Classic TV

Lost Gems: Lynda La Plante’s Civvies (1992)

Civvies

What better way to celebrate International Women’s Day on a UK TV blog than to look at a piece of work by the UK’s most celebrated, famous and popular female TV writer, Lynda La Plante CBE? Even better, it gives us a chance to take a look at the show that gave the world its first proper chance to say “Hello to Jason Isaacs!”

Civvies was a 1992 BBC1 drama by former actress La Plante, who was fresh from BAFTA wins thanks to the previous year’s Prime Suspect on ITV. She’d written Civvies four years previously, but in common with a series she’d researched about the drugs squad, it had sat on the shelf until the Prime Suspect win had shown she was capable of more than just another rehash of her popular 1984 show Widows and its sequel Widows 2.

The show was inspired by a builder working on her house who asked her to help him find jobs for some friends who had just left the paratroop regiment. “I rang up eight different security firms, but they refused to offer work to ex-soldiers on the grounds that they were too institutionalised,” she said at the time in an interview with The Independent.

Deciding to tell the stories of these supposedly unemployable paras and men like them – in fictionalised form at least – La Plante created a show that saw a group of former paratroopers, traumatised and in one case seriously wounded by their tours in Northern Ireland, trying to find legitimate work for themselves on ‘civvy-street’ and instead inexorably being drawn into a life of crime.

For the show, which an executive at the time described as “the most violent home-produced series the BBC has ever made”, the producers assembled a cast including Peter O’Toole (Lawrence of Arabia himself), Peter Howitt (Bread and later the writer/director of Sliding Doors) and the relatively new-to-TV Lenny James (now best known from US shows Jericho, The Prisoner and Hung). James also went on to star in the BBC’s The State Within, where he was reunited with another Civvies co-star – a certain Jason Isaacs.

Here’s the opening title sequence.

Continue reading “Lost Gems: Lynda La Plante’s Civvies (1992)”

US TV

Review: GCB (Good Christian Bitches) (ABC) 1×1

GCB

In the US: Sundays, 10/9c, ABC

There’s a lot to be said for a good name. Take GCB. What’s that then? A recreational drug? Some kind of excavator? A vaccination?

Now GCB started with a good name, seeing as it was based on a book entitled Good Christian Bitches. That at least gave you a good hint as to what it was about – a bunch of Christian mean girls (well, women). But before that title could ever hit the airwaves, protest groups moved in and before you knew it, Good Christian Bitches became first the dull and unhelpful Good Christian Belles before finally becoming the useless and meaningless GCB.

Who’d want to watch GCB, huh? Watch as people skip nimbly over it in TV Guide and on their EPG*.

Now, Good Christian Bitches for all its apparent faults was at least an accurate and descriptive title. It sees Leslie Bibb (best known nowadays as the Vanity Fair reporter in the two Iron Man movies but who was the star of the previous generation’s GCB, Popular) as a former Dallas mean girl who marries a rich guy and moves to California. Nearly two decades later, her husband is running a Ponzi scheme and dies in a horrific car cash while eloping with his mistress. That leaves Bibb penniless, the mother of two teenage children and nowhere to go but home – to her mother and all the girls she used to be mean to at school who are all grown up now.

Except everyone’s changed. Now Bibb is sober and nice and all the grown-up mean girls – in particular Kristin Chenoweth – are wanting to pre-empt Bibb’s expected meanness and husband-stealing with some meanness of their own, largely during church.

Cue a desperate attempt to do Desperate Housewives but in Texas and without much actual excitement or fun. Just like the show’s title, in fact.

Continue reading “Review: GCB (Good Christian Bitches) (ABC) 1×1”

US TV

What did you watch last week? Including Being Human (US), House, Portlandia and The Almighty Johnsons

Elisha Cuthbert on Happy Endings

It’s “What did you watch last week?”, my chance to tell you what I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case we’ve missed them.

First, the usual recommendations: Archer, Being Human (US), Cougar Town, The Daily Show, House, Happy Endings, Modern Family, Portlandia, Ringer, Shameless (US), Southland, Spartacus, Suburgatory, 30 Rock and Top Gear.

  • The Almighty Johnsons: Seems to be finding its feet and the goddesses are starting to get a look in. Still not exceptional but a fun hour or so.
  • America’s Next Top Model: Strange to see all the Brits from Britain’s Next Top Model coming over to compete – and being nice to each other.
  • Archer: Yet to have a duff episode this season, although the return of Barry the cyborg isn’t especially welcome.
  • Being Human (US): Have been so uninterested in the UK version that I’ve dropped that altogether, particularly since the US one seems to be doing such a good job with its second season. Although the Sally stuff feels lightweight, the vampire and werewolf intrigue is infinitely superior to the UK storylines and we seem to have skipped the thankless fundamentalist scientist storyline as well. Which is a bonus
  • Braquo: Finally finished the whole of the first season. It continued in its usual vein of a bunch of cops doing some massively stupid things for no good reason other than to cover up the last load of massively stupid things it did. But when it did ultraviolence it was very good and the surprising ending just about justified the whole show.
  • Happy Endings: A surprising Colin Hanks cameo. What is more surprising though is just how good a comic actress Elisha Cuthbert is. Good to see her getting to be funny after all these years of… not being funny.
  • House: Billy Connolly!
  • Portlandia: Johnny Marr on a bike!
  • Ringer: The craziness continues and Ioan is a bad seed!
  • Southland: Slightly disappointing conclusion to last week’s cliffhanger, but a great episode all the same.
  • Suburgatory: Possibly the funniest dream sequence ever

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

Lost Gems: Wipe Out (1988)

It’s easy to think in this day and age that just about everything is on the Internet or DVD. Whether it’s some obscure piece of 1950s tatt or Latvian adaptations of On The Buses, Network has probably released it already or there’ll be a web site dedicated to it somewhere.

But sometimes, shows are so lost, I can barely give you anything to work with.

Take the 1988 ITV1 mini-series Wipe Out. Now, it’s not been totally forgotten. There are references here and there to it. But largely it’s been forgotten by the world.

Airing almost immediately after The One Game back in 1988, Wipe Out appeared to be a series in more or less the same vein. The show was heavily trailed with adverts in which security broke down at a prison, resulting in a riot, followed by a vicar of some sorts suggesting that it was the result of “pure evil”. Cue a show about possession, etc, right?

Wrong. Because although it was still the late 80s, this was actually a show about computer viruses. Written by Martin Stone and Richard Maher, the conceit of Wipe Out was that it was actually set in “the very near future”, a future so near to ours it was otherwise indistinguishable from it bar the fact that computers with artificial intelligence are running large chunks of the UK’s infrastructure.

Ian McElhinney (now in Game of Thrones) played Max Raines, a home office investigator who goes to the prison to investigate the riot and soon discovers that it was the computer running the security that had had problems, something that was supposed to be impossible thanks to its artificial intelligence. His investigations eventually lead him to John Fairling (Nigel Terry from Excalibur), the psychologist who helped develop the intelligence behind the computers. Terry, who’s something of an anarchist, wants to bring down the UK – and the US, which also uses the computers – and during his research with the dangerous inmates of the prison came up with the idea of driving the AIs mad using a virus called The Paradise Project (IIRC), named after Milton’s Paradise Lost. He intends to deploy the virus to the infrastructure computers, including those running air traffic control and the UK’s defences, with the help of a bunch of like-minded terrorists.

A parallel plot see McElhinney’s character manipulated by Home Office mandarin Clive Rawlinson (actor and antique dealer Tristram Jellinek) using secret records about his parents’ deaths during the Mau Mau uprising. Eventually, things dovetail together with Raines stopping the Paradise Project from being deployed, Terry being captured (or killed) and the Americans apparently happy – until Rawlinson reveals the extent of his manipulations and McElhinney angrily pressing the button that will activate The Paradise Project. The final shot: the planes and missiles of the UK and then a cut to credits.

The message of course being don’t trust computers, particularly smart ones, or we’re all in trouble.

That was, of course, the last seen of Wipe Out. It’s never been repeated and never been released on DVD. There was no sequel and everyone apart from me appears to have forgotten about it. It’s a Lost Gem.

Since I don’t have any clips or even photos to leave you of Wipe Out, have Colossus: The Forbin Project instead, which is a similarly themed film that’s rather good.

Competitions

Review and Competition: Doctor Who – The Sensorites on DVD

The Sensorites

BBC Shop Badge Starring: William Hartnell, Carole Ann Ford
Writer: Peter R Newman
Director: Frank Cox
Price: £20.42 (Amazon price: £12.99; BBC Shop price: £12.99)
Released: January 23rd 2012

I have to confess that I’m not the most diligent of DVD reviewers. Give me something that I can watch in an hour or two and I’m fine. Give me something that lasts two and a half hours and that also has commentaries and epic amounts of extras and basically, I’m not up for that. Call it being busy, call it being lazy – it ain’t happening.

But sometimes, I’ll give it a try. In this case, the BBC Shop, in their infinite wisdom, sent me the six-part William Hartnell Doctor Who story The Sensorites to peruse. Now, I hadn’t seen this in about 20 years and beyond a slight reference to it at some point when the Ood popped up in modern Who, it had almost completely escaped my mind. Feeling semi-dedicated, I decided to give The Sensorites a go. See how I fared after this trailer and the jump.

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