White Famous
US TV

Preview: White Famous 1×1 (US: Showtime; UK: Sky Atlantic)

In the US: Sundays, 10pm, Showtime. Starts October 15
In the UK: Wednesdays, 11:05pm, Sky Atlantic. Starts July 25

There is a black and white cultural divide. That’s true both here and in the US.

Look at TMINE – how often do I review anything on BET (Black Entertainment Television)? I don’t need to because virtually nothing that airs on BET gets picked up in the UK. That’s despite the fact BET has a UK channel. Did you even know there is a BET in the UK? Probably not. Unless you’re black. Although, actually, probably not even then – it’s really not well publicised, you know.

Or take Tyler Perry. A huge star in the US. His films have done so well he’s worth $600 million. Ever watched a Tyler Perry movie? Particularly one in which he spends a lot of time in a dress? Probably not – unless you’re black, although they’re actually really hard to get hold of in the UK and it’s not like they’re in cinemas much, either.

Anyway.

It’s that difference between ‘famous with black people’ and ‘so well known you’re white famous’ that White Famous plays with. You all know Jamie Foxx, right? A movie star now, but he started out as a comedian. His first leapt to fame was on TV with In Living Color and then The Jamie Foxx Show. Sometimes wearing a dress.

The exact point at which he became ‘white famous’ is unknown to me, but White Famous is based on his life, so maybe I’ll find out by watching. Here, we get to see Jay Pharaoh (Saturday Night Live) playing a modern-day version of Foxx called Floyd Mooney. A promising up-and-coming black comedian, he’s already successful with black comedy audiences but despite the efforts of his agent (Utkarsh Ambudkar) to make him ‘white famous’, his refusal to play ball and insistence on calling out racist behaviour by the Hollywood elite means that he’s so far failed to hit the (really) big time. That and refusing to appear in movies where he has to wear a dress.

But when one of his tirades against a white producer’s racism (Stephen Tobolowsky) goes viral, he attracts the attention of ‘Jamie Foxx’ (played by… Jamie Foxx), who wants him for his next movie. If he’ll wear a dress. Just like him.

Will Mooney be strong and stay a ‘comedian’s comedian’ or will he take the white haberdashery dollar for the sake of his baby mama (Meagan Good), kid and his career?

Continue reading “Preview: White Famous 1×1 (US: Showtime; UK: Sky Atlantic)”

Wisdom of the Crowd
US TV

Review: Wisdom of the Crowd 1×1 (US: CBS)

In the US: Sundays, 8/7c, CBS

Post-Brexit and post-Trump, the idea that large groups of people are inherently wise and capable of making good decisions collectively has taken something of a beating. But there is a certain degree of truth to the idea that there is ‘wisdom in the crowd‘.

Strictly speaking, CBS’s Wisdom of the Crowd should more properly be called Knowledge of the Crowd – maybe it got lost in translation from the original Hebrew, being based on an Israeli TV series of (more or less) the same name – since it’s really about crowdsourcing information from people. It sees Jeremy Piven (Entourage, Mr Selfridge) going full Iron Man as a genius tech billionaire who gives it all up to launch a crowdsourcing app/platform called ‘Sophie’ (you know, cos of the Greek word for wisdom) to help find out who really killed his daughter, as it’s almost certainly not the poor sod who’s currently languishing behind bars.

Piven’s idea is that if he puts up $100 million as a reward and adds all the evidence to Sophie, people will visit the site or download the app, they’ll spot things that have been missed or provide valuable additional information. Powerful data mining and stats techniques will then work out what’s dross and what’s the 10% of actually useful information coming from the crowd, creating correlations that the police would never make.

YA tech innovator

There have, of course, been plenty of “tech innovator” shows in the past year, in which genius tech billionaires decide that a given industry needs some innovative Silicon Valley thinking and a big pile of silicon chips in order to meet the challenges of the 21st century (eg Pure Genius, APB). These shows have, in turn, inadvertently been shining demonstrations of exactly why that’s a dumb idea, with our heroes essentially discovering that there are reasons things are currently done the way they’re done and you screw things up colossally if you tinker too much.

To its credit, Wisdom of the Crowd actually does a surprisingly good job of avoiding this issue, without simultaneously ‘doing a Numb3rs‘ – ie coming up with extremely complicated theoretical solutions that wouldn’t work in practice and which the police could do anyway using other methods. Here, Sophie’s data mining probably would be able to look through eye witnesses reports and the like, as well as chatroom discussions et al, to come up with associations humans would miss (and if you don’t believe me, have a word with Cambridge Analytica). It probably would attract the attention of people who would ignore a police request for information (although how long it would maintain that attention is something later episodes might have to address, since I imagine it would get uninstalled from phones relatively quickly normally).

Similarly, the app allows more than simple crowdsourcing of information. When Piven and his team (of course he has a team) want to eavesdrop on a suspect’s conversation, helper police bloke Richard T Jones (Terminator: The Sarah Connor Chronicles) who’s along for the ride to monitor progress on the case points out that hacking the suspect’s cellphone would be illegal and the results inadmissible in court. So Piven and co find a nearby app user and use the app to video chat with her to ask if they can use her phone to record the conversation – it’s voluntary so admissible.

At the same time, the show does still highlight issues around data privacy and the information freely available online to all of us, about all of us. And it also points out that crowds can be very stupid, too, with the posting of information about an innocent Arab taxi driver they’re looking for leading to him getting beaten by a baying mob.

Standard CBS format

Although there is this degree of wisdom to Wisdom of the Crowd that lifts it above the usual CBS tech nonsense (eg Scorpion) and a decent cast that also includes Monica Potter (Parenthood, Martha, Meet Frank, Daniel and Laurence) as Piven’s politician ex-wife, where it all falls apart is in its use of the standard CBS procedural bolt-on format module.

Do we have a special secret room full of people standing up in front of computers, staring at some giant monitors? Check. Do we have a diverse yet still absolutely interchangeable cast of hard-working, genius characters? Check. Does the plot follow the standard crime investigation plotting, with false leads et al? Check.

Boring. So very very boring.

Needless to say, by the end of the episode, Piven’s daughter’s murder isn’t solved, forcing him to keep on looking while investigating other related cases that the data mining algorithm throws up accidentally. Did you see that coming? Of course you did.

Wisdom of the Crowd

Wisdom of the Crowd is probably the most promising new procedural of the past year or so. However, that’s a low bar, given the inanity we’ve been facing of late, and I can’t really imagine myself watching more than a couple of episodes at most, given it’s only got a couple of moderately interesting characters and an absolutely generic format.

If you like episodic procedural crime shows, though, this might be worth trying out. I’ll see what my mother in law says – she’s love this kind of thing.

Maltese
News

Walter acquires Maltese; Spock’s mum returns; all-star Hang Ups; + more

International TV

  • Jon Hamm joins BBC Two/Amazon’s Good Omens

UK TV

New UK TV shows

New UK TV show casting

  • Richard E Grant, David Tennant, Jessica Hynes et al to guest on Channel 4’s Hang Ups

US TV

US TV show casting

  • Mia Kirshner to play Amanda Grayson in CBS All Access’ Star Trek: Discovery

New US TV shows

New US TV show adaptations

Marvels Inhumans
US TV

Review: Marvel’s Inhumans 1×1-1×2 (US: ABC; UK: Sky1)

In the US: Fridays, , ABC
In the UK: Acquired by Sky1. Will air this Autumn

Famously, infamously or “Really? Jesus. What’s wrong with you?”ly, I’ve now seen Marvel’s Iron Fist three times.

What can I say? I don’t think it’s excellent, but neither do I think it’s terrible. It’s enjoyable, does some interesting things with a B-grade Marvel character and has some good superheroics. Even watching the trailer below again makes me almost giddy with excitement. Number four viewing isn’t far off now, I reckon.

However, I’m almost certain I’m the only person on the planet to do so, outside of Gitmo and various institutions for the criminally insane – indeed, 10 years from now, repeatedly viewing of Iron Fist will almost certainly feature in some supervillain’s origin story.

Because  the general critical reaction has been negative. Oh so very negative. Many critics were especially surprised by how bad it was, because Iron Fist‘s showrunner was Scott Buck, who was a producer and/or writer on Six Feet Under, Rome and Dexter. Not a shabby credits list, hey?

Yet I imagine some of them even wondered if they’d make a mistake in retrospect in liking those shows, such was the perceived awfulness of Iron Fist.

Marvel’s Inhumans

I’m having the same issue now I’ve seen the first two episodes of Marvel’s Inhumans, whose showrunner is one Scott Buck. Was I wrong to like Iron Fist? Did I make a mistake?

Because Inhumans… is pretty terrible. Based on the Marvel comics of the same name created by the dream team of Stan Lee and Jack Kirby, it’s focused on the ‘inhumans’ – genetic mutations of humans with superpowers whom you might already have seen in the increasingly inept Marvel’s Agents of SHIELD (still watching? And you think I’ve got problems?).

A while back, a whole bunch of them left the Earth and decided to build themselves a city on the Moon.

As you do, obviously.

There they set up shop and created a new society, complete with weird genetic rituals, a monarchy, a council and a caste system. Current King: a mute, but maybe telepathic bloke called Black Bolt (Hell on WheelsAnson Mount). Current Queen: a woman called Medusa, who has superpowered hair that can pick things up and hit people (Graceland/Breakout Kings‘ Serinda Swan).

Trouble is, the population is increasing but the city and resources aren’t getting any bigger. Because it’s the Moon.

This is something that irks Black Bolt’s brother (Iwan Rheon of Misfits, Game of Thrones and Riviera), who fluffed the mutant-activation test and so is pure human, which would normally get him sent down the mine and certainly stops him from becoming King.

One day, though, he senses his chance for power so decides to mount a palace coup, in the name of re-taking the Earth for the Inhumans. However, that’s not before the Royal Family and some of their loyal followers escape to Earth. And they might have been noticed by someone who has been monitoring their activities (Ellen Woglom).

The plusses

Which is all the sort of politicking and intrigue that made Iron Fist so enjoyable for me. Since he’s usually quite faithful to the comics, Buck also mines Inhumans for some more bonkers and comedic opportunities. The head of the Royal Guard (Eme Ikwuakor) has giant hooves. The family owns a giant teleporting dog. Their most trusted advisor (Lost‘s Ken Leung) is so cunningly strategic and able to predict what’ll happen, it’s almost like he has a heads-up display and can rewind time to have another go at things if he cocks up. Black Bolt has another power as well that’s rather cool, but telling you would spoil things.

At the very least, Marvel’s Inhumans is occasionally exciting and also quite funny at times. There’s imagination going on, the acting’s quite fun, with Mount likeable and expressive despite never being able to say anything, and Leung’s pleasing acidic. There’s also a huge budget for CGI-ing a city on the Moon – so huge that the first two episodes were shot and shown in IMAX.

Plus you’ve got to love a giant teleporting dog.

The trouble is that we have a double-punch combo of almost knock-out blows that render the show almost unwatchable.

Continue reading “Review: Marvel’s Inhumans 1×1-1×2 (US: ABC; UK: Sky1)”

A Very British Scandal
News

US A Tale of Two Cities; Peaky Blinders, Shameless trailers; new John Grisham series; + more

UK TV

  • Trailer for season 4 of BBC Two’s Peaky Blinders

New UK TV shows

  • Patricia Hodge, Eve Myles, Michele Dotrice et al join BBC Two’s A Very British Scandal 

US TV

US TV show casting

New US TV shows

  • ABC green lights: pilot of adaptation of Sara Shepard’s The Heiresses, with Shay Mitchell…
  • developing: adaptation of Charles Dickens’ A Tale of Two Cities as Two Cities
  • Fox developing: adaptation of John Grisham’s The Partner

New US TV show casting