US TV

Review: Trust Me 1×1

Trust Me, with Eric McCormack, Monica Potter and Tom Cavanagh

In the US: Mondays, 9/8c, TNT

Over the years, there have been surprisingly few shows set in the world of advertising. Given that it’s a sexy, sexy industry, filled with volatile creatives, loads of money and gadzillions of product placement and sponsorship opportunities, you’d have thought it would have been a no-brainer, but apparently not. Bewitched and Mad Men and that’s about it, really.

So, finally, at last, comes the show we’ve all been waiting for (?). Produced by former advertising execs and current producers of The Closer, Trust Me stars Eric McCormack (Will in Will and Grace, who recently had a brief sojourn on The Andromeda Strain), Tom Cavanagh (JD’s brother on Scrubs and Eli’s father on Eli Stone) and Monica Potter (Boston Legal and Martha in Martha, Meet Frank, Daniel & Laurence).

While the lack of class A drugs probably disqualifies it from being called a realistic portrayal of the advertising industry, in many ways it’s a reasonably accurate look at the egos of the creatives in the boys’ club that is the modern advertising industry, right down to the fact there’s only one woman in it.

Pity it’s not as funny as it thinks it is.

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US TV

Review: Lost 5×1-5×2

Lost 5x1

In the US: Wednesdays, 9/8c, ABC
In the UK: Sundays, 9pm, Sky One. Starts 25th January 2009

Ah, don’t we all remember those glorious days when Lost was simple and easy to understand?

No? Just me? Oh wait, it was always a bit tricky, wasn’t it? Now I remember.

However, relative to season five, season one was a breeze where everything was clear, well understood and you wondered where all the mystery was. Ever since then, we’ve been getting flashforwards, flashbacks, time travel, ghosts, Jacob, the others, the Dharma Initiative, Jim from Neighbours, mysterious not-French women and smoke monsters.

Season five carries on directly from where season four left off. Except three years later. And in the 70s. And the 40s. And possibly in the year umtidllyumptious as well. The dead walk the earth and maybe come back to life. Yes, it’s the fabled zombie season, here at last.

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The CarusometerA Carusometer rating of 1

Third-episode verdict: Being Erica

So we’re three episodes into Being Erica aka "Quantum Leap for girls", in which plucky, unlucky-in-life Erica gets sent back in time to fix all the parts of her life that went wrong as part of some extreme therapy. Time then for the normally extremely manly Carusometer to set its shades of justice to pink and pass verdict.

On the whole, the show’s been very good so far. Maybe a little lightweight in places, but enjoyable, fun, female-friendly without being male-unfriendly. It’s been typically Canadian-smart, with Erica (MA Lit) and best pal discussing Tolstoy and Dostoevsky while playing Wii Sports, for example. And while there’s been a certain element of predictability, with Erica finding that if you try fixing one part of your life, another tends to get broken in return, it has been cleverer than that for the most part.

Doctor Tom, the mysterious therapist whose office can appear behind any door, who can send Erica ‘leaping’ back into her past body without so much as a bye-your-leave, and who seems somehow privy to every conversation she ever has and everything she’s ever done, is by turns irritating and interesting. We’re not exactly sure how he does everything he does – and he’s becoming more and more Satanic by the episode – and his habit of not saying anything other than quotes by famous writers became very irritating by the second episode, but his mystery is another reason for watching, even if it looks like we’re not going to get any answers any time soon.

Erica isn’t quite as interesting, but rather than being a stereotypical helpless chick lit heroine, certainly through therapy is becoming stronger and turns out to have had an edgier side than Bella Bloom on The Ex-List, for example. She’s more adult and in one sense of that word, there’s a good deal more naughtiness going on in her past that you might have guessed. But in another sense of the word, it’s interesting to see how simple maturity makes her behave differently and more strongly than she did when she was a teenager, surely every 30something’s belief – if they knew then what they knew now… The fact she’s smart, both intellectually and emotionally, is also a plus, and she feels far more of a three-dimensional character than many shows have given us. And Erin Karpluk is really very good.

No two episodes have really been the same, and the time travel aspect of the show is less important that you might have thought it would have been, with more of the show dedicated to Erica’s present day situation than what led her to it. There’s an interesting romantic sub-plot developing, Erica’s on the up and her family and friend’s are improving. 

One to watch, if you like fun but smart female-oriented dramas with just a hint of fantasy – or thought Peggy Sue Got Married should have been turned into a less depressing TV series.

Given this is being distributed by BBC Worldwide, it should be in the UK at some point, too, and SOAPnet in the US has already picked it up as well.

Carusometer rating: 1
Prediction: Will run for at least two seasons, minimum.

US TV

Review: Flight of the Conchords 2×1

Flight of the Conchords

In the US: Sundays, 10pm, HBO
In the UK: BBC4 at some point within the next two months

Well, you can’t say I didn’t try. You begged, pleaded and even demanded that I try to watch and enjoy Flight of the Conchords when it came back. And I really wanted to.

See, I wasn’t much impressed by the first season, featuring those loveable New Zealand folk singers Jermaine and Bret and their inept manager Murray. There wasn’t really much diversity. Okay, the songs were good pastiches, but I’ve never been much of a fan of a spoof song.

My problem (which is mine) was that there was a joke. It was funny the first time. It’s just that every single other joke was the same joke. One of the trio says something, trying to sound bigger, more important or more street than he actually is, then the others spend time cutting him down to size. Oh, wait, there was another joke: it’s that New Zealanders are a bit inoffensive, a bit polite and nice, etc. Which is kind of related to the first one if you think about it.

Funny as that joke and a half was, it didn’t really keep me wanting to watch it again and again over the course of a whole season, so I gave up after a while.

Now it’s back, have they got a new joke?

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BFI events

Preview: Being Human

In the UK: Sundays, 9pm, BBC3. Starts January 25th
In the US: BBC America (it’s a co-prod). No airdate yet

Firstly, this ain’t the usual kind of preview since it also includes a rundown of a Q&A with the show’s producers and one of its stars, Russell Tovey.

Secondly, I’d like to announce that I’m a cretin (although you’d probably realised that for yourselves). There I was last Friday, feeling all pleased with myself that for once, I’d not had to run for trains, sprint across Hungerford Bridge, etc, to get to a screening on time, because I’d given myself plenty of time to get there. So what should happen when I got there? Why, I discovered I’d got the start time wrong and the screening had begun half an hour earlier. Oops.

So that minor act of spasness aside, let’s get on with a preview not just of the first episode (or at least the second half of the first episode) of Being Human, BBC3’s forthcoming drama about a vampire, a werewolf and a ghost, but of the rest of the series, too, as well as that wee chat with the producers.

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