Tuesday’s travelling news

Film

British TV

  • BBC to dramatise Anne Frank’s Diary
  • Stephen Fry to make a travelogue visiting every US state (maybe not Hawaii and Alaska though)

US TV

US TV

Review: Women’s Murder Club

In the US: Fridays, 9/8c, ABC
In the UK: Not yet acquired. Any bets on Living?

“Ah, women,” the senior network executive thought to himself. “So beautiful, yet their heads are filled with thoughts of pink things and butterflies. Yet they are an important demographic since so few of them have jobs, and therefore spend their time in front of the television all day.”

He smiled benevolently at the young male network executives gathered around him at his Private Men’s Club For Private Men. They were there to learn the important arts of programme development.

Leaning forward, he began to impart his wisdom. “Fortunately, there is a simple Formula for creating a television programme that all women everywhere will want to watch. Do not deviate from it. Do not change it. It must be the same. If we can fill an entire network like Oxygen full of shows made to this single recipe, we can do the same with ABC. The Formula is strong.”

He looked from eager face to eager face. “Take a genre, any genre. Women love crime, so that’s always good. Take a group of friends, all of them excellent at their jobs, yet somehow not properly respected in their workplace by their male superiors and colleagues. Give them relationship issues then insist that they discuss their relationships at all times, even when working, to the extent they’d probably get fired in the real world. Women like the idea of female solidarity. They can identify with women who are practically perfect in every way, yet have problems just like you and…” He paused and smiled, “…well, not like me.”

Sycophantic laughter echoed round the room, opening up holes in the cloud of cigar smoke that surrounded them all.

“Then,” he said pointing dramatically and paused yet again for effect. “Make them work so hard that soon, all the men will realise their mistakes and learn to love them for the wonderful, beautiful, strong women that they are. Women love that rubbish.”

He reclined into his chinchilla skin armchair. His computer had already generated the next show to use the formula: Women’s Murder Club. It was pure genius. Just like the last 70 shows to use the Formula.

Continue reading “Review: Women’s Murder Club”

US TV

Third-episode verdict: Life

The Carusometer for Life2-Partial-Caruso

Life is here and it’s pretty much as it”s always been. All TV detectives need a niche: Columbo was the working-class detective; Morse was the crossword-solving detective; Richard Griffiths was the pie-eating detective; and so on.

Life, looking for its niche, has opted for an amalgam: on the one-hand, Damian Lewis is the Zen detective. He doesn’t necessarily want answers, since there are no answers, only questions. But on the other hand, he also wants to kick the asses of those m*th*rs who framed him and put him in prison for over a decade.

It’s an odd hybrid, no?

It’s also a little slow. Much like the Comic Strip Presents…‘ gourmet detective (two recipes and a murder each episode), we have one crime (usually a murder) and a little bit of the over-arching “kick their asses” plot each episode. The crime, like Raines before it, is never that spectacular but is instead supposed to make you think about life, victims and so on. The “kick their asses” plot is very much a drip, drip endeavour, with bare minimum amounts creeping out each episode.

There are a few of sparks of life in it: Adam Arkin continues to be of interest as the comedy relief former prisonmate who now handles Lewis’ books – it’s good to have some sort of personality to the show, when Lewis is busy trying to destroy his own; Lewis’ occasional relapse into prison behaviour; and the show’s general smartness, with the episodes all at least pleasantly thoughtful.

However, much like a long dose of meditation, it’s very possible to fall asleep during Life, something that almost happened to me during the third episode, which crossed from thoughtful into merely boring. So you’re going to need to be in your happy place to find joy in it, I suspect.

The Medium is Not Enough declares Life a two or “Partial Caruso” on The Carusometer quality scale. A Partial Caruso corresponds to “a show with two walk-on cameos by David Caruso as Buddhist detective. After unnecessarily shaving his head, he’ll snarl all his koens, eventually trying to ad lib the phrase ‘What’s the sound of one finger pulling a trigger in the woods?’. Fortunately, the producers confuse him by telling him that ‘Water which is too pure has no fish’, forcing him to leave the set while he tries to find a salmon and a Brita water filter and leaving them the chance to hire someone else.”

Third-episode verdict: Moonlight

Sophia Myles might not be coming home just yet. Despite an exceedingly poor first episode, Moonlight has been steadily improving over the last few episodes and its ratings have been holding up, too. There are a few touches of originality creeping in and the format is still undergoing plenty of mutations.

So The Carusometer and I are holding off until the fifth episode for now. We’ll let you know the final verdict in a fortnight.

Film

Odd film marketing: Sweet Home Alabama

Not exactly the most recent film, I know, but for some reason, the movie crossed my mind this weekend and I just thought I’d draw your attention to the odd way Sweet Home Alabama was marketed in France. Here are the US poster and French poster for said movie. Click to make them bigger.

Sweet Home AlabamaFashion Victime

The movie was about a New York fashion designer, originally from Alabama, who returns home and finds love. The name is a cash-in on a well-known song by litle-known band Lynyrd Skynyrd. The US tag line is “Sometimes what we’re looking for is right where we left it.”

In France, the movie had something of a revamp. It got a new name, Fashion Victime, presumably because the song was unknown in France. But you don’t need me to tell you it means either “fashion victim” or potentially “victim of fashion” if you take into account the rest of the poster, which suggests something quite different.

We’ve also lost the original US tagline in favour of “no boys allowed” in a lipstick kiss and “The romantic comedy number one at the US box office”.

So on the left, we have a fashionable woman returning home with her bags and dog to find love; on the right, we have a fashionable woman with shopping bags, luggage and a dog, doing girly things. We’ve gone from a movie that’s a sort of a rom-com but basically a vehicle for Reese Witherspoon to a bit of on-screen chick-lit allegedly about a shopaholic.

Trouble is, the movie didn’t change for French audiences, so they still got the original movie, even if they thought they were going to see something a bit more frothy.

Incidentally, the “number one at the US box office” tagline that gets inserted on so many posters is meaningless. I’ve seen in on posters for movies that haven’t even been released in the US yet. I do not think it means what they think it means.

Next time, I’ll try to hunt down a copy of the UK promo poster for Long Kiss Goodnight, which had some of the worst Photoshopping ever. Geena Davis’s head wasn’t even attached to her body!