Every Friday, TMINE lets you know the latest announcements about when new imported TV shows will finally be arriving on UK screens – assuming anyone’s bought anything, of course
One new acquisition, one new airdate this week. First, remember all those shows I said last week that were coming to Walter Presents by year end? They’ve turned up today. For full details of all the shows, last week’s entry has it all but here they are on 4oD:
Also just turned up is Veszettek (Home Guards) (Hungary: Megafilm), which is about two brothers recruited by a local vigilante group who end up discovering it’s a bit hard to tell goodies from baddies in real-life.
Acquisition of the week is AXN’s Stana Katic drama Absentia, of which I reviewed the first three episodes. That’ll be on Amazon some time next year.
Belated airdate of the week is for the second season of Les témoins (Witnesses), which was on Channel 4 for its first season but is now on BBC Four, starting 9pm next Saturday (25th November). I haven’t seen it, but I’ve already covered it a bit and given Audrey Fleurot is in it, I will be watching it. Two hours of that on Saturday, two hours of Babylon Berlin on Sunday – that’s a lot to get through of a weekend…
Anemoia isn’t a real word. It’s a made-up word, albeit one made up to serve a purpose: to describe that universal feeling of nostalgia for a time and place you didn’t live in. Someone laminate it and send it to Jacob Rees-Mogg.
I wasn’t alive in 1972. I certainly wasn’t alive in the US, watching The Tonight Show with Johnny Carson. A show that ran for 30 years, making its Nebraskan host Johnny Carson one of the most famous men in the country, it was also NBC’s most profitable TV show of the time.
Yet watching There’s… Johnny!, I felt anemoia for LA in 1972. Originally planned for NBC’s just-shuttered Seeso service but now available on Hulu, the show stars Ian Nelson as Andy, a Nebraskan boy whose family worships Johnny Carson and his show. One day, Andy writes a letter to Johnny to ask for both an autograph for his parents… and a job. Soon, he receives the autograph and a letter telling him his wish has come true, and before you know it, he’s on a bus to LA to live his dreams.
Dreams hit reality when he arrives, of course, and it turns out there is no job for him after all. But his sweet, naïve nature means that soon he’s being taken under the wing of Johnny’s assistant T’Keyah Crystal Keymáh (Cosby, In LivingColor), as well as show co-ordinator Jane Levy (Suburgatory), and ultimately his dreams come true. But what will sex, drugs, rock & roll and 1972 all do this small town boy?
The West Wing
The show has apparently been 17 years in the making, with producer-creators David Steven Simon and Paul Reiser (yes, that one) working with the Carson estate to produce something that’s a comedy, a drama and a homage, Reiser having appeared multiple times on the show during its run so earning the estate’s trust. An almost unrecognisable Tony Danza is the only actor to be playing a real person (famous exec producer Fred de Cordova), leaving everyone else to play people who could well have existed but didn’t.
Nevertheless, those liberties and the fairy-tale qualities of the show to one side, the show feels like an authentic, behind-the-scenes look at how the Tonight Show could have been made. Taking a hint from Aaron Sorkin’s original plans for The West Wing, neither Johnny Carson nor his long-time sidekick Ed McMahon ever appear on There’s… Johnny!. Instead, they either appear blurry in the distance or through footage from the actual Tonight Show, a technique also used for the show’s guests, who in this first episode include a young George Carlin. It’s a technique that works well and also avoids the audience having to accept other actors playing two of the most famous people in TV history.
Romance
Most of the first episode is about Levy and Nelson’s burgeoning relationship, with Levy having to deal with a violent ex-boyfriend and her parents failing marriage, Nelson providing a sensitive shoulder to cry. Both do admirably well, Levy both as fierce and as funny as she was in Suburgatory and getting some decent lines from Reiser and Simon’s amusing script. There’s also the daily struggles of the writers’ room to come up with genuine gold for Carson’s famous monologues that will reward them with a wink or even a look, with moments that ring true such as a struggle to work out which is a funnier sounding petrol station: Texaco or Mobil. And, of course, we get to see Carson deliver the end result and the audience’s reaction (no, no spoilers).
The show deftly manages to walk between all these different issues, while lightly touching on the history of the period, including McGovern v Nixon and The Joy of Sex. It manages to do this without wallowing in temporal tourism, yet the beautiful recreation of the The Tonight Show studio of the time will still bring a tear to your eye, whether you were alive then or not.
There’s Johnny
The show isn’t a slam-dunk, must-watch that will have you rolling around in the aisles. But it’s a smart, loving, only slightly nostalgic slice of TV comedy about TV comedy, as well as a loving tribute to one of the US’s most hallowed TV shows, that’s certainly worth at least half an hour of your time. I’ll be back for more.
Yes, it’s Weekly Wonder Woman – keeping you up to date on pretty much anything involving DC Comics’ premier superheroine, including which universes she’s in
Justice League is out tonight, both here and the US. The predictions are it’s going to do good box office – it’s already been released in a few countries and international box office seems to be good so far, allegedly doing the best ever for a Hollywood movie in Brazil (really?) – even if pretty much every review says “it’s not great, but at least it’s not Batman v Superman bad”.
TMINE will be seeing it tomorrow, so next week’s WWW will feature a full review – and will probably be on Wednesday.
If you want to read some Justice League stories before seeing Justice League, Syfy Wire reckons it’s got the top 5 for you:
However, while a lot of them are good stories, slightly problematic is the fact that most of them aren’t Justice League storylines, just stories that involve the Justice League or Elseworld versions of the Justice League. You’d think they could do better with so many decades to work with, wouldn’t you?
Movie news
Rumours have been swirling around that Brett Ratner – the world’s most average film director but also one of the financiers of Wonder Woman and also the subject of a lot of allegations of sexual abuse, sexual harassment, homophobia et al – has been shoved off future movies, including Wonder Woman 2, at the instigation of Gal Gadot, who would have refused to sign on the dotted line for any more movies were he involved. Warner Bros has since denied the story and Deadline says there was nothing to it. Still, here’s Gal Gadot sort of denying it but not.
Gadot has also discussed how Diana differs between movies, as well as being a role model and the loss of UN ambassador status. But still on a sexism roll, someone’s noticed that Justice League‘s costumes for its Amazons are somewhat different from those in Wonder Woman. Could having a male costumier on the former movie, a female costumier on the latter be the issue?
In case you wonder: Here's a picture of how the Amazons looked in Wonder Woman…next to pic how they look in Justice League. First designed by Lindy Hemming, second by Michael Wilkinson.
Still, several of the Amazons themselves seem to like the change, so maybe it’s not quite so clear cut.
TV news
Two weeks in a row we’ve had some TV news, which is quite remarkable. This week, DC’s Legends of Tomorrowmade a brief visit to Themyscira.
A little bit before the Trojan War it would seem, but the DC Universe is not our universe, of course. It’s also not the DC Extended Universe, so don’t be expecting Gal Gadot’s Wonder Woman to show up on it any time soon now.
After the jump, this week’s adventures of Diana in comic book land. We (thankfully) have the end of the ‘Metal’ tie-in storyline in Justice League #33. We (thankfully) have the end of ‘Trinity versus lots of other Trinities’ storyline in Trinity #15. And we (thankfully) have the latest pairing of Diana and Conan in Wonder Woman/Conan #3.
I should have probably saved that joke until next Thursday, shouldn’t I?
