Will you all be watching ITV, now David Tennant and Arthur Darvill are in Broadchurch?

Oh wait. It’s written by Chris Chibnall.

Frome one of those ITV press release things.

A new eight part ITV ensemble drama series, Broadchurch, led by David Tennant, Olivia Colman and Vicky McClure will explore what happens to a small community when it suddenly becomes the focus of a major event and is subjected to the full glare of the media spotlight.

Produced by Kudos Film and Television, Broadchurch features an amazing array of British acting talent including Jodie Whittaker as Beth, Andrew Buchan as Mark, Will Mellor playing Stephen Turner and Arthur Darvill as the town priest Paul Coates.

Bloodied and dirty, Danny Price has been found dead on an idyllic beach, surrounded by rocks and a jutting cliff-face from where he may have fallen. Whilst his death remains unresolved, the picturesque coastal town of Broadchurch is at the heart of a major police investigation and a national media frenzy.

Written and created by Chris Chibnall, whose previous work includes United, Torchwood, Law & Order: UK and Doctor Who, Broadchurch is a story Chris has wanted to tell for some time.

“Broadchurch focuses on a small British community which finds itself at the eye of a storm. In the wake of one boy’s death, the residents of Broadchurch come under scrutiny and suspicion,” said Chris. “It’s a story of scale and intimacy, as the lives of the characters are laid bare,” he added.

The sadness of losing a child consumes Danny’s family, Beth and Mark Price (Jodie Whittaker and Andrew Buchan), their daughter 15 year old Lara and Beth’s mum, Liz as they attempt to cope with their grief. Understandably they struggle to cope with the unwarranted attention heaped upon them. Devastated by their loss, they struggle to relate to their friends, neighbours, the church, the press, and the police.   

David Tennant takes the role of DI Alec Hardy; an out-of-town, newly promoted police detective who takes the job local girl DS Ellie Miller (Olivia Colman) believes should have been hers.

Ellie has to find reserves of patience and toughness to negotiate a professional relationship with the difficult and unyielding Hardy. Yet as the drama progresses, Hardy’s own secrets are laid bare.

Ellie is also emotionally involved with this case. Ellie’s son Tom was the dead boy’s best friend and she’s known Danny all his young life. How could she not be drawn in? But Hardy’s clinical methods force Ellie to see the community she grew up in through a different prism.

One by one the community of Broadchurch are drawn into the police enquiry. Local hoteliers and business people are implicated as the effects of a death in the community begins to impact on their hard-earned livelihoods. But can the town survive such a seismic shock during its economically crucial summer months? As the case drags on, the whole town will come under pressure: personal, economic, professional and emotional.

Broadchurch has been commissioned for ITV1 by drama commissioning team, Laura Mackie and Sally Haynes.

Broadchurch tells the story of a small community and the devastating emotional repercussions for everyone caught up in the mysterious death of a young boy,” said Laura. “It’s not a ‘whodunit’ or a traditional police drama. Chris Chibnall’s superb scripts have attracted a stellar cast,” she added.

James Strong (United, Downton Abbey, Silent Witness, Doctor Who) will direct the first two episodes and episodes seven and eight of the series. Richard Stokes (Silk, Law & Order: UK, Torchwood) will produce the drama and Jane Featherstone (The Hour, Life on Mars, Law & Order: UK) will executive produce with Chris Chibnall.

The drama will be filmed on location in Portishead near Bristol and Dorset and filming begins from mid August and will continue until the end of November.

“We’re proud to have cast an outstanding array of Britain’s finest performers to appear in Broadchurch,” said executive producer Jane Featherstone. “The drama is a snapshot of modern Britain. Its community represents a microcosm of life as we know it with the character of Ellie part of the fabric of Broadchurch. She’s lived amidst the people in this coastal town all her life so when the fabric begins to tear it’s Ellie who will feel the impact the hardest,” added Jane.

Monday’s “Unforgettable resurrected, Graceland picked up and Elizabeth Mitchell joins the Revolution” news

Film

Theater

  • Sigourney Weaver and David Hyde Pierce to star in Vanya and Sonia and Marsha and Mike

Canadian TV

  • Final Destination‘s Bobby Campo and Nikita’s Xander Berkeley to recur on Being Human

US TV

New US TV Shows

Friday’s “Netflix UK acquires Arrested Development and Damon Lindelof to develop The Leftovers” news

Film

Trailers

  • Trailer for Man With The Iron Fists, with Russell Crow, Lucy Liu, Jamie Chung and Pam Grier [NSFW]

Theatre

  • Rob Brydon and Ashley Jenson to star in Alan Ayckbourn’s A Chorus of Disapproval

Canadian TV

UK TV

US TV

New US TV shows

Thursday’s “Ryan Reynolds is the Highlander, Outnumbered gets a 5th series and Men at Work gets a 2nd season” news

Film

Trailers

Theater

UK TV

US TV

New US TV shows

The Weekly Play

The Wednesday Play: Cathy Come Home (1966)

Well, we’ve done a little dance around the decades to take in all manner of different genres for The Wednesday Play, but today it’s time to go hard-core for a play that’s been voted the best British drama ever: The Wednesday Play‘s Cathy Come Home, starring Ray Brooks and Carol White.

Written by Jeremy Sanford, produced by legendary producer Tony Garnett and directed by one of Britain’s finest, most important film directors, Ken Loach, Cathy Come Home is also possibly the most influential British TV play ever made, highlighting on TV for the first time the problems of the homeless in the Britain of 1966: the play was watched by 12.5m viewers, a quarter of the British population at the time, and eventually led to the formation of the charity Crisis as well as changes in the law to allow homeless fathers to stay with their wives and children in hostels.

As well as revolutionising attitudes to homelessness, the play also revolutionised British TV direction. At the time, most TV plays and dramas were shot in studios on video, with a somewhat theatrical direction. Loach instead used a documentary style, shooting everything on location on 16mm film, often with handheld cameras – although union regulations of the time forced Loach and cinematographer Tony Imi to shoot about 10 minutes of the play on video, which they telerecorded and spliced into the film as required.

So, yes, it’s important.

But without further ado, here’s the play, which you can watch in one of three ways: DVD, by giving Ken Loach films some money with the first YouTube clip after the jump, or by watching the regular YouTube version that follows it. Obviously, if you choose option three and like the play, go for options one or two afterwards to ensure that nice Mr Loach and the BBC get some money for their hard work.

Continue reading “The Wednesday Play: Cathy Come Home (1966)”