What did you watch this week? Including The Spa, The Americans, Banshee, Go On, House of Cards, Mr Selfridge and Shameless

It’s “What did you watch this week?”, my chance to tell you what I movies and TV I’ve watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First, the usual recommendations:

  • The Americans (FX/ITV).
  • Archer (FX, 5USA)
  • Arrow (The CW/Sky 1)
  • Banshee (Cinemax/Sky Atlantic)
  • Being Human (US) (SyFy)
  • The Daily Show (Comedy Central)
  • The Doctor Blake Mysteries (ABC1/ITV)
  • Cougar Town (TBS/Sky Living)
  • Elementary (CBS/Sky Living)
  • Go On (NBC)
  • House of Cards (Netflix)
  • Modern Family (ABC/Sky 1)
  • Mr Selfridge (ITV/PBS)
  • Shameless (US) (Showtime/More4)
  • Southland (TNT/Channel 4)
  • Spartacus (Starz/Sky 1)
  • Engrenages/Spiral (BBC4/Netflix)
  • Suits (USA/Dave)
  • Top Gear (BBC2/BBC America)
  • Vegas (CBS/Sky Atlantic).

These are all going to be on in either the UK or the US, perhaps even both, but I can’t be sure which. If I got the channels wrong, let me know and I’ll fix them

Still in the queue: plenty to go in the House of Cards queue and there’s this week’s episodes of The Doctor Blake Mysteries, Vegas, Elementary, Archer, Zero Hour and Community to watch, although I think Community‘s days as a watched programme are numbered in this house. On top of those I have new US show Cult to watch – basically The Following but on The CW and with the guy who played T-Bone on Prison Break – which I’ll try to sneak a look at over the weekend, as well as new Australian show, Mr and Mrs Murder, which sees a husband and wife team cleaning up murder scenes (literally) and then doing some detective work of their own. I’ve also got Channel 4’s one-off spy drama Complicit to give a try, but Guy says it’s a bit rubbish so I might skip it.

I did get round to watching Sky Living’s The Spa, which stars Rebecca Front. It’s as dreadful as every other Sky 1 and Sky Living comedy, I’m afraid. In particular, we had a scene based on someone being told to tell someone they were ‘clinically obese’ and mishearing and saying they were ‘clinically a beast’.

Now, some thoughts on the regulars as well as some of the shows I’m still giving a try.

  • The Americans (FX/ITV): A rather excellent episode all round, set against the backdrop of the attempted assassination of Ronald Reagan and suggests how it could have resulted in World War 3. There’s excellent usage of archive news footage and intriguing to see the Soviets transferring and imagining it could be an attempted coup by General Hague. ‘Operation Christopher’ also showed just what the KGB was capable of if necessary. There’s also a humorous suggestion that Christopher Hitchens (ish) was basically a Soviet sleeper agent, pretending to be a new-wave conservative to hide his true plans to spy on the US. Very much recommended.
  • Arrow (The CW/Sky 1): A living breathing advert for Windows 8 and way too teenage and soapy. Even James Callis couldn’t keep a straight face. It was redeemed by the use of the BSG alert klaxon during the museum robbery scene.
  • Banshee (Cinemax/Sky Atlantic): Is it my imagination or is the title sequence becoming more and more animated with each episode? I could have sworn the albino didn’t move until this episode. A decent flashback episode, this one focusing on Hood’s time in jail, that paid off well if you’d been watching since the beginning. Very, very brutal, mind.
  • Being Human (US) (SyFy): Somehow feels less involving than previous seasons. Mark Pellegrino turning up in flashback was good, as was his English accent, but Sam Witwer’s needed work.
  • The Blue Rose (TV3): Still hasn’t found its feet and neither comedic nor dramatic enough to be compelling. But I’ll give it a week or so more yet.
  • Elementary (CBS/Sky Living): Not seen all of it so far, but I’ll tell you one thing: Sherlock Holmes doesn’t know how to build a molecule with benzene rings in it properly.
  • Go On (NBC): Has reached the point where ideas are now being thrown out randomly, whether they work with particular characters or not. They finally gave the blind black guy something to do with some funny retcon – he’s a former cop and has mentioned it loads of time, but because everyone’s been so self-involved they’ve ignored him – and Piper Perabo does a funny New Jersey accent.
  • House of Cards (Netflix): I’m an episode or two further along now and enjoying its twisty turniness. Not convinced Kate Mara’s character would allow herself to have pictures taken in the nude, and the latest episode had the usual American belief that unions are little more than organised crime in disguise, even teachers’ unions, but lovely stuff. The show actually used the c-word as well, which was remarkable. And if you wondered what happened Joel Schumacher, turns out he’s directing House of Cards now. Definitely still recommended.
  • Modern Family (ABC/Sky1): Yes, that was Maxwell Caufield.
  • Mr Selfridge (ITV/PBS): The show’s starting to become a little self-mocking and Jeremy Piven is starting to spiral out of control, presumably thanks to the punishing schedule. The archness (and hair bra) of his aristocratic sponsor is also starting to grate, as are the accents of some of the cast: some of the Selfridge children’s US accents are wobbly and Amy Beth Childs, who was good with a Northern accent in Sirens, is clearly struggling with a squeaky cockney. Still, we did get John Sessions as Arthur Conan Doyle and a seance, and next week, we’re going to be getting Michael Brandon (Dempsey from Dempsey and Makepeace).
  • Shameless (US) (Showtime/More4): For once, you wanted to side with Steve against Fiona in their dramas. All of a bit of a jolly jape, though, all the mean girls at the swimming pool were good, but the ending was a refreshing change to the status quo. Looking forward to seeing what happens next week.
  • Southland (TNT/Channel 4): And so the bleakness goes on. Loving it. Best moment: Cooper’s fire-fight, although his continuing self-closeting and kindness to the Downs girl were close seconds.
  • Suits (USA/Dave): A great finale marred somewhat by some of the worst English stereotypes since The Patriot or possibly Three Men and a Little Lady. It does feel though that it’s not actually doing seasons any more but is just one long continuous show that occasionally takes breaks.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Friday’s “The American’s 2nd season, NBC finishes 5th, Jack Davenport to star in Breathless and a Fox-Bay reunion” news

Film casting

Canadian TV

UK TV

  • Jack Davenport to star in ITV’s Breathless
  • Trailer for Broadchurch, with David Tennant, Olivia Colman, Arthur Darvill and Vicky McClure

US TV

US TV casting

New US TV shows

US TV show casting

  • Jesse Lee Soffer to star in NBC’s Hatfields & McCoys, French Stewart to recur on CBS’s Mom
  • Charlie Cox to star in CBS’s The Ordained
  • Chris Egan to play Dorian Gray and Tom Ellis to play Victor Frankenstein in ABC’s Gothica
  • Sheila Vand to star in CBS’s Beverly Hills Cop
  • Mira Sorvino to star in CBS’s Jim Gaffigan comedy
  • Robbie Amell joins The CW’s The Tomorrow People, Ryan Hansen joins CBS’s Bad Teacher, Kim Dickens joins CBS’s Second Sight, and Ashton Holmes and Lou Taylor Pucci join ABC’s Reckless
  • Nicole Beharie to star in Fox’s Sleepy Hollow
  • Daniel Stern to co-star on NBC’s Girlfriend in a Coma
  • Joey McIntyre and Jessica Chaffin join CBS’s The McCarthys, Peta Sergeant returns for second go at The CW’s The Selection

Thursday’s “New Tomorrow Person, a Will Arnett comedy, FX to Crash and Burn and Killing creator’s Cinemax team-up” news

Film casting

Australian TV

UK TV

US TV

US TV casting

  • Hugh Dillon to be a regular and Aaron Douglas to recur on The Killing
  • Josh Hamilton to guest on Elementary [minor spoilers]

New US TV shows

New US TV show casting

  • June Diane Raphael to star in ABC’s Pulling remake
  • Luke Mitchell to star in The CW’s The Tomorrow People remake, Malese Jow and Titus Makin Jr to co-star in The CW’s Oxygen
  • Marc Blucas to co-star in ABC’s Killer Women
  • Steve Zahen to star in ABC’s Influence
  • Will Arnett to star in CBS’s Greg Garcia comedy
  • David Harewood joins CBS’s Anatomy of Violence
  • Orlando Jones joins Fox’s Sleepy Hollow, Adam Campbell joins ABC’s Mixology
  • Rockmond Dunbar to co-star in ABC’s Doubt, Isiah Whitlock Jr to star in ABC’s The Syndicate remake Lucky 7
  • Matt Craven joins ABC’s The Returned, Brent Morin and Rick Glassman join NBC’s Undateable
  • Tory Kittles to recur on HBO’s True Detective
  • Annie Mumolo to star in ABC’s Middle Age Rage
  • Sung Kang to star in Fox’s Gang Related, Michael Rady to star in CBS’s Intelligence
  • Paget Brewster to star in ABC’s Spy remake, Henry Thomas to star in ABC’s Betrayal
The BarrometerA Barrometer rating of 4

Third-episode verdict: Monday Mornings (TNT/Fox)

In the US: Mondays, 10/9c, TNT
In Canada: Mondays, 10pm ET, Bravo
In the UK: Acquired by Fox

As we’ve been (re)discovering recently, US TV pilots are never the finished products. Once a pilot becomes a series, plenty can change: problems can be sorted out, characters replaced or recast, and so on. The Following was the first of the recent mid-season shows to do a serious course-correction, and now we have a second: Monday Mornings, Ally McBeal creator and Wonder Woman ruiner David E Kelley’s attempt to diversify out of law shows and into medical shows.

The first episode was, of course, dire, full of mawkishness, ethnic stereotypes, lack of convincing characters, medical insanity and 20/20 hindsight, and some of the worst dialogue on TV since the last David E Kelley show, Harry’s Law (it’s since been surpassed by Zero Hour).

Worse still was the fundamental pillar of the show: the ‘Monday Morning’ fault check at ‘Chelsea Hospital’, where all the decisions made the doctors and surgeons are put under the microscope to see what mistakes have been made in an effort to prevent them happening again. Okay, so interesting to have a show that focuses on doctors cocking up rather than being heroic. But with Kelley in charge, the M&M becomes an almost literal courtroom, with chief surgeon and Brit Alfred Molina wearing a Doctor Octopus wig so that he can act as judge, jury and executioner to all those around him, while the doctors and surgeons also double up as juries, lawyers, defendants and prosecuting counsels. Rather than a learning experience that’s all about science and improving process, it’s a way to terrorise people, shout at them, and pass liberal judgement on them for not having hearts that bleed in precisely the right amount for precisely the right conditions and precisely the right patients, despite whatever statistics and probabilities would tell you.

The second episode was pretty much the same, in most regards, with the added ludicrousness of an in-story explanation of why Molina decides to shave his wig… sorry, hair off that’s even more mawkish than the saccharine dialogue. There was a little ambiguity in the ‘court scenes’, but it was pretty much a Xerox of the first episode in most regards.

So let’s all look a bit surprised with the third episode, which while not a total makeover, did change quite a bit of the show’s DNA. Sure, Ving Rhames still has almost nothing to do. Sure, Korean surgeon is largely there to be laughed at for being foreign and having an improbably poor standard of English and social skills. Sure, the female doctors talk about almost nothing about dating and relationships, while the male doctors talk about almost everything except dating and relationships. Sure, Jamie Bamber needs a haircut as much as Molina did.

But whether it was the addition of a co-writer to the story or whether it’s a sign of changes in the show, the third episode moved away from making Monday Mornings a show about doctors that mirrors legal dramas and made tentative steps towards making it a show about the intersection between the law and medicine. We had doctors being counselled in risk management techniques designed to reduce the chance of patients suing; we had an interesting philosophical debate about when a patient may (or may not) be able to give informed consent if they are mentally impaired, and how much work doctors should go to to find a proxy; we had a legal deposition on the lengths needed to ascertain whether someone is legally dead.

We also had a decent plot, with a man diagnosed with schizophrenia turning out to have a brain tumour; when it’s removed he reverts to the man he was back in 2006. In fact, he still thinks it is 2006. So again, we have a philosophical musing on whether it was right to take an otherwise happy but hallucinating man, and reveal to him that he’s lost seven years of his life, which has fallen apart in his absence.

The show obviously still has its problems: unlikeable and uninvolving characters; the siege-like Monday Morning sessions that are more about blame than learning and would have most surgeons running for the hills – or another hospital; the sexism, racism and xenophobia; a tendency towards the melodramatic, the forced, the implausible, the illogical, the unbearable and the pathetic; next-to-zero characterisation or background for anyone beyond how they do their jobs; a tenuous relationship with reality; and dialogue that’s got the safety catch off and is ready to kill.

But if it improves as much again in its next episode or at least goes in the same general direction, it’ll be well on its way towards carving out a new niche on TV and marrying two normally unrelated genres. Assuming that its ratings get better and it doesn’t get cancelled, anyway.

Barrometer rating: 4
Rob’s prediction: Will probably be cancelled at the end of the season

Wednesday’s “Vic and Bob’s new sitcom, bye bye BBC HD, The Bates Motel trailer & much pilot casting” news

Film

Film casting

Canadian TV

UK TV

  • Vic and Bob to star in new BBC sitcom
  • Gold commissions first studio sitcom, Us And Them
  • BBC 2 HD to replace BBC HD on all platforms from 26 March
  • Monday ratings: Black Mirror drops slightly

US TV

US TV casting

New US TV shows

New US TV show casting

  • Jason Lee to star in CBS’s Second Sight remake, Rachelle Lefevre to star in CBS’s Under The Dome
  • Maya Kazan joins The CW’s Company Town, George Segal joins ABC’s How The Hell
  • Kirk Ward to star in Amazon’s Zombieland
  • Mandy Moore to star in ABC’s Pulling remake, Eloise Mumford to star in ABC’s Reckless
  • Tate Donovan to co-star in CBS’s Hostages remake
  • Josh Hamilton to star in Bravo’s Rita remake
  • Greg Sulkin to co-star in Fox’s Delirium, Tricia Helfer to star in ABC’s Killer Women remake, Nestor Serrano to star in CBS’s The Ordained and Raza Jaffrey to star in ABC’s Gothica
  • Catherine O’Hara to co-star in Fox’s To My Future Assistant
  • Ari Graynor to star in CBS’s Bad Teacher adaptation
  • Michael Peña to star in Fox’s The List
  • Ramon Rodriguez to star in Fox’s Gang Related, John Ortiz to co-star in Fox’s Rake remake
  • Geoff Stults to star in Fox’s Enlisted