Sitting Tennant

The final ever Sitting Tennant!

Hebbie's Sitting Tennant

Sister Chastity's Sitting Tennant

Toby's Sitting Tennant

It’s the end, but the moment has been prepared for. Yes, it’s the final Sitting Tennant of 2012 and time to announce the winners of the 2012 picture competition. First, let’s tally up the points for December.

  1. Toby, Hebbie, Sister Chastity: 20

Yes, everyone wins in December! Isn’t that nice?

But since this is the December, it’s also time to tot up the points and work out who’s the overall winner of 2012. Win a full nine months of wins to her name, it shouldn’t come as any surprise that top of the picture pops for 2012 is Sister Chastity. It’s her second win and well deserved, after a couple of years of just being pipped at the post by others. A big round of applause to her, if you please!

But tis a sad day, because this marks the end after nearly five years of Sitting Tennant. There simply aren’t enough people feeling inspired enough to send in pictures of David Tennant sitting down any more, it seems. Would you believe it?

It’s been a great run and I’d like to thank everyone who’s ever contributed so much as a single photo to the competition over the years, but particularly those frequent contributors who’ve made it such a blast to run over the last few years, including Ms Rullsenberg, Toby, Sister Chastity, Erin C, Rachel, Sabine, Janice, Jaradel, Rosby, Persephone, Silohforever and Hebbie. Hey, do you remember this?

I’m not saying I’ll never publish another picture of David Tennant sitting down, but this marks the end of the competition at least. If you’ve any ideas for other competitions, or who else you’d like to see sitting down a lot, please let me know.

Those who have triumphed over the years will, of course, be remembered always:

  • 2009 – Sister Chastity
  • 2010 – Erin C
  • 2011 – Hebbie
  • 2012 – Sister Chastity

Sitting Board of Winners 2012
January
Hebbie, Sister Chastity

February
Sister Chastity

March
Sister Chastity

April
Sister Chastity, Shilohforever

May
Hebbie, Sister Chastity

June
Hebbie, Sister Chastity

July
Hebbie

August/September
Toby, Sister Chastity

October
Hebbie, Sister Chastity

November
Hebbie, Toby

December
Hebbie, Toby, Sister Chastity

What did you watch this month? Including The Killing 3, Arrow, The Wedding Band and The Hunger Games

It’s “What did you watch this month?”, my chance to tell you what I movies and TV I watched in the past month that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

As you can probably tell from the temporary retitling of this feature, it’s been a busy old time for me of late, which is why I haven’t been updating you on shows and why I haven’t been watching as many. Oh, and the Sky+ box as been doing lots of “PART-REC” and “RECORDING FAILED” and even deleting things I have recorded, including Young Doctor’s Notebook. That’s helpful, huh?

But since a load of shows have had their finales, now seems a good time to give my thoughts on those, at least.

First, the usual recommendations: 30 Rock, Arrow, Don’t Trust The B—– in Apartment 23, Go On, Last Resort, Modern Family and Peep Show. I’m adding Elementary and The Wedding Band to the list as well – more on that in a moment.

And here’s a few thoughts.

  • Arrow: Slowly been declining in strength and becoming more and more comic book in its implausibility. Geoff Johns’ introduction of Huntress to the show was just dreadful, too, with bad dialogue, bad acting and a script that was actually pretty detrimental to one of DC’s best-loved female superheroines. Still, Kelly Hu got to come back for a bit at least. And then we have John Barrowman as a ‘heavy’. HA HA HA! Still, the last episode was a bit of an up-tick in quality again, so all is not lost yet.
  • Dexter – So, hang on, Dexter literally thought he had a ‘dark passenger’? It wasn’t just a metaphor? Well, that’s just bobbins. Anyway, a distinctly uninspiring finale that at least wasn’t as ridiculous as last season’s and with a big surprise (or two) to boot. And at least the first half of the season was good because of Ray Stevenson and it was good to see Dokes back, even in flashback.
  • Don’t Trust The B—-: A variable three episodes with a real clunker and a couple of very funny ones. Glad to see them remembering that Chloe is supposed to be an evil b—–, too, not just kooky and a bit of a party girl. And a head nod to The Great Gatsby – you don’t get many of those these days. As always, too, full kudos to James Van Der Beek, who is really relishing playing… himself. And Dean Cain, too.
  • Elementary: So this is more of a guilty pleasure than because it’s a great show, but I do actually look forward to it now each week. It’s still working out what exactly a Sherlock Holmes mystery should be and no matter how hard they try, Joan Watson is still incredibly dull, but it’s good fun.
  • Go On: Unlike Community, the show still hasn’t worked out how to make its individual characters gel as a group, but it’s doing some nice work with at least some of the characters by themselves.
  • Homeland: So the season finally ended with two decent episodes in a row. While it was still a little daft, the finale had the right combination of thrills, twists and developments, none of which you probably saw/will see coming. Just about redeemed itself after a season of vastly variable quality.
  • The Killing 3: So the iPlayer deleted last weeks’ episodes before I had a chance to watch them (not letting me download them didn’t help). Again, this is just one of the reasons why I’ve had a hard time watching the three seasons of The Killing. Anyway, I watched the last two and was surprised by almost nothing. Seriously, I don’t get why people love this show so much. Okay, it’s well acted, but apart from its vibe and Sarah Lund, it’s daft, stupider than an episode of season two of Homeland and is just 1001 crime drama cliches. Or at least this season has been. It would have been more of a surprise if Sarah Lund had been able to ride off into the sunset happily. In particular, the criminal’s plan four episodes ago kind of relied on the police not being able to hit him even once with 30 rounds of ammunition… as he slowly sails under a bridge they’re standing on. Just silly. Bring back The Bridge.
  • Last Resort: Talking of daft and silly, that’s Last Resort. While having a few thrilling moments each episode, it’s also had some ridiculous matte work to help some of our heroes go to ‘the Philippines’ and we have had a daft series of abduction cycles for one character that’s worse than the Perils of Penelope Pitstop. Plus the stuff with the COB has been dreadful. Shame really, but at least it looks like they’re heading towards a decent ending.
  • The Mindy Project: Interesting to see some sign of work competency from Mindy, but the Zoolander-ish attack on midwifery was just bizarre. The Christmas episode was a bit dull, but had a good final 10 minutes.
  • Peep Show: While never quite hitting the delightful depravities of previous series and while feeling a little bit like we’ve been here before, it’s still a guaranteed source of laughter each week.
  • Vegas: I’m wondering what they promised Carrie Anne Moss when they asked her to star in this, because if it was ‘a lot of screen time and a decent role’, they were lying. Ditto Jason Mara. Over the last couple of episodes, we’ve had a very clunky ‘girl power’ episode and quite a dull Christmas episode. Such a shame after the initial promise of the pilot, but it’s still a relatively absorbing weekly watch.
  • The Wedding Band: While still a bit sexist and a bit ‘male gaze’, The Wedding Band is still proving to be an interesting subversion of the ‘bro comedy’ that plays with the sexist conventions and messes around with them. It’s not outstanding, but it’s enjoyable.

And in movies:

  • The Hunger Games: Despite being loved by the same demographic as Twilight, this is a very different, far more satisfying beast – a future dystopia heavily based on ancient Rome that sees kids take the place of gladiators in a high-tech country arena where they have to fight to the death. The always excellent Jennifer Lawrence is about 1,000,000 times better – and a better role model – than Kristen Stewart’s Bella, too. Give it a watch.

“What did you watch this month?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

Preview: Deception (NBC) 1×1

Deception on NBC

In the US: Mondays, 10/9c, NBC. Starts January 7 2013

With NBC doing so well in the ratings right now, it’s tempting to forget that it essentially churns out derivative rubbish. It even rips itself off with Go On, which is an imitation – albeit a not bad one – of Community.

As if to prove a point, here comes Deception, a show that practically screams, “We wish we’d thought of that, ABC!” Combining two of ABC’s stand-out shows of last year – Scandal and RevengeDeception is a relentlessly monotonous show of ridiculous proportions. Marrying Revenge‘s “crime, East Coast rich people and the poor outsider woman” soap opera with Scandal‘s mystery/thriller and black female lead (when only one network show has a black female lead, you know something’s wrong with the entire industry), Deception sees an FBI officer go undercover to solve the mystery of her former rich girl best friend’s apparent drug overdose. Except it’s really murder – as if you couldn’t see that coming.

Okay, might be good, you might think, except being NBC, it’s the blandest, dullest possible combination of those two shows, offering neither excitement nor vicarious thrills to get you through the fact that despite a decent cast that includes Victor Garber and Tate Donovan, there is absolutely nothing remarkable about the plot, the dialogue, the characters or their relationships. Even the tag line “To find the truth, she’ll become a lie” is boring.

Here’s a trailer. Stay awake if you can.

Continue reading “Preview: Deception (NBC) 1×1”

Friday’s “Roger Moore and Ian Ogilvy join The Saint, Ridley Scott’s Vatican and The CW’s Robin Hood” news

The Daily News will return on January 8th 2013. Or maybe the 9th. Happy Winter Solstice, Merry Christmas, Happy Holidays and a Happy New Year to everyone!

Film casting

  • Iko Uwais returning for The Raid 2 (Berandal)

Trailers

  • Trailer for Paul Weitz’s Admission, with Tina Fey, Paul Rudd, Michael Sheen et al
  • Teaser trailer for This Is The End

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting

  • Roger Moore, Ian Ogilvy, James Remar, Greg Grunberg et al join the cast of The Saint
Weird old title sequences

Weird old title sequences: The Banana Splits (1968-70)

The Banana Splits

Chances are, you’ll have heard The Banana Splits’ theme tune at some point. Still popular in its own right, it’s also a favourite for remixes and sampling.

Chances are you won’t ever have watched it, though – at least not the original series. Unlike other kids shows of the time, this weird mix of live action and animation that crossed The Monkees with Rowan and Martin’s Laugh In hasn’t had the longevity of other shows. Yet if you watched it, it would be hard to forget the near nightmarish qualities of Fleegle the beagle, Bingo the gorilla, Drooper the lion, and Snork/Snorky the elephant, and the somewhat surreal show they were in.

Imagine you’re four years old. Now watch the title sequence and know fear.

PS I should point out that Cartoon Network put out some Banana Splits Internet cartoons in the early 2000s and there was a new series in 2008, so there’s probably a generation of kids being traumatised right now by the latest incarnation of the Banana Splits.

PPS I should probably also point out than Jan Michael Vincent of Airwolf fame appeared in the not at all racist Danger Island strand of the show that ran in the first season.