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Preview: Uncle Buck 1×1 (US: ABC)


In the US: Tuesdays, 9/8c, ABC . Starts tonight (June 14)
In the UK: Not yet acquired

Not so very long ago, I ventured the opinion that remakes weren’t always inferior, awful and unnecessary – with the caveat that maybe you needed to start with something that wasn’t very good to begin with to notice an improvement. Now along comes Uncle Buck to test that theory.

I have fond memories of Uncle Buck, but only in the sense that it was the movie I took Jo Mercer to see on my first ever date, back in 1989. Those are the fond memories – I have almost no recollection of the movie itself, other than it starred John Candy. It was a date, after all. Here’s a trailer for it in case your memory needs jogging, too.

That helped a bit, actually. I also almost laughed a few times. I can see why you might want to remake that.

Now the mistake you might be making with Uncle Buck, ABC’s new sitcom with Mike Epps (“Black Doug” in The Hangover), is that it is indeed a remake of that original Uncle Buck. After all, they do share the same name. They also share more or less the same plot of a ne’er-do-well helping out his brother by looking after his kids for a weekend and despite making cataclysmic mistakes, somehow doing a good job (± some odd definition of ‘good job’). They even share a number of scenes, although largely they’re done far more weakly because who remembers Dragnet these days so why don’t we just have a kid asking some serious questions instead?

But that’s a rookie mistake. Uncle Buck is really just a remake of ABC’s black-ish, with its upper middle class, rich black family professional parents struggling to work out what it is to be black when you’re no longer back in the hood and your kids are all pampered nerds, brother Buck replacing Laurence Fishburne as the reminder of the ways of the street and the soft bigotry of low expectations.

Where it differs from this true original is having nothing cutting edge or intelligent to say. It occasionally elicits a mild guffaw, usually by treating kids amusingly badly, but largely this is weak stuff that for some reason didn’t bother to pinch half the funny ideas from even that mildly related 1989 relative’s trailer. To be fair, I quite liked the parents (Nia Long and James Lesure) and their relationship, which was mercifully gentle and loving for primetime US TV. But is it funny or better than either the (trailer for the) 1989 movie or black-ish? No. So bang goes that theory of mine.

Possibly one to show your kids as a cautionary tale, but definitely not one to show anyone on their first date.

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What have you been watching? Including The Night Manager, Outcast, The Americans and Cleverman

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

Sunday’s got a bit busy all of a sudden. As well as Game of Thrones and Silicon Valley, we now have Secret City and the returning The Last Ship, as well as Preacher once it catches up with me. So unless I take every Monday off work or forgo sleep, I’m thinking I’m not going to be able to watch all of those in time for WHYBW. So this week, WHYBW will be returning to Fridays (or more probably Saturdays. Sob), given Thursday’s worldwide TV schedule currently consists of Cleverman. Hold your thoughts on Silicon Valley, Secret City and The Last Ship until then, so we can share.

Anyway, thanks to the world unleashing a huge swathe of new shows for us all to try out, this week I reviewed/previewed elsewhere:

I’ll be previewing/reviewing Uncle Buck (US: ABC) and Still The King (US: CMT) in the next couple of days, and after the jump, I’ll be reviewing the latest episodes of Cleverman, Game of Thrones and Outcast, as well as the season finale of The Americans. But first, over the weekend, I finally got round to boxsetting a show you’ve almost all probably seen and forgotten already!

The Night Manager (UK: BBC One)
The first John Le Carré TV adaptation in 20 years, Tom Hiddleston’s audition tape for the role of James Bond sees him playing a former soldier turned hotel night manager sign up with SIS (in the form of Olivia Colman) to defeat international, improbably accented gun runner Hugh Laurie as he tours all manner of shiny places in HD. It all looks lovely and it’s got a great supporting cast (Tom Hollander and David Harewood), but the UK production aesthetics (music, title sequence) make it seem a lot cheaper than it is, and to be honest, Le Carré’s plotting stretches into the clunky, simplistic and improbable at times, with few surprises. The ending is also a disappointment, essentially relying on Laurie giving an almost total stranger who’s a thief and a murderer exclusive control over $300m – after the set-up, I was expecting something a lot smarter. But the low-fi spying, Hiddleston and the locations make it more memorable.

Continue reading “What have you been watching? Including The Night Manager, Outcast, The Americans and Cleverman”

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Preview: Animal Kingdom 1×1 (US: TNT)

In the US: Tuesdays, 9/8c, TNT. Starts June 14
In the UK: Not yet acquired

Sometimes, you watch enough global TV and it starts to become confusing as to what’s copying what. Take Animal Kingdom, TNT’s latest drama, this one featuring Ellen Barkin (Sea of Love, Switch, The Big Easy) as the California grandmother who takes in her teenage grandson (Finn Cole from Peaky Blinders) when his mother (her daughter) fatally overdoses on heroin. Except she’s actually the head of a literal crime family, with her sons (Scott Speedman from The Last Resort, Shawn Hatosy from Southland, Ben Robson and Jake Weary) a highly efficient bunch of robbers with varying degrees of conscience. 

So it immediately it looks a bit to me like New Zealand’s Outrageous Fortune, except not only is Animal Kingdom a lot darker and a lot less humorous, it’s already been remade as Scoundrels

But then, as I watch it, I start to get a completely different vibe. With its highly efficient criminals, tense male-relationships and Heat-style direction, it’s beginning to look a lot like Smith, NBC’s old Heat knock-off with Ray Liotta. That was exec-produced by John Wells (ER), as is Animal Kingdom. There’s even a rather similar scene involving surfers, designed to show off how the family doesn’t care for the rules of society, to one in Smith involving Simon Baker.

So Smith meets Outrageous Fortune? No.

Turns out it’s actually a TV version of a 2010 Australian movie, Animal Kingdom, starring some of the great and the good of Australian acting: Ben Mendelsohn (Bloodline), Joel Edgerton (The Secret Life of UsExodus: Gods and Kings), Guy Pearce (like you need to ask), Jacki Weaver (Secret City), and Sullivan Stapleton (Strike Back, Blindspot):

Just to be even more confusing, that was based on a real-life Melbourne crime family. Turns out the only original ideas are in real-life.

So does Australian real-life crime story Animal Kingdom work when relocated to the Californian coast? It depends. Do you think a crime show should really be about crimes or should it be about fit young men taking their tops off a lot? 

If the latter, Animal Kingdom is your boy.

Continue reading “Preview: Animal Kingdom 1×1 (US: TNT)”