What did you watch this week? Including The Almighty Johnsons, Suits, The Newsroom, The Bridge (US) and Strike Back

It’s “What did you watch this week?, my chance to tell you what I movies and TV I’ve watched this week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. Reviewed this week elsewhere: Ironside and Trophy Wife.

In my preview queue is a couple of shows: Back in the Game and Welcome To The Family, but I have no idea when I’ll have the time to watch and review them – fingers crossed for Tuesday or Wednesday, though.

Shows I’m watching but not necessarily recommending
Under The Dome
Only one (?) more to go. This had better be good, because it’s all been a big waste of time so far. Not much Rachelle Lefevre this week, either…

Under the Dome TV Schedule

The Bridge (US)
Problematically, where the show is slavishly following the original, it’s still not doing it as well; where it’s tweaked it, it’s usually been to the detriment of the show; and where it’s gone completely off-story, it’s been significantly weaker and less interesting. But at least Sonja wasn’t so rubbish this week, unlike last week – for those who didn’t watch the original, (spoiler for both shows)in the original, Saga was shot at the safe house, guarding the son, rather than being hit by a car on the way to the safe house.

The Bridge TV Schedule

Strike Back (Cinemax/Sky 1)
More fun violence, but quelle surprise, another strong woman dead. A good character moment, though, even if it was a tad too late.

Recommended shows
The Almighty Johnsons

A really cracking episode and surprisingly eerie at times. The revelation at the end was a good nod to fans and actually quite unexpected. Fine acting by Michelle Langstone, too. Probably the best episode of all three seasons, I reckon.

The Almighty Johnsons TV Schedule

The Newsroom
I’m really not sure what they’re trying to do with the show now. It’s just all over the place. I almost get the feeling that Sorkin is trying to turn it into a comedy. That might almost be a better option, since there were some fun Sloan moments at least.

The Newsroom TV Schedule

Suits
On the one hand, nice to see a show where everyone actually seems to enjoy their jobs. On the other, Louis is getting more and more implausible and Mike is turning into a bigger and bigger dick. Some good individual moments but I’ll be glad to see the back of Hessington Oil.

Suits TV Schedule

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

Mini-preview: Trophy Wife 1×1 (ABC)

Trophy Wife

In the US: Tuesdays, 9.30/8.30c, ABC. Starts September 24

A trend I hoped had died off over the summer with NBC’s abysmal Save Me appears to have resurrected itself over on ABC with Trophy Wife. Following on from the less than sisterly GCB and Nashville, we have yet another show about female in-fighting. However, this one builds on that foundation with this new trend: “Party girls must reform!”

Here, we have the usually somewhat plastic Malin Åkerman (Watchmen, The Proposal) as a woman who literally bumps into Bradley Whitford (The West Wing, Studio 60, The Good Guys) while at a party. Despite quickly not literally bumping into Whitford’s weird, nightmarish two ex-wives and three children, Åkerman marries Whitford and rather than carrying on her fun and exciting ways, decides to become a loving step-mother to the children.

Except they don’t really want her, neither do those two ex-wives and she’s not really very good at it. Cue kids being scummy to new mummy then learning a lesson by the end of the episode; cue ex-wives being bitchy to new wife and slowly starting to bond with her; cue our heroine slowly becoming a better mother.

Yawn.

It’s not all tedious and reactionary, though. Whitford, who chugs along on 50% in case he visibly outclasses the rest of the cast, is a delight as always. Åkerman, who also produces the show, seems to have learnt that while acting with words probably isn’t her strong point, she’s actually a very credible physical comedic actress. As a result, much of the actual laughs from the pilot aren’t from the situations or the dialogue – which, while a little more original and smarter than most shows’, still aren’t exceptionally funny – but from Åkerman’s clowning. There’s not huge chemistry between the two of them or any of the other characters, but it’s a pilot, so give them time.

Might be worth a shot but I wouldn’t recommend it.

PS Doesn’t ABC have a tough time coming up with titles that are actually representative of their shows? Cougar Town, GCB and now this, which isn’t actually about a trophy wife?

US TV

Preview: Ironside 1×1 (NBC)

NBC's Ironside

In the US: Wednesdays, 10pm ET/9pm CT, NBC. Starts October 2

Ironside is one of those fondly remembered but actually pretty rubbish cop shows from the 70s that occasionally appears on re-run channels. Starring Raymond Burr as San Francisco’s paraplegic chief of detectives Robert T Ironside, the show ran from 1967 to 1975 and it largely had two things going for it: Burr, who was even more famously Perry Mason; and its memorable title sequence, which in case you’ve forgotten went something like this:

True, its heart was in the right place: after all, its message was that a guy in a wheelchair can solve crimes and apprehend criminals just as well as someone who wasn’t. It even surrounded Ironside with a ‘diverse’ range of assistants. Trouble is that gave Ironside the eternal reputation of being the show in which a token black guy pushes the hero white guy around in a wheelchair all day, but who doesn’t get to do much himself.

Now NBC have decided to remake Ironside and they’ve decided it’s time to fix that particular issue. Because now Ironside, as well as being a New York cop, is black – he’s played by LA Law/In Treatment/Sex and the City favourite Blair Underwood, who’s also one of the producers.

Laudably, that means we have probably the first black, physically challenged lead character in TV history (I’m pretty sure War of the Worlds doesn’t count). Hooray! Progress!

Unfortunately, though, so happy are the writers and network to have ticked off that particular box on their CVs, they’ve neglected to actually make the show anything but cliched. Or maybe that’s deliberate. Here’s a trailer – I’ll explain afterwards:

Continue reading “Preview: Ironside 1×1 (NBC)”

Classic TV

Nostalgia corner: Randall & Hopkirk (Deceased) (1969-70, 2000-2001)

Back in the 1960s, crime stories were all the rage (well, crime stories and spy stories. But crime stories particularly.) Finding a way to differentiate the main characters and give a series a unique selling point compared with others was often a challenge.

Possibly the most differentiated – and indeed interesting – crime show of the 60s was Randall & Hopkirk (Deceased) (known more prosaically in the US as My Partner The Ghost because focus group research suggested viewers wouldn’t understand the word ‘deceased’). Its premise was simple: two down-at-heel British private investigators, Jeff Randall (Mike Pratt) and Marty Hopkirk (Kenneth Cope), are investigating a case. The bad guys don’t like this and think they’re getting too close so they kill Hopkirk.

Except that doesn’t stop him. Hopkirk is so dedicated to his friend, Jeff – and so keen to bring his murderers to justice – that he returns as a ghost to help solve the case and stop the bad guys. Unfortunately, it takes him too long and after the bad guys are rounded up, a curse dooms Hopkirk to walk the earth as a ghost in an eternally spotless white suit for 100 years.

So Hopkirk stays on to help Jeff solve further cases as best he can, despite being intangible and invisible to everyone else. Cue catchy theme tune and 25 more episodes.

Continue reading “Nostalgia corner: Randall & Hopkirk (Deceased) (1969-70, 2000-2001)”

What did you watch this month? Including Homeland, Low Winter Sun, Chickens, Strike Back and Elysium

It’s “What did you watch this weekmonth?, my chance to tell you what I movies and TV I’ve watched last month while I was away on holiday that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

First up, the usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever.

In my preview queue is a couple of shows, including ABC’s Trophy Wife, which I hope to review for you properly on Tuesday. But I have tried a couple of new things, despite the summer TV quiet.

New shows I tried this week
Chickens
(Sky 1 HD)
Some of the cast of The InBetweeners try to write a First World War comedy about a bunch of guys left behind during the Great War, who have to deal with being accused of cowardice, etc.

Anyway, it’s 10 minutes of my life I’m not getting back.

Low Winter Sun (AMC/FOX)
A remake of the Channel 4 mini-series of the same name set in Edinburgh, the show had relocated to Detroit to retell us the tale of a good cop who commits a revenge murder with the help of another cop and thinks he’s got away with it. Except things start to unravel.

It sounds good and given it’s remarkably managed to get the star of the original – Mark Strong – to repeat his performance but with a US accent, with fellow stalwart Brit Lennie James joining him for the ride, you’d think it would be good. But effectively, it’s a season-long episode of Columbo with the guy who played Daniel Hardman on Suits as a less well written Columbo. I stuck it out for four episodes before the plot got so thin that I decided not to bother with it any more.

Shows I’m watching but not necessarily recommending
Under The Dome (CBS/Channel 5)
Just rubbish. I’m only watching because I’ve got this far and there’s nothing else on.

Under the Dome TV Schedule

The Bridge (US) (FX)
We’re nearing the end and it’s definitive now that it’s simply not as good as the original, despite sticking more or less to exactly the same storyline. Problematically, the show has removed a lot of the strengths from the Saga Norin/Sonja Cross character and pushed them onto the male characters, making her more of a liability and one who’s stuck in the office most of the time. But the show did drop one particular, ridiculous twist, which I’m thankful for, anyway. The Annabeth Gish storyline is looking more and more pointless, though.

Strike Back (Cinemax/Sky 1)
The return of the modern day Professionals, this time with the assistance of former SAS dynamo… Robson Green (who, of course, was in Soldier Soldier but never did much fighting). Strong female characters keep cropping up to get shot and killed or go mental, which isn’t very helpful, and having Brits like Martin Clunes turn up is very distracting. But the action sequences are as impressive as ever, as is the camaraderie and the cross-Atlantic strafing.

Recommended shows
The Almighty Johnsons
(TV3/SyFy UK/Space)
Really pushing ahead very strongly now, and getting some of its darker edges back, without going to season 2 extremes. Lovely use of myth, as well.

The Almighty Johnsons TV Schedule

Continuum (Showcase/SyFy)
A much better second half than first half to the season, with all the budget saved up for the end this time. Some good twists and revelations, as well. But it’s in extreme danger of disappearing ourobouros style up in its own arse with the rapid development of unnecessary mythology.

Continuum TV Schedule

Homeland (Showtime/Channel 4)
Not yet back, of course, but I’ve had a gander at the first episode of the third season and I’m glad to report that it’s remembered it’s an adult show, rather than simply 24 on cable TV. Carrie’s still unbalanced and there’s no sign of you-know-who yet, with most of the first episode looking at the fallout from the bombing at the end of the last season and the political ramifications and changes in the US that have resulted. Impressive, but Brodie’s family is really starting to irritate now.

The Newsroom (HBO/Sky Atlantic)
Better than the first season and the season arc is a lot stronger and more interesting, as well. Sorkin and co have also gone to quite extreme lengths to ditch virtually every romantic storyline possible along the way. But it’s now so plot-focused, it’s lost all sense of character, making it less engaging. Plus Olivia Munn is being criminally under-used and where they are using her, it’s entirely inappropriately. Only one appearance by Jane Fonda this entire season, too.

The Newsroom TV Schedule

Perception (TNT/Watch)
Overall, a disappointingly formulaic season that ended on a low and lost the show a lot of its unique characteristics along the way.

Perception TV Schedule

Satisfaction (CTV)
Still funny, but I’m giving up on it because, like many, I want to punch most of the cast, now.

Satisfaction TV Schedule

Suits (USA/Dave)
Same problems as The Newsroom – strong plot, less involved in the characters. The fact the show has focused on more or less a single case the entire season has also robbed it of a lot of variety. And no matter what, I still can’t see Max Beesley as a Cambridge lawyer. Sorry.

Suits TV Schedule

And in movies

I Give It A Year
Another tedious attempt to capture the magic that was Four Weddings and a Funeral in another Brit rom-com, this time with Rafe Spall and Rose Byrne getting married against everyone’s recommendations. Nine months later, they’re having problems. Generally, despite the presence of Stephen Merchant, Minnie Driver, Anna Faris, Olivia Colman and Simon Baker, a pretty miserable movie, bereft of laughter but full of misery. So steer clear of it – all the good jokes are in the trailer.

Elysium
Neill Blomkamp tries to repeat the success of District 9 but with a much bigger budget. Set in 2154, it sees Matt Damon as a blue collar worker trapped on the over-crowded earth with all the rest of the poor, while the rich all life on a space-station called Elysium that fixes all their problems and even cures all their diseases – except the rich don’t care enough to offer the same facilities to the poor. Now, in many ways it’s a very clever film with lots to say. The imagination that’s gone into the weaponry, set design and future tech are all superb. It’s just the plot and the characterisation that are mundane, with Damon having less personality than an implanted Total Recall Arnie and everyone else painted so thinly, they’d disappear if they turned sideways. It actually makes for quite a boring movie and yet again, despite it being 2154, you’d be hard-pushed to spot even 25% of the main characters being female, let alone women with power (baddie Jodie Foster and that’s it). Disappointing, despite all the imagination that went into it.

“What did you watch this week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?