US TV

Review: CSI 8.1

CSI

In the US: Thursdays, 9pm et/pt, CBS

Characters re-cast:
0

Major characters gotten rid of: Ooh, that would be telling

Major new characters: 0

Format change percentage: 90% (for one episode only)

Number of contracts up: 1

CSI starts its eight season somewhat atypically – with an episode pretty much devoid of forensic science. Instead, it starts with the hunt for Sara Sidle, last seen trapped under a car thanks to the strange obsessions of the Miniature Killer (that’s not a tiny murderer, BTW). Where she is and whether she’s alive are the two mysteries that need clearing up.

Shows that have female characters kidnapped to increase tension are always treading a tricky path. Will they be weakening the characters by making them victims? Or will they fail to suggest any kind of peril by making the character too strong?

CSI manages to deal with this thorny problem reasonably well. Although it does go through most of the dramatic tricks you’d expect of an episode like this – the false discovery, etc – it still manages to leave Sara looking relatively strong during her ordeal while simultaneously creating a throbbing sense of menace, claustrophobia and desperation.

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US TV

Review: My Name is Earl 3.1

My Name is Earl

In the US: Thursdays, 8/7c, NBC

In the UK: Channel 4, some time in the year 2357 at this rate

Characters re-cast: 0

Major characters gotten rid of: 0

Major new characters: A prison full

Format change percentage: 25%

Number of shanks made: 1

Ooh, this is tricky. How to review this without giving the game away for UK viewers, who are still trundling through season two.

Can’t. Sorry. Don’t read further than this point if you’ve not seen the finale for season two.

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US TV

Review: Smallville 7.1

Smallville



In the US:
Thursdays, 8/7c, The CW

In the UK: On E4 and ITV2 at undertermined points in the future

Characters re-cast: 0

Major characters gotten rid of: Ooh, that would be telling

Major new characters: 1

Format change percentage: 0%

Number of superheros present: 3

Magic reset button? Where are you magic reset button?

What do you mean there isn’t one? That’s not right. This is Smallville. Every season ends with a massive cliffhanger, in which all the major characters are enperiled, Clark’s secret is revealed to everyone, etc. Then by the end of the first episode of the next season, everything’s back to normal again.

Actually, there is a mini reset button. After all, at least two characters died at the end of last season, so we couldn’t just leave them like that. You know: dead n’all. But apart from the necessary resurrections, not everything went back to the exact same place it was at the end of season six. Now that’s amazing.

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Five brief reviews for things that don’t deserve an entire entry to themselves

Am I having a crabby week, I wonder to myself?

Criminal Minds 3.1: Every year, I try this, just to see why everyone’s watching it. Every year, I still fail to comprehend why anyone would bother to surrender an hour to it, let alone an hour each week. It’s formulaic, tries to be smart while simultaneously being really dumb, and it has appalling acting. This episode was no different, although I have to admit the way they wrote out Mandy Patinkin was quite gutsy. Might watch it next week just to see what Joe Mantegna’s like as his replacement.

Flight of the Conchords 1.1: It’s been hyped to hell, so I thought I’d tune in and see what the hype was all about. It’s mildly amusing and the idea of including songs in it was slightly novel, but it’s really just The Office with New Zealand singer-slackers. Again, I might watch this next week, to see if it gets better. Does it anyone? And does anyone else like it?

Shark 2.1: Despite being the worst of the new legal shows last year, it’s the only one that’s survived. But again, it’s so formulaic, I don’t understand why. It’s the kind of show that bears no resemblance to reality, and explores every cliché in the book and then some. We have new characters introduced in the tried and tested manner (show them to be a bit of a maverick, set up a false conflict, then have everyone came round together and be friends by the end), and we have format changes to ensure that dramatic events have no effect. Plus James Woods is almost friendly, so the show’s lost any of the House-ian charm it might have aspired to.

Highlander: The Source: If anyone ever threatens to show this to you, stab out your own eyes so you’ll never have to. Absolutely appalling. Makes Highlander 2 look like a work of art. A few trace vestiges of good ideas in there, but so badly executed they’re swamped out of existence.

Bionic Woman: I’ve already reviewed the pilot. This revamped version was quite a bit better, so it might be worth sticking with. Most of the flaws are still there, though.

Oh well.

Over the weekend, I should be posting reviews of the season openers for Smallville, My Name is Earl and CSI, as well as the first episodes of Dirty, Sexy Money, Big Shots and Whistleblowers. I’ve seen them, it’s just a question of finding the time…

UPDATE: Criminal Minds copped out! Plus still no Joe Mantegna. Don’t tell me I’m going to have to watch another episode.

Kitchen Nightmares – better this week

Since I don’t normally review more than the first episode of reality/factual shows, I just thought I’d point out that this week’s episode of Kitchen Nightmares was much better than the first – far more about kitchen and restaurant than the first one. Still a little superficial, mind, but far more rewarding than the over-sensationalist first episode. Perhaps they’re going for a slow burn with the education?