Friday’s exploding screwdriver news

Doctor Who

  • Matt Smith injured by exploding sonic screwdriver

Film

Theatre

British TV

Canadian TV

US TV

The CarusometerA Carusometer rating of 2

Third-episode verdict: The Good Wife

In the US: Tuesdays, 10/9c, CBS
In the UK: Acquired by Channel 4

As you may recall from my review of its first episode, The Good Wife is latest attempt to give Julianna Margulies a star vehicle in which she plays a lawyer. It’s good enough that it’s already been picked up for a full season – and for me to have stuck with it this long.

I have to say it’s actually quite good. Margulies is engrossing. We’re seeing things we don’t often see in legal shows – the behind-the-scenes politics, the strategies of negotiations, networking, what goes into pre-trials, actually making sure you have a job, and so on – which makes it intellectually more interesting than most such shows. 

It’s also as much about what it’s like to have had your partner cheat on you as it is about legal work. All three episodes have seen Margulies having problems with trust, and dealing with the effect on her kids and her friends, as well as on her new career. 

The slight tendency to crudely make the feminist sub-text become text has been replaced with something subtler, and there are no real moustache-twirling men of evil for Margulies to have obvious fights with: even her rival for the one job at her company turns out to be quite good in his own way.

It doesn’t quite sparkle yet: Julianna’s PI partner in investigation has no real charisma, Margulies is quite subdued in her performance and its slower pace does have the disadvantage that you don’t feel drawn in.

But it’s still a good entry in the legal drama stakes and certainly one of the best of the new shows of the season: not quite serial, yet not quite standalone, and with some intelligence as well as heart. I’m not absolutely recommending it, but you might enjoy it.

Carusometer rating: 2
Rob’s prediction: Will last at least a season, potentially more if something more exciting doesn’t smash it in the ratings.

Thursday’s pick-up news

Doctor Who

Film

Art

British TV

  • ITV1 to co-produce second series of Single Handed?
  • Pauline Quirke’s Missing gets a second series
  • Stargate Universe gets good ratings, while The Fixer is down to 2.82m
  • iPlayer to go global – for a fee?

US TV

Wednesday’s “it’s only a logo” news

Doctor Who

Awards

Film

Theatre

  • Kelly Brook, Jan Leeming and Julie Goodyear to join Calendar Girls

British TV

  • Blue Murder beats Criminal Justice in the ratings
  • Sebastian Faulks to present The Secret Life of the Novel

French TV

  • Canal+ acquires The Prisoner

US TV

US TV

Review: Heroes 4×4 – Acceptance

Tracy and the Governor

In the US: Monday 5th October, 9pm, NBC
In the UK: November? Oh, who knows

Was this episode three in disguise? I’m not convinced, despite all the NBC press releases and publicity shots that said it was. So Ink was basically just a bad move altogether.

But that’s of no consequence. Do you know what is of consequence?

This episode was written by Bryan Fuller. Yes, wonderful Bryan Fuller, saviour of Heroes last season and general all-round good writer.

In the character tag-team that is Volume Five, it’s a Hiro/Ando, Peter/HRG, HRG/Claire, Nathan/Sylar/Peter and Tracy/HRG episode and compared to last week’s episode, it’s a great return to form for Heroes. It’s just a shame it wasn’t quite the knock out that Cold Snap was since this could be our Bryan’s last episode before he leaves to write a sitcom.

For shame, Bryan. For shame.

Still, at least he’s left us with Ali Larter in a towel. God bless him for that.

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