The CarusometerA Carusometer rating of 5

Third-episode verdict: Knight Rider

So I’m in something of a quandry here. On the one hand, this is possibly the worst TV programme ever made, although Painkiller Jane is certainly going to give it a run for its money. Watching it makes me feel ill and that’s without the benefit of strobe lighting to give me epileptic seizures.

On the other hand, my wife – who has a pair of what she calls “80s goggles” that are jam-jar thick, apparently, and which she constantly exhorts me to put on, too – thinks the new series of Knight Rider is the best TV series in the world ever.

For my part, I’ll explain my issues with it. As mentioned in my review of the first episode, this is very much a show aimed at teenage boys and is about as intelligent as anything by the scribe behind The Fast and The Furious can expected to be. But every single part of it is excruciating.

For instance, we’re now three episodes in and everyone is being out-acted by Val Kilmer. Who only does a voice-over. And he’s Val Kilmer. Surely that should show signs of problems?

The characters are appalling. The fact that the hero is ex-Rangers (Brits: think the equivalent of our parachute regiment) and yet skinny science ex-girlfriend can claim to “have had the same training” and therefore be able to accompany him on the missions as his equal – and we can believe that – suggests more problems. Given that every plot now involves someone who ‘Mike Traceur’ aka Michael Knight knew in the army and they all look like they’ve been in the army – and he doesn’t – only shows up yet more problems. And the show can’t characterise consistently: one second Mike’s an alpha male with an eye for the ladies, the next he’s embarrassed at the possibility of having to kiss a co-worker.

Skinny science girl and faux-Ranger may bicker like they’re in High School still and have the emotional maturity to match, but they’re far from the worst characters. We have a Latino boss who stands there and acts gruff. For some reason, they’ve decided that having a gay woman in charge in the TV movie wasn’t manly enough so she’s always on missions to Washington whenever she’s needed.

And then there are the tech dweebs. I suppose it’s almost a stroke of genius to have two characters who MST3K the show on-screen as it goes along to pre-empt criticism, but they really are awful. More importantly, they tie into something quite insidious: the lads mag mentality of the show.

Okay, so original Knight Rider is probably to blame for this, but virtually all the female characters are in bikinis the whole time. Male geek is shown to be a complete loser, while female geek is hot, confident, attracted to bad boys, etc. Episode two was a repellent piece of rubbish about how guys have to be alpha dogs, treat women like dirt, etc, if they’re to survive in life (“If you’re not the shark, you’re food”). Episode three had all the boys goofing around with water pistols while the girls are all serious and focused on the job.

I’m not saying this is a piece of agit prop like Wonder Woman, but it does feel like the show is telling the next generation of boys that they’re rubbish compared to the far superior women, who are going to be outclassing them in just about every area of their existence, so they might as well not bother trying to do much more than play games, ogle the women, etc – and women will like that. Fair enough: maybe Knight Rider is trying to usher in the new matriarchy, in which case I for one welcome our new female overlords – if the men on here are the alternatives.

Lastly there are the plots, which are a big problem. They’re just dumb. More to the point, they make KITT the super-car look a bit rubbish. One of the joys of the original show was its Reaganite message that “technology is brilliant and can overcome all problems”. Now, thanks to advice given to the producers by Microsoft, KITT seems to be in trouble at almost every opportunity. It’s like they’re softening us up for the sequel to Windows Vista.

Overall then, until My Own Worst Enemy arrives, we’ve got the obvious stinker of the season, but I suspect it’ll lurch on for a while. To be avoided if possible if you don’t have 80s goggles.

US TV

Heroes 3×4 – I am Become Death

In what’s likely to become a weekly, "Hang on but…?" brief look at the current US episode of Heroes (UK fans can join in in about a fortnight and a day, or maybe less if they have BBC3 – it’s simultaneous broadcasting, the BBC way), I have a think about various things that puzzled me this week. Perhaps you can help? At the very least, we might be able to come up with a title for the feature.

Join you after the jump.

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US TV

Review: Sanctuary 1×1

In the US: Fridays, 10/9c, SciFi; 7p, Movie Central; 8e, The Movie Network
In the UK: Mondays, 9pm, ITV4

There are two big trends in TV and film production at the moment. Okay, there are lots of trends, but here are two big ones.

The first is green screen, in which rather than building great big sets, you stick the actors up against a green screen and use special effects to add a computer-generated set in later. George Lucas pioneered it on Phantom Menace, but it’s only proved its truth worth recently on films like Sky Captain and the World of Tomorrow and 300, in which pretty much everything other than the actors was computer-generated.

The second is the Internet. You might have heard of it. Now, all sorts of shows that don’t manage to get a look-in on the mainstream networks can be shot cheaply, uploaded to YouTube or a dedicated web site, and suddenly everyone’s watching it and one of the big networks picks it up. Quarterlife and The Peter Serafinowicz Show both managed it, but many argued they should have stayed on the Internet.

Sanctuary is a shiny new show, airing almost simultaneously on the US’s SciFi, Movie Central and The Movie Network channels and ITV4 in the UK, that combines both these trends. Not only is there a massive amount of green screen work, but it started off on the web before being spotted by SciFi. Starring and produced by Amanda Tapping of Stargate SG-1, it’s a bit of a dark piece in which faux-Brit Tapping, her faux-American kick ass daughter and a faux-bright criminal profiler join together to investigate odd beasties that they then take to their ‘Sanctuary’.

But despite all these shiny trends, is it a show that’s good in its own right, or simply "not bad for the Internet"?

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US TV

Review: Valentine 1×1

Valentine

In the US: Sundays, 8/7c, The CW

Valentine is one of those high concept shows that could, depending on how they’re implemented, turn out to be fundamentally excellent or fundamentally awful. “The Greek gods are alive and well and living among us”. Brilliant, hey? I’d buy that book/watch that TV show, because it’s a great idea.

But, and here’s the problem, if the gods just sit in front of the TV all day, it’s going to be very dull; if they demand human sacrifices or set nation to war with nation to reduce the excess population, it’s going to very dark and scary. So pitch is very important.

US TV tends to go for light and/or fighty when dealing with the Greek gods. Hercules (yes, I know he’s Roman) and Xena (completely made up) went for light and fighty on the few occasions when they went modern-day; Cupid (also Roman and coming around for a new series some time soon, despite having been cancelled once) went for light. They were all fun in their way, sometimes extremely imaginative, but generally nothing to make you mourn their passings too much.

Valentine (yes, not even Roman but early Christian), in which Aphrodite, Eros, Hercules/Heracles and other gods try to fix mortals up with their soul mates, goes for light in a big way. Starring Jaime Murray (Hustle, Dexter) as Aphrodite aka Venus aka Grace Valentine, it’s imaginative, quite fun, but at times excruciatingly bad – as well as instantly forgettable.

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