US TV

Review: CSI: Miami 7×1

CSI: Miami 7x1

In the US: Mondays, 10pm ET/PT, CBS
In the UK: Five, Five US, Living, Living+1, blah, blah, blah… Soon and then forever

Yes, it’s back again, even though it never seemed to have gone away. It’s CSI: Miami, the world’s favourite source of mind-blowingly stupid storylines, science-fiction masquerading as police procedures, and acting that needs a whole new thesaurus full of synonyms for ‘atrocious’ for it to be adequately described – and it’s back on our screens, ready to make us all go ‘WTF?’ again.

Aren’t you glad? It’s just so much fun, isn’t it?

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The CarusometerA Carusometer rating of 2

Third-episode verdict: True Blood

Time for a third-episode verdict on HBO’s True Blood, which has already been picked up for a second series. Three episodes in and, thankfully, we’ve transcended the teen girl fantasy supernatural source material that characterised the first episode and moved on to more interesting, darker pastures. 

The show is now an interesting take on prejudice. Rather than a simple slating of intolerance, the show questions how tolerant the tolerant really are. Would you be so quick to defend vampires from stereotyping and violence if you knew they fed on babies, for instance?

The show still suffers from its virginal heroine’s tedious innocence – right down to dressing in white for every occasion – and the way Southeners are almost universally portrayed as stupid, intolerant and sex-crazed. Stephen Noyer’s brooding vampire Bill is so repressed he’s downright dull.

But it’s actually pretty creepy, can be quite humorous, is surprisingly sexually explicit and deals with some quite dark subject matter.

So The Medium is Not Enough has great pleasure in declaring True Blood a two or ‘Partial Caruso’ on The Carusometer quality scale.

PS If you want a longer, more in-depth review of True Blood, I’ll be looking at it in the October issue of Action Network magazine

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Review: Supernatural 4×1

Supernatural

In the US: Thursdays, 9/8c, The CW

In the general wash of teenage oestrogen that is The CW, only Supernatural dares to up the testosterone levels with its mix of road movie, hard rock soundtrack, martial arts, grizzly murders, scantily clad hot women and casual misogyny. A tale of two brothers raised by their father to kill demons, werewolves and anything else that goes bump in the night, it’s survived three seasons so far and seems only to be getting stronger.

Last season ended with Dean, the less sensitive brother, finally put out of his earthly misery and cast into even more misery in Hell, assumed (by everyone except the audience) never to return. But now he’s back and the questions are how, why and what’s going to happen next?

And surprisingly for a show that’s often dwelt on gore as a substitute for genuine horror, the answers are actually pretty scary and cerebral.

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US TV

Season finale: Burn Notice (season two)

 

Burn Notice is something of an odd show for the USA Network. While most of the USA output is fluffy stuff like Monk or Psych, Burn Notice is quite edgy and dark – a spy show where villains frequently get shot by the good guys, who are all busily trying to avoid getting shot by the people who are supposed to be good guys, too.

After a slightly intermittent first season in which most of that initial edginess was squandered on USA Network quirkiness, the second season has been far superior. After the introduction of BSG‘s/Canada’s Next Top Model‘s Tricia Hilfer as Carla, one of those responsible (possibly) for the ‘burn notice’ that ostracised our hero from the rest of the spy community, we gamboled merrily along from explosion and murder to explosion and murder – via way of the equally vicious spy Michael Shanks from Stargate SG-1 – in the hope that by the end of the season, we’d know what was going on and what Carla was up to.

Did we?

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