Amazon picks up Barbarella, Jason Isaacs says hello to Rosemary’s Baby, and E4 and Fox go to parallel universes

Trailers

  • Trailer for 300: Rise of an Empire

Theatre

UK TV

UK TV show casting

  • David Beckham to appear in Only Fools and Horses Sport Relief sketch

New UK TV shows

US TV

US TV show casting

New US TV shows

New US TV show casting

  • Phil Morris et al join Fox’s American Education
  • Jake Sandvig to star in TBS’s Living The Dream, Mark Hapka to star in Parallels
  • Patrick J Adams and Jason Isaacs join NBC’s Rosemary’s Baby

NBC crossovers and new series, Hannibal trailer, and Lady Sif and Agent Carter join ABC

Film casting

UK TV

US TV

US TV casting

New US TV shows

New US TV show casting

Weekly Wonder Woman

Weekly Wonder Woman: Superman/Wonder Woman #4/DC Universe v Masters of the Universe #4

Superman/Wonder Woman #4

This week’s Weekly Wonder Woman gives us both a great, near-perfect issue of Superman/Wonder Woman – which is odd because they spend most of the issue apart – as well as a somewhat minor guest appearance by Diana in DC Universe v Masters of the Universe, about which little should be said other than at least it was better than the last one. More after the jump – and a clip from the forthcoming Justice League: War – where we discuss a decomposing Superman, an Amazon’s personal hygiene and the long-awaited return, in the British Museum on its 255th anniversary no less, of one of Wonder Woman’s oldest enemies.

Continue reading “Weekly Wonder Woman: Superman/Wonder Woman #4/DC Universe v Masters of the Universe #4”

TV reviews

Mini-review: True Detective 1×1 (HBO/Sky Atlantic)

True Detective

In the US: Sundays, 9pm, HBO
In the UK: Saturdays, 9pm, Sky Atlantic. Starts February 22

You do have to give a credit to HBO for trying something a little bit new with True Detective. For starters, it’s an anthology detective show: like American Horror Story, each season will consist of eight episodes and involve completely different characters and situations.

But season one is giving us this: a 17-year-long investigation of a serial killer in Louisiana, with Woody Harrelson and Matthew McConaughey as the ill matched detective partners who visibly age as the narrative progresses and jumps between times as it’s told in a series of flashbacks. Harrelson is the personable, probably adulterous family man, McConaughey the depressed Texan philosopher who tries to counter his lonely sleepless nights with Quaaludes.

It’s not easy viewing, another show that seems to revel in mutated dead female corpses arranged in rituals. McConaughey’s nihilism is bleak indeed. And there’s no one you can really warm to. It’s also very slow moving.

But it’s excellently done. The slow pace gives everything time to breath. With a talent it was hard to spot a decade ago but which has become almost commonplace in his recent work (the so-called “McConaughaissance”) McConaughey is great as the focused, lonely, emotionally empty Cohle. Older time periods are recreated well, although you’d be hard-pushed to guess that everything begins in 1995. There’s a fair few supporting cast from The Wire (Clarke Peters, Michael Potts). And it’s smart, giving you things to thing about for a change.

It’s not clear yet how much the actual crime is going to be worth investigating, but with its broken structure, we have many more mysteries than just that to keep us intrigued. Give it a try, but be prepared to be patient and pay attention.