UK TV

Review: Sherlock 1×1

In the UK: Sundays, 9pm, BBC1/BBC1 HD

Sherlock Holmes is one of those classic characters who gets revived with incredible regularity. You can’t go for more than five years without yet another Sherlock Holmes remake. Sometimes, he gets revived in Victorian times (The Adventures of Sherlock Holmes), sometimes he’s Victorian and gets transplanted to modern times (Sherlock Holmes Returns), sometimes you get a modern day version of him but in another genre (House) and sometimes you just get him in modern times.

Steven Moffat, showrunner of Doctor Who, has also given in to this latter temptation with Sherlock. This sees Benedict Cumberbatch as modern day consulting detective Sherlock Holmes meeting Afghanistan war hero Dr John Watson in 2010, and running around modern day London, solving crimes in his usual ways – but also texting a lot.

When asked what the difference between Sherlock and Doctor Who was, our Stevie said “Sherlock‘s on an hour later” – and that’s about right.

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UK TV

Review: Identity 1×1

Keeley Hawes in Identity

In the UK: Mondays, 9pm, ITV1/ITV1 HD

I’d really like to be able to cheer on ITV. For years, it made some of the best dramas and comedy this country ever produced. Then it fell into a deep, dark hole which looked like it had no bottom. But under Michael Grade and Peter Fincham, it started to look like it had a future again and even began to put out some semi-decent programming.

I’d like to say that Identity, which stars as Ashes to Ashes‘ Keeley Hawes, The Wire/Queer As Folk‘s Aiden Gillen and Soldier Soldier‘s Holly Aird as a crack police squad dedicated to foiling identity thieves, is at the spearhead of ITV1’s resurgence, a gleaming piece of taught drama, intelligent plotting, realistic dialogue and plausible characterisation that any network could be proud of.

I’d like to.

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What have you been watching this week (w/e July 2)

It’s Friday so it must be time for “What have Toby and I been watching this week?” I’ve caught up with quite a bit of tele, but still a few things to watch, so bear with me: Southland started on More4 this week, so I’ve got to watch that; Rookie Blue‘s second episode aired last night; and I’ve a couple of documentaries to watch, too. But I did see:

  • Burn Notice: Last week’s bank episode was actually pretty good and I enjoyed it a lot. This week’s “heroin dealers” one was a little bit unconvincing, as is Navi Rawat off Numb3rs. Honestly, we need a bit more of a change of formula than the addition of Jesse to make the show as interesting as it was when it started.
  • The Gates: This week, it was werewolf week, where we got to find out a bit more about werewolf society, which proved interesting. We also learnt there are succubuses in the Gates! It’s proving to be quite fun, with basically the same issues everyone has, projected on the vampires, etc, but with some obvious twists. I’m definitely enjoying it so far, and the detective lead is proving that you can be both bland and intriguing at the same time.
  • Hot in Cleveland: Episode 2 was so bad, I turned off after five minutes, not having laughed once. Oddly, I’m sure Betty White said in an interview on The Daily Show recently that she wouldn’t do drug jokes. So how come every single line she gets in this is a drugs joke?
  • The IT Crowd: As funny as ever. Need I say more?
  • Leverage: Richard Chamberlain turned up for the first of this week’s double-header, which was quite an enjoyable piece of fun, full of Avengers and other references. The second was a tad drearier and the reveal (Nathan had used hypnosis) was downright stupid. Also surprised by Elliot’s variable fighting skills – he’s having problems with just one bloke at a time now.
  • Memphis Beat: About halfway through the second episode now and it’s proving about as dynamic as Heartbeat still. And how much hair dye is Jason Lee wearing? That’s is the most even black hair colour this side of Wayne Newton.
  • 100 Questions: I’ve negligently been forgetting to update on this one, even though I’ve been sticking with it. Episode four was a bit poor, but episode five was actually very good – a flashback episode to how Wayne turned up on the scene. Episode six was less amusing and my God the main cast has some dreadful actors (I’ll be charitable and assume it’s the presence of a studio audience making the cast give theatrical performances), but the Wayne-Charlotte non-romance continued pleasingly. But it’s all over now. No more episodes. Wonder what Sophie Winkleman will do now.
  • Persons Unknown: It’s very strange how claustrophobic the lack of answers, the general atmosphere, the constant cameras, et al are making me. I could definitely do a few more answers now, mind, purely through slight boredom – you’re stuck in a ghost town, there’s no escape, I get it. Still, there are signs at the end of the episode that there will be answers next week – and glad to see my guess at the mole was correct. Interesting statement about “the process“, too. What can it all mean?
  • Royal Pains: A depiction of Cuba by American TV that’s quite even handed and doesn’t make you cringe? How remarkable. Clearly they’d been watching Michael Moore films to get an idea of the island’s healthcare system, too. Anastasia Griffith was engaging as Hank’s new rival, although she appears to have stopped eating food since Trauma.
  • Scoundrels: Is working best when it tries to be funny and uplifting, fails hopelessly when it tries to be edgy, with David James Elliott failing particularly on this score. Carlos Bernard appears to think he’s in a sitcom now, and there are very few surprises about anything – you can pretty much guess every plot development as soon as the lead in begins. Still Dina Meyer (Starship Troopers) was it, which is always a good thing, Virginia Madsen’s keeping things together, and Leven Rambin and Patrick John Flueger are both worth watching.

But what have you been watching?

As always, no spoilers unless you’re going to use the <spoiler> </spoiler> tags, please. If you’ve reviewed something on your blog, you can put a link to it here rather than repeat yourself (although too many links and you might get killed by the spam filter).

UK TV

Review: Rev 1×1

Tom Hollander in Rev

In the UK: Mondays, 10pm, BBC2

There’s a fine British (mostly English) tradition of the ‘vicar sitcom’. Whether it was The Vicar of Dibley or All Gas and Gaiters, for years TV has been giving us vaguely amusing, genteel comedy set in the countryside, monasteries, et al where nothing too much like the real world can encroach.

Now we have Rev on BBC2, in which Tom Hollander plays a vicar who leaves his comfortable Suffolk parish for one in Shoreditch, with all the inner city problems that might bring. While it’s not laugh-a-minute and it’s still not exactly the most ‘street’ of shows, it’s at least somewhere in the right vicinity of both.

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US TV

Review: Rookie Blue 1×1

In Canada: Thursdays, 9/8c, Global Television

Despite her odd name and the fact she’s always tended to play characters you’re supposed to hate, I’ve always kind of liked Missy Perygrym. She was probably the most interesting of the ‘kids’ in Carlton Cuse’s old martial arts show Black Sash and she was plausibly interesting as the post-pilot love-interest on Reaper.

So I’m quite pleased to see she has her own show now. Okay, it’s a Canadian show getting simulcast on ABC in the US; it’s also an ensemble piece about rookie cops just starting out on the job; and most of the time, her character is a bit of an idiot.

But it’s actually quite enjoyable; really, she’s the star of the show; and despite the general backdrop of drug dealers and murders, it’s all Canadian and fluffy and nice. Here are some trailers, both a little spoiler-laden for the second episode and beyond – if you look hard, you’ll notice the second trailer carries the show’s original, very Canadian title, Copper:

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