Tuesday’s resurrected pilots news

Film

  • Alice Eve to play Emma Frost on X-Men: First Class
  • Spike Lee to direct Nagasaki Deadline?
  • Trailer for David Fincher/Aaron Sorkin’s Facebook movie
  • Carey Mulligan to star in movie written by Prison Break star Wentworth Miller?
  • Trailer for part one of Harry Potter and the Deathly Hallows

British TV

US TV

US TV

Review: Memphis Beat 1×1

Memphis Beat

In the US: Tuesdays, 10/9c, TNT

Over here in the UK, we’ve just seen the end of Heartbeat after 18 years. That featured various nice policemen going around nice locations to the constant soundtrack of music of the 50s and 60s.

Memphis Beat is a strangely similar show (not just in title), despite being set in modern day Memphis. In it, former pro-skateboarder Jason Lee follows up his nice guy Earl routine in My Name is Earl with another nice guy: this time, a cop who really cares and who’s really into old music, particularly Elvis – what with him being an Elvis-impersonator and all.

It’s about as exciting as Heartbeat, too.

Continue reading “Review: Memphis Beat 1×1”

Monday’s “Gene’s back” news

Doctor Who

Film

Theatre

  • John Nettles to join John Simm in Sheffield Theatres’ Hamlet
  • Martin Shaw and Jenny Seagrove to star in The Country Girl

British TV

US TV

What have you been watching this week (w/e June 25)

Lots of new shows in the US, and I’ve Memphis Beat, Boston Med, Rookie Blue and Rubicon still to watch, as well as the second ep of the uninspiring Hot in Cleveland. Otherwise, here’s what I’ve been watching:

  • Burn Notice: Still a week behind, but last week’s was a bit throwaway and lacked Robert Wisdom. All the tradecraft stuff was fun, but Jesse grates and the relationships among the regulars and their development appears to have been put on hold in favour of Jesse’s development.
  • Leverage: I was so unenthused by the first episode that I actually gave up on the idea of writing a review. Woo hoo, “Sophie” is back, but the first episode felt like a by the numbers bit of plot mechanics to get the show back to its standard format, with the same old tricks being used time and again. The arrival of the Italians is an interesting move although doesn’t look like its going to affect every episode. The second episode, a slight riff on Gross Point Blank was a lot better though, with the chemistry between the regulars returning and something looking like character development manifesting as well. There were also some new tricks that look like they were cribbed from a Derren Brown show, but hey I’m not complaining and it’s always good to see Arye Gross getting work.
  • Royal Pains: Pretty painful stuff – a Royal Pains/WWE Raw crossover with one of the WWE’s wrestlers playing the star of some really, really dreadful movies that for some reason, everyone in the Hamptons likes. The one redeeming feature was the arrival of Anastasia Griffith from Trauma as (spoiler)Boris’s new concierge doctor. Nice to see they’re making Evan less of a tit, too.

But what have you been watching?

As always, no spoilers unless you’re going to use the <spoiler> </spoiler> tags, please. If you’ve reviewed something on your blog, you can put a link to it here rather than repeat yourself (although too many links and you might get killed by the spam filter).

Classic TV

Lost Gems: The Green Hornet (1966)

The Green Hornet

Back in the 60s when Batman was at the height of its popularity, the ABC network looked around for a similar superhero show to cash in on Batman‘s success. They hit upon an old radio programme, The Green Hornet, about newspaper proprietor Britt Reid who pretends to be the eponymous masked criminal so that he can stop actual criminals.

The producers soon cast Van Williams as Reid, but that was actually the least important bit of casting on the show. One notable aspect of the story format was that Reid was assisted in his fight against crime by his Asian man-servant, Kato. The producers looked far and wide before eventually landing upon a little known Hong Kong movie star for the coveted role.

That star was Bruce Lee.

As a result of that casting, The Green Hornet became possibly the only show in history where nobody really gave a toss about the lead character. The only character anyone was interested in was Kato, thanks to Bruce Lee’s incredible martial arts prowess. In Hong Kong, The Green Hornet was actually called The Kato Show.

Unfortunately, it was a short-lived show, lasting only a season. The fact that rather than camp and cheesy, the producers opted for straight-laced probably didn’t help, but having a dull lead character really didn’t help either.

Nevertheless, The Green Hornet‘s legacy lives on. Chinese martial artist Jet Li (best known here from Lethal Weapon 4) did more or less an entire film in the Kato costume, and Kill Bill Volume 1‘s massed fight scene sees “the Crazy 88” all wearing Kato masks. And in 2011, Seth Rogen (Knocked Up) and Asian martial arts star Jay Chou will be starring in a movie version of The Green Hornet.

Here then, for your delectation is the weird old title sequence of The Green Hornet, a clip of the show’s most famous fight scene, followed by an absolute treat – Bruce Lee’s original screentest for the show, which shows you simply how impressive a man he was.