Third-episode verdict: Penny Dreadful (Showtime/Sky Atlantic)

The BarrometerA Barrometer rating of 3

In the US: Sundays, 10pm ET/PT, Showtime
In the UK: Thursdays, 9pm, Sky Atlantic

Well, what a variable show we have in Penny Dreadful. The brainchild of John Logan and Sam Mendes, it sees an all-star cast (Timothy Dalton, Josh Hartnett, Eva Green, Billie Piper, Rory Kinnear, Helen McRory and Simon Russell Beale) in a Victorian setting that brings together all the great works of Victorian horror fiction into one big melange: Dracula, Frankenstein, Dorian Gray and possibly some others I haven’t spotted yet.

Except as much as Logan would like it to be a melange, it’s more a patchwork of different body parts sewn together, much like Frankenstein’s monster himself. Episode 1 tried to introduce as many characters as possible without revealing who they all were until the last minute – a strategy that might have worked if we hadn’t read the character list, read any of the books or knew what the show was about. Instead, apart from a show full of mysteries that weren’t mysteries, we had little beyond Logan frightfully pleased with himself for coming up with such a unique and novel concept that was absolutely in no way like The League of Extraordinary Gentlemen or anything similar that had gone before – oh no – and delighting in his use of language, while the cast decided to play it straight or camp it up in roughly equal measure.

Episode 2 then took a plummet in quality and was almost so bad I had to turn it off. But not quite. Principally an episode designed to introduce three missing actors – Billie Piper, Reeve Carney and Rory Kinnear – it took away the one interesting aspect of the pilot: the melange of the different Victorian stories. Instead, we had a vampire thread, a Frankenstein thread and a Dorian Gray thread. Eva Green’s performance was astonishing in the eponymous séance, despite being given a cringeworthy script to deal with, but it was Kinnear’s arrival that just about saved the episode. Unfortunately, Carney was desperately uncharismatic and his character gave no real impetus to the plot, Piper’s Belfast accent was nearly as nails on blackboard as the entire cast of Orphan Black’s, and the show felt so satisfied with itself for mining Victoria horror for its inspiration, it almost totally forget to do anything with it.

Episode 3 on the other hand was significantly better, despite being equally delineated, mainly thanks to roughly 50% of it being dedicated to Kinnear’s character (spoiler: Frankenstein’s first monster). While one could quibble (rather a lot) with the idea of someone teaching themselves English purely through reading books of classic literature (at least in the original book, Kinnear’s character got to hear people speak first), Logan’s love of language finally paid off now he had the superb Kinnear to deliver it appropriately. And in fact, all the scenes Logan gives to Kinnear are actually surprisingly touching.

Unfortunately, despite the liberties Logan’s taken with the original work, he’s decided to stick with one particular cliche (spoiler: the monster wants a bride) that together with the Dracula and Gray themes, effectively makes Penny Dreadful a series about monstrous men hunting after women for various sexual reasons, either as text or sub-text. And when Logan’s not showing off how much he like Shakespeare and Wordsworth, he’s just getting his characters to swear a lot in an effort to be shocking, which is neither big nor clever.

Although a slight hint at werewolfism/shamanism for Josh Hartnett’s character in the third episode actually makes him interesting, he’s saddled with cheery consumptive Billy Piper for most of his scenes; Piper’s saddled with having sex with everyone else and coughing up blood a lot; Green mostly just has to look either spooked or spooky, although that is at least preferable to those séance scenes; Dalton just growls a lot and runs around a lot; and Carney is about as convincing as the charismatic debauched Gray as Leonard from Big Bang Theory would be. We’ve not even seen Dracula.

So in essence, watch this show for Rory Kinnear, because he’s great. Everything else is just so much lit-appreciation onanism.

Rating: 3
Rob’s prediction: Might get a second season, but I wouldn’t bet money on it


  • I’m Rob Buckley, a journalist who writes for UK media magazines that most people have never heard of although you might have heard me on the podcast Lockdown Land or Radio 5 Live’s Saturday Edition or Afternoon Edition. I’ve edited Dreamwatch, Sprocket and Cambridge Film Festival Daily; been technical editor for TV producers magazine Televisual; reviewed films for the short-lived newspaper Cambridge Insider; written features for the even shorter-lived newspaper Soho Independent; and was regularly sarcastic about television on the blink-and-you-missed-it “web site for urban hedonists” The Tribe. Since going freelance, I've contributed to the likes of Broadcast, Total Content + Media, Action TV, Off The Telly, Action Network, TV Scoop and The Custard TV.