them both to make MacMillan’s dreams a reality.

And actually, it’s very good. While Silicon Valley and the BBC’s similar Micro Men decided to take the comic route to deal with computers, this is as serious and as hardcore as AMC’s Mad Men. Although it’s not based on a real company or people, it draws elements from real events to look at the somewhat overlooked Texas companies that helped to create the PC revolution and recreates the early 80s as convincingly as The Americans, albeit that portion of the 80s that led to Tron, right down to the synthesiser incidental music and theme tune. Lee Pace is compelling as the visionary and ruthless MacMillan, who’s prepared to destroy an entire company to get what he wants. The technical details are impressive and assume a level of knowledge in the audience, whether it’s a discussion of firmware, the use of hexadecimal notation or comments familiar to anyone in IT (“No one ever got fired for buying IBM”).

And although it’s an AMC show, this first episode actually clips along at a reasonable pace. Admittedly, the first 15 minutes or so are a bit shaky, thanks to an Armadillo accident (no, really) and Clark’s sheer lack of charisma next to MacMillan’s overwhelming personality. And Davis’ character is somewhat undermined in that after a cracking introduction that shows how bright she is, that’s initially only to show why MacMillan wants to sleep with her and his near-sociopathy.

But by the end of the episode, it becomes a compelling watch. Definitely one to stick with.

What have you been watching? Including X-Men: Days of Future Past, Game of Thrones and Old School

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

You take a day off and blimey, even in summer, it’s suddenly all systems go at the networks. As a result, still in the viewing queue are the first episodes of NBC’s Undateable and Crossbones as well as AMC’s Halt and Catch Fire. Fingers crossed, I’ll have reviews of them up tomorrow and Thursday – and not such a backlog for my next round-up, which should be on Friday.

I did watch a movie, though:

X-Men: Days of Future Past (2014)
Probably the most famous of all the X-Men comic storylines – if any X-men comic can truly be said to have famous storylines – with the cast of the first three movies facing an apocalyptic future thanks to some killer robots called Sentinels. So they get Kitty PrydeWolverine to travel back in time to 1973 where he has to meet the cast of X-Men: First Class and guide them on a different path that doesn’t involve them all dying.

With an amalgam of X-Men writers and directors to match the on-screen melange, this feels like X-Men: First Class crossed with X-Men: the more fun, action-packed storyline and period setting of the former but with the coldness and coolness of the latter. Largely a Mystique/Professor X piece, with a lot of added Wolverine, it still manages to feature cameos from pretty much everyone who was in X-Men and X-Men: First Class, as well a few new ones, even if it’s only for a few moments, and with its time travel element, don’t be surprised by the fact it effectively wipes out X-Men 3 from the canon so that they can have more fun in the next movie, X-Men: Apocalypse, based on the second most-famous X-Men/X-Men: Evolution storyline.

None of it makes a lick of sense, mind, and no more fits into continuity than X-Men: Origins: Wolverine. All the same, the second best of the X-Men movies, thanks to Jennifer Lawrence, James McAvoy, Michael Fassbender (with a consistent accent for a chance) and Hugh Jackman. In fact, I’m going to see it again later this week.

After the jump, a round-up of the regulars, with reviews of 24, Continuum, Game of Thrones and Old School.

Continue reading “What have you been watching? Including X-Men: Days of Future Past, Game of Thrones and Old School”

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