Sitting Tennant

And the winners of Sitting Tennant 2011 are…

Sitting Tennant

Sitting Tennant

It’s that time of year again. Yes, time to declare the winner of Sitting Tennant 2011! It’s been a hard-fought contest, both for captions and pictures, but we have two worthy winners. After the jump, all will be revealed, including the final Sitting Tennant of 2011, and we can talk about next year’s Sitting Tennant at the same time.

Continue reading “And the winners of Sitting Tennant 2011 are…”

Tuesday’s “WTF? John Cleese to guest on Whitney?” news

Film

British TV

Canadian TV

  • Canada to scrap local TV fund?

US TV

A new event for fans of French and British TV: Totally Serialized

Well, here’s exciting (no, really, genuinely exciting):

From 19 to 22 January, the Institut français will hold its first ever French and British TV Series Festival. TV fanatics, enthusiasts and newcomers will be able to discover the cream of French and British TV series with the most amazing actors, screenwriters and directors in attendance. It’s time to get totally serialized!

The UK premiere of eagely awaited hit TV Show Borgia, attended by actor Mark Ryder, will kick off the festival. Other highlights include a very special premiere of the first episode of Inside Men, the new BBC One TV Drama, followed by a Q&A with writer Tony Basgallop, a screening of Spiral with the screenwriters Anne Landois and Eric de Barahir, an exclusive screening of the first episode of Shane Meadows’s This is England ’88, in the presence of members of the cast and all-night marathon of Season 3 of Misfits with the cast also attending. Maverick French TV Shows such as Platane, with a Q&A with co-screenwriter Hafid F. Benamar, and Hard, a comedy about the porn world are also lined-up as well as comedies such as The Invincibles and the hit TV show Desperate Parents introduced by actress Valérie Bonneton.

Gangsters and cops will wrap up the festival on Sunday notably with Tony’s Revenge and the dark and gritty Braquo. A panel discussion on ‘How to Write a TV Show’ completes the programme, gathering majors screenwriters such as Frank Spotnitz (The X-Files), Paula Milne (Small Island, The Politician’s Wife), Anne Landois and Eric de Barahir (Spiral).

You can find out more here, and there’s also a schedule of events. And for those who aren’t going, apparently Death in Paradise will be broadcast on BBC1 and Borgia will be shown on Netflix UK in 2012. Yes, there’s going to be a Netflix UK in 2012. Interesting. And I’ll be even more interested to see if Borgia is better than snore-fest The Borgias.

I’m probably going to be camped out in the Institute for most of this.

Monday’s “multiple renewals” news

British TV

Canadian TV

US TV

US TV

What did you watch this week (w/e December 16)?

Dustin Hoffman and Michael Mann

Time for “What did you watch this week?”, my chance to tell you what I watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

The A-Team: Misfits, Modern Family, Happy Endings, and Homeland.

The B-Team: Dexter and Rev.

Yes, we’re back on Fridays, mainly because everyone seems to be sticking the good stuff on TV on Sundays and I don’t watch things live, but also because Mondays can be a bit tricky for me whereas Fridays are a lot easier.

Anyway, a few thoughts on what I’ve been watching:

  • Luck: So this should be TV gold. Michael Mann and David Milch behind the camera; Dustin Hoffman, Dennis Farina, Nick Nolte et al in front; and it’s all set in the high stakes world of horse racing and gambling. Yet was it incredibly dull? Yes. Could barely sit through it. It probably didn’t help that everyone mumbled their lines so I couldn’t make out what most of the cast were saying. This was just the pilot: the series itself starts in January on HBO, but I won’t be tuning in. Ratings were pretty poor, too, so don’t expect it to last more than a season.
  • American Horror Story: Yes, still watching. It’s largely been crud and I’ve forward wound through lots of it. This week’s episode, written by Tim Minear, however, was about half-tolerable (the second half, to be precise).
  • I Hate My Teenage Daughter: Episode two was actually more palatable than episode 1 but also more boring. Standard sitcom set-up, you can understand why some people might like it, but ultimately so bereft of redeeming qualities, such as laughs, the whole thing is so bad, I had to give up after about five minutes.
  • Dexter: The show’s stupidest season limps towards its conclusion. Even more implausible than last year’s season finale in terms of plotting and character, on top of that, we have (spoiler alert) Debs fancying Dexter. Ew! I think I’m going to tap out after the end of the season, unless someone tells me there’s a great big pick up in quality next season. Bye, Dexter, it was nice knowing you.
  • Homeland: Thank Apollo and the Muses themselves for Homeland, TV drama’s almost sole redeeming show at the moment. Excellent work by Claire Danes and Mandy Patinkin this week. It should be fascinating to see where they go with it on Sunday and the next season.
  • Misfits: A fun episode that’s best not thought about too hard.
  • Rev: Sometimes I wonder why I’ve developed this Pavlovian conditioned reflex towards British TV of late. I just can’t face watching it, even if it could be really good (Dark Mirror, Downton Abbey, etc). I’m starting to think it’s shows like Rev that are part of the problem. I really liked the first series of Rev. It was refreshing and fun. The first episodes were the best and there were some hints of cringe comedy towards the end, but it was a really good show. Come the second series and it’s become cringe comedy, miserable and like having a tooth pulled. You get lured in and then you get crushed. That’s the real reason we only have six episodes per series in the UK: we’re almost fundamentally incapable, it seems, of writing more than about six good episodes of something. Grr.

And in movies:

  • Universal Soldier: Regeneration: Now, I know what you’re thinking. What on earth possessed me, particularly since the first movie wasn’t really the greatest, to watch its third (or is it the fourth) sequel? Well, it was there. But guess what: despite being toplined by Andrei ‘The Pitbull’ Arlovski, Universal Soldier: Regeneration is actually better than all the other Universal Soldier movies put together, as well as the likes of Terminator 3. It’s smarter, more thoughtful, has better action scenes and is shot in the style of The Bourne Supremacy. Very weird. The second half loses it a little, with all the set-up essentially dropped in favour of fights, and Dolph Lundgren’s appearance is basically a cameo but actually a reasonable low-budget action movie.

And in books

  • The Good, the Bad and the Multiplex: I finally finished reading it. It’s okay. Not great. Just okay. Lacks a lot of the humour of a proper Kermode rant, so it’s just him throwing out facts and saying things are rubbish.
  • Bad Science: Ben Goldacre’s take-down of media reporting, nutritionists, et al. Overly technical in style at times, it’s not so much “bad science” as “bad medicine” but it should be compulsory reading for anyone who’s ever read a food story in the paper and believed it. I’m up to the chapter on Gillian McKeith – that should be fun.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?