The CarusometerA Carusometer rating of 3

Third-episode verdict: Bored to Death

In the US: Sundays, 9.30pm, HBO

As you may recall from my preview of the first two episodes, the title of Bored to Death pretty much summed up the whole show. Milquetoast writer Jonathan Ames tries to become a hard-boiled detective, both to inspire his next novel and to get girls following the break-up of his relationship. But he discovers that being a PI is harder than it looks – although not too hard since everyone else in the world is a wimp, too, apparently.

It was boring. It thought it was a cutting edge slacker indie comedy. It turned out to be a feeble excuse for not having jokes.

However, episode three, which largely dispensed with the detective format in favour of a quest to recover the lost script to a Jim Jarmusch movie, was a whole lot better. While the belly laughs were still in short supply, this episode did conjure a wry titter or two – largely thanks to a therapist who answered more or less every issue Ames came up with using "tough, life sucks" as a reponse, but also because of Jarmusch himself in full-on wooden weirdo mode, cycling around in his studio while chatting to Charlie Kaufman.

It’s still a show that thinks it’s a lot funnier than it is, and assumes that simply by being light and knowing, that’s good enough. But it now has a few worthwhile qualities, most of them Ted Danson’s character, and if it steers clear of detective stories in favour of the merely quirky, it could at least be moderately amusing.

I won’t be sticking with it, but there’s nothing now to say that won’t be my loss in the future, as far as I know. I doubt it, but you can always give it a try to see if it pans out.

Carusometer rating: 3
Rob’s prediction: Won’t be renewed for a second season, but will probably become a cult favourite on DVD

US TV

Review: Stargate Universe 1×1-1×2

Stargate Universe cast

In the US: Fridays, 9pm, SyFy
In the UK: Tuesdays, 9pm, Sky 1/Sky 1 HD. Starts tonight!

It’s odd how genres change. Look at science fiction. For over 10 years, Stargate SG-1 was it as far as sci-fi was concerned, having in turn inherited its mantle and style from Star Trek: The Next Generation: amiable wisecracking soldiers with no personal lives turn up on planets full of primitive people, have fights with bad aliens in silly costumes then kill them all. Everything’s right in the world again. Nothing truly bad happens. The end.

Then Battlestar Galactica came along. Suddenly, all that went out the window, in favour of grittiness, misery, handheld cameras and terrible things happening to everyone. And Stargate started to look silly – well, sillier. Stargate Atlantis suffered even more from that and as a result, only made it to half the run of Stargate SG-1, despite its best efforts.

Now we have Stargate Universe, which while pretty impressive in a lot of ways, is kind of like ‘Battlestar Galactica lite’ – it’s BSG but with half the depth. While it’s light years ahead of Stargate in tone, it’s still not quite the show it wants to be. But you never know.

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The CarusometerA Carusometer rating of 1

Third-episode verdict: Community

In the US: Thursdays, 9.30/8.30c, NBC

Well, of all the new shows so far this season, we have an undisputed winner in the quality stakes: Community, NBC’s Thursday night comedy about a bunch of disparate losers who join a community-college study group and learn something about life in a Breakfast Club stylee.

After three episodes, we’re getting to see the show’s colours: a love of the bizarre and outrageous crossed with one-liners. The first episode was a whirlwind of jokes and character moments that were really very clever and funny, but the second and third episodes have steered slightly away from one-liners in favour of the downright bizarre. We still get the character moments, but what moments.

Episode two, in particular, built through the episode towards a denoument that was extraordinarily odd yet also heart-waming; however the show cynically undercut that heart-warming moment, but still managed to keep it heart-warming, leaving you admiring its cleverness.

Episode three was even more bizarre, with Jeff having to go on movie course run by someone who’d taken Dead Poets’ Society way too much to heart, and Abed the Palestinian with Asperger’s producing a student movie about his life that was awe-inspiring in its oddness. And let’s not forget the raps and the krumping during the credits.

It’s interesting to see that each episode involves a different class, with Spanish and film-making getting the first couple of outings, and social psychology being the pick of the week next episode. This should give it a flexibility of format to prevent it outstaying its welcome. 

It’s funny, it’s clever, it’s got a great cast – it’s almost as good as 30 Rock. Give it a try.

Carusometer rating: 1
Rob’s prediction: I fear cancellation, but if there’s any justice in the world, it’ll keep going.

No third-episode verdicts for….

Well, there’s so much new stuff on tele right now, I simply can’t fit all the shoes into my viewing schedule. So I’ve dropped a few already.

  1. Smallville: Yes, I’ve been watching for nine seasons now, but I’m bored and the show’s ludicrous now.
  2. Eastwick: We started watching episode two, and both the scripts and the acting had gotten worse. Bored, bored, bored. And FFS, we know he’s the devil. Stop stringing it out
  3. The Forgotten: Again, boring: the characters were uninvolving and the scripts bad. Worse, were the relentless voiceovers from the victims "Oh the most terrible part about my being killed was never been able to return home." No, it bloody wasn’t. It was getting killed and you’re dead so shut up.
  4. Mercy: a relentlessly derivative opening to episode two meant that I turned off after two minutes. And Kate Mulgrew from Star Trek: Voyager pretending to be white trash? I don’t think so.

Still, Modern Family‘s second episode was very good, and Cougar Town‘s was all right, if a bit more dramatic than funny. That’s got to be a plus, right?

US TV

Review: The Middle 1×1

The Middle

In the US: Wednesdays, 8.30c/7.30c, ABC

Huh. The Middle. Is there a Malcolm in out there somewhere?

Actually, hold it right there. I was going to go into a big long comparison between this and Malcolm and the Middle, but then I realised this starred Patricia Heaton from Everybody Loves Raymond and Back To You, not Jane Kaczmarek from Malcolm in the Middle. So it all fell apart.

Putting that slight issue to one side, there are some obvious comparisons. We have a slight loser mom married to a regular type, loser dad (Neil Flynn from Scrubs). They have three kids. The youngest kid is a bit strange and looks very much like the youngest kid in Malcolm in the Middle. It’s all about the chaos of family life…

You see? It would have worked so much better with Jane Kaczmarek. Why isn’t she in this to make my life easier?

Actually, The Middle (a reference to Indiana, middle America and the middle class not child) is not quite the same as Malcolm in the Middle, even if the tone is the same. Here the focus is very much on the far more regular parents, doing their level best not to cock up in rearing their children – and the rest of their lives – and failing hopelessly, just as their children are.

How much you enjoy this will therefore depend on whether you have kids – and whether you feel like you’re failing in life.

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