Classic TV

Nostalgia Corner: Private Schulz (1981)

Private Schulz

In these times of economic uncertainty, with Germany doing its level best to help everyone in the EU with their currency problems, it seems fitting to have a look back to 1981 – and beyond – to Private Schulz, a wartime comedy mini-series in which Germany tried to do its exact opposite: destabilise the currency of Britain.

Based on the real-life Operation Bernhard and written by Jack Pullman, Private Schulz saw Michael Elphick play the eponymous Schulz, a petty criminal recruited to the SS. He convinces the Nazis to counterfeit British five pound notes, in an attempt to cause massive inflation in the British economy and ruin its war efforts. Schulz, of course, simply wants to steal the fake notes and become rich.

Over six episodes, Schulz – under the direction of Ian Richardson, who played several roles in the series – first has to recruit people to make the notes, which are indistinguishable from the real thing, then infiltrate Britain to distribute the notes – something for which he has to learn how to be English. Of course, as we all know, the scheme never succeeded so you can guess not everything goes according to plan.

Also appearing in the show was Billie Whitelaw as a prostitute with a mental block that stopped her sleeping with any soldier below the rank of major, Rula Lenska, Cyril Shaps, David Swift and Ken Campbell. And as well as Operation Bernhard, a number of other real-life people, operations and incidents from the War were mentioned or used in the show, including the Venlo Incident and Salon Kitty.

Pulman died in 1979, but he was awarded a writers award by the Royal Television Society for his work on the show. It’s available on DVD, but you can watch the first episode on YouTube below (just to be helpful part 1 of the video is part 2 in the playlist and vice versa. Sorry).

The Weekly Play

The Wednesday Play: The Year of the Sex Olympics (1968)

The Year of the Sex Olympics

When BBC2 launched in 1964, it was the first British TV station to broadcast 625 lines of picture, rather than the standard 405 lines of BBC1 and ITV. Yes, BBC2 was the BBC HD of its day – take that, US TV, with your 525 lines of NTSC (Never Twice the Same Colour) goodness.

To show off its technological superiority, one of the first regular programmes on the station was Theatre 625, a 90-minute play slot that ran from 1964 to 1968, giving us 114 separate plays (the last year’s worth in colour, since BBC2 was also the first European channel to broadcast in colour), most of which, in typical BBC fashion, have been wiped.

Of the plays that were made, perhaps the most famous are John Hopkins’ four-part Rashomon-esque Talking To A Stranger, which starred Judi Dench and told the same story from four different viewpoints – it was voted the 78th Greatest British Television Programme by industry experts and was reviewed at the time as “the first authentic masterpiece written directly for television”.

Also of note was a remake of blog god Nigel Kneale’s 1954 adaptation of 1984 and the strand’s penultimate play, also by Kneale (who now has his own category on the blog, incidentally): the highly prophetic and highly appropriate for this month of all months, The Year of The Sex Olympics, which is today’s Wednesday Play. Follow me after the jump to find out more.

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Wednesday’s “Sky acquires four US shows, The Newsroom down 20% in ratings and Tom Cruise is Jack Reacher” news

Film

Trailers

  • Trailer for Why Stop Now, with Jesse Eisenberg, Melissa Leo and Tracy Morgan
  • Trailer for Jack Reacher, with Tom Cruise

Comics

UK TV

  • Sky 1 HD acquires Arrow; Sky Atlantic HD acquires The Following and Vegas; Sky Living acquires Elementary

US TV

UK TV

Review: Line of Duty (BBC2) 1×1

In the Line of Duty

In the UK: Tuesdays, 9pm, BBC2. Available on the iPlayer

Well, if I’m going to start watching UK dramas again, I guess BBC2 – and a drama written by Jed Mercurio and starring the wonderful Lennie James (from Jericho et al), no less – is a good place to start. Line of Duty is a police complaints procedural that looks at an investigation into a top cop’s apparently spotless, amazing record to see how he manages it. Along the way, we get to see how the Met now deals with complaints – both officially and unofficially – while watching the police investigating themselves in a (to use a cliché) game of cat and mouse.

And while it’s actually pretty good, there’s a faint whim of the ridiculous throughout, to the extent you’re sometimes not sure whether it’s being serious, being deliberately funny or is simply having trouble taking itself seriously.

Here’s a trailer followed by the first four minutes or so. You’ll see what I mean about not knowing whether it’s supposed to be ridiculous or not from the the second video.

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