The BarrometerA Barrometer rating of 3

Third-episode verdict: Penny Dreadful (Showtime/Sky Atlantic)

In the US: Sundays, 10pm ET/PT, Showtime
In the UK: Thursdays, 9pm, Sky Atlantic

Well, what a variable show we have in Penny Dreadful. The brainchild of John Logan and Sam Mendes, it sees an all-star cast (Timothy Dalton, Josh Hartnett, Eva Green, Billie Piper, Rory Kinnear, Helen McRory and Simon Russell Beale) in a Victorian setting that brings together all the great works of Victorian horror fiction into one big melange: Dracula, Frankenstein, Dorian Gray and possibly some others I haven’t spotted yet.

Except as much as Logan would like it to be a melange, it’s more a patchwork of different body parts sewn together, much like Frankenstein’s monster himself. Episode 1 tried to introduce as many characters as possible without revealing who they all were until the last minute – a strategy that might have worked if we hadn’t read the character list, read any of the books or knew what the show was about. Instead, apart from a show full of mysteries that weren’t mysteries, we had little beyond Logan frightfully pleased with himself for coming up with such a unique and novel concept that was absolutely in no way like The League of Extraordinary Gentlemen or anything similar that had gone before – oh no – and delighting in his use of language, while the cast decided to play it straight or camp it up in roughly equal measure.

Episode 2 then took a plummet in quality and was almost so bad I had to turn it off. But not quite. Principally an episode designed to introduce three missing actors – Billie Piper, Reeve Carney and Rory Kinnear – it took away the one interesting aspect of the pilot: the melange of the different Victorian stories. Instead, we had a vampire thread, a Frankenstein thread and a Dorian Gray thread. Eva Green’s performance was astonishing in the eponymous séance, despite being given a cringeworthy script to deal with, but it was Kinnear’s arrival that just about saved the episode. Unfortunately, Carney was desperately uncharismatic and his character gave no real impetus to the plot, Piper’s Belfast accent was nearly as nails on blackboard as the entire cast of Orphan Black’s, and the show felt so satisfied with itself for mining Victoria horror for its inspiration, it almost totally forget to do anything with it.

Episode 3 on the other hand was significantly better, despite being equally delineated, mainly thanks to roughly 50% of it being dedicated to Kinnear’s character (spoiler: Frankenstein’s first monster). While one could quibble (rather a lot) with the idea of someone teaching themselves English purely through reading books of classic literature (at least in the original book, Kinnear’s character got to hear people speak first), Logan’s love of language finally paid off now he had the superb Kinnear to deliver it appropriately. And in fact, all the scenes Logan gives to Kinnear are actually surprisingly touching.

Unfortunately, despite the liberties Logan’s taken with the original work, he’s decided to stick with one particular cliche (spoiler: the monster wants a bride) that together with the Dracula and Gray themes, effectively makes Penny Dreadful a series about monstrous men hunting after women for various sexual reasons, either as text or sub-text. And when Logan’s not showing off how much he like Shakespeare and Wordsworth, he’s just getting his characters to swear a lot in an effort to be shocking, which is neither big nor clever.

Although a slight hint at werewolfism/shamanism for Josh Hartnett’s character in the third episode actually makes him interesting, he’s saddled with cheery consumptive Billy Piper for most of his scenes; Piper’s saddled with having sex with everyone else and coughing up blood a lot; Green mostly just has to look either spooked or spooky, although that is at least preferable to those séance scenes; Dalton just growls a lot and runs around a lot; and Carney is about as convincing as the charismatic debauched Gray as Leonard from Big Bang Theory would be. We’ve not even seen Dracula.

So in essence, watch this show for Rory Kinnear, because he’s great. Everything else is just so much lit-appreciation onanism.

Rating: 3
Rob’s prediction: Might get a second season, but I wouldn’t bet money on it

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What have you been watching? Including Mr Sloane, Gang Related, 24, The Americans and Prisoners of War

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

A couple of new things this week, although I’ve not got round to watching From There To Here, yet.

Mr Sloane (UK: Sky Atlantic)
This should be must-see TV: Nick Frost, Olivia Colman and Peter Serafinowicz in a comedy-drama set in the late 60s about a Frost’s meek and mild Mr Sloane, how he meets his wife (Colman) and why he ends up trying to kill himself. How could that not be brilliant? Very simply, the script, which is about as funny and compelling as lift muzak. It’s just sort of them, vaguely trying to be funny and establish character, but with lines and moments you’ll have seen a dozen times before in ‘comedies’ about meek and mild men struggling with life. Beyond the occasional impression by Serafinowicz and the general charisma of Frost and Colman, there’s just nothing new or interesting here at all.

Gang Related (US: Fox)
Crack LA police unit tries to deal with gangs of all ethnicities, using agents of all ethnicities. But despite the missing hyphen in the title, there’s a double meaning and it turns out that one of the police is actually a member of one of the gangs. This is largely a mess of cliches that occasionally dares to be different, but usually doesn’t. While it’s nice to have a diverse cast (Ramon Rodriguez, Sung Kang, RZA, Jay Hernandez, Inbar Levi, et al), with New Zealand’s Cliff Curtis bizarrely chosen to be the head of the Latino mob, the whole unit is naturally headed up by an old white guy, although thankfully it’s Terry O’Quinn (Lost), there’s some crappy soapiness (the hard-nosed IA cop is his daughter) to deal with and the pilot’s efforts to exploit the singing profile of RZA (one of the co-founders of the Wu Tang Clan) is only partially successful. There’s only one female cop (Levi) and she’s mainly there to be a potential love interest, add sexiness and do sexy things, rather than because she has any well-defined character of her own.

And I watched a couple of movies…

Harry Potter and the Deathly Hallows – Parts one and two (2010/11)
I’d seen the first six Harry Potter movies, read all the books, but somehow it’s taken until now (and being given free copies when I bought a new Blu-Ray player) before I watched these two final ones. Directed by David Yates at the same leisurely pace as the previous two, the movies stay faithful to the books while losing an awful lot of background material. It comes tantalisingly close to some really excellent moments, drawing on everything from Threads to war movies to suggest a country riven by Voldemort and his wizards, making it – as with the books – the end point of a more progressively adult franchise. Largely where it works is down to the original material, rather than anything Yates does, and the ending is particularly effective and tear-inducing (at least to us older folks), thanks to its message that kids, your parents may be old but they probably had all sorts of adventures you don’t know about when they were young. But more a conclusion to the franchise, rather than an exceptional couple of films in their own rights.

After the jump, a round-up of the regulars, with reviews of 24, The Americans, Game of Thrones, Hannibal, Prisoners of War, and Silicon Valley.

Continue reading “What have you been watching? Including Mr Sloane, Gang Related, 24, The Americans and Prisoners of War”

News: Netflix’s adaptation of The Audience, Bitten renewed, Eli Roth goes South of Hell + more

The Daily News will return on Tuesday. Have a nice Bank Holiday weekend!

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