The CarusometerA Carusometer rating of 2

Third-episode verdict: Human Target

Fox’s new action-adventure show Human Target started as something of a damp squib. The first episode aired to as much hype as humanly possible, and was bound to disappoint no matter what. With its combination of Hong Kong-style martial arts fights, zero proper characterisation, comic book plots and dialogue, and Thunderbirds scenarios, it was never going to be truly satisfying as a drama, more a way to pass time.

Since then, it’s kind of settled down and now wants to be a genre action movie of the week in a mere 40 minutes. Episode two saw our anonymous hero on board a crashing plane, trying to find who’s he supposed to protect and who’s trying to kill them, while episode three saw him mole-hunting in a Russian embassy.

It’s still very comic book – knowingly so. It’s got itself an interesting title sequence and a diabolical theme tune. Our hero is still stoic and a bit dull, despite Mark Valley’s best attempts, with most of the script flair going to Chi McBride and Jackie Earle Haley instead. There’s been the welcome arrival of CSI: NY‘s Emmanuelle Vaugler as a potential love-interest/partner/frenemy for Valley. To string us along, there’s a little bit of character background added to Valley’s character every week, although he’s not been built up so much that when we eventually find out who he actually he is, the inevitable anti-climax won’t be too great.

But it’s still really visual bubble gum: some decent fights, some bad CGI stunts and a bit of male camaraderie to appeal to a male teenage audience. It passes the time, won’t challenge you too much, will occasionally make you roll your eyes, and if you have something better to do, you’ll probably skip it in favour of something else.

It’s okay for what it does.

Carusometer rating: 2
Rob’s verdict: Might last a season or two, but will get cancelled sooner rather than later if it doesn’t up its game

US TV

Review: Spartacus – Blood and Sand 1×1

Spartacus

In the US: Fridays, 10pm ET/PT, Starz
In the UK: Summer 2010

Every so often, someone will come along and claim of a British TV programme, “Of course, you wouldn’t see that on US TV. It’s too gritty/grimy/explicit [delete as appropriate].” These kind of people have never seen US cable TV.

HBO is the obvious standout when it comes to risk-taking, but Showtime and AMC are now pushing the envelope as well. But the latest arrival to decent, risk-taking TV programming in the US is Starz. As well as the likes of Crash and Party Down, Starz has just added Spartacus to its roster of edgy shows.

Imagine the violence and look of 300 coupled with the language of The Wire and the soft core porn of Caligula and you have Spartacus. Oh, yes – it has a subtitle: Blood and Sand. That’s kind of a clue.

Continue reading “Review: Spartacus – Blood and Sand 1×1”

US TV

Review: Life Unexpected 1×1

Life Unexpected 1x1

In the US: Mondays, 9/8c, The CW

I know, I know. I’m about a week late on this one and episode two has already aired. But we watched episode one last night, so what the hell.

Anyway, this was a relatively pleasant surprise. I say pleasant but we’re talking about a show in which a a 15-year-old girl called Lux tracks down the birth parents she’s never met so they can sign away their parental rights – apparently, the seventh foster home she’s in wasn’t any more up to scratch than the previous ones, so she’d quite like to live by herself.

Bleak, huh? But, given this is The CW, the home of programmes for teenage girls/young women/family audiences, you can bet it doesn’t turn out too horrible.

Continue reading “Review: Life Unexpected 1×1”

US TV

Review: The Deep End 1×1

The Deep End

In the US: Thursdays, 8/7c, ABC

Oh look: another show about lawyers. Gosh, is there actually anything new that can be said or hasn’t be done with lawyers already? I mean, here we have a whole bunch of novice lawyers (Raising the Bar), being trained by their cut-throat mentors (Shark), having lots of jolly whacky fun together (Boston Legal), getting worried about their relationships (Ally McBeal) and worrying about the little guy and doing good (Eli Stone).

All done before.

So like cop shows, if you’re going to have a new lawyer show, it’s largely about the mix and the vibe it gives out, rather than because you’re expecting anything truly original.

The Deep End is a curious mix. It’s about one part fun and decent characters and actors to five parts toenail-curlingly poorly written dialogue and situations. Still, it does have two very big things going for it: Billy Zane and Clancy Brown.

Continue reading “Review: The Deep End 1×1”