Australian and New Zealand TV

Review: Serangoon Road 1×1-1×3 (ABC Australia/HBO Asia)

Serangoon Road

In Australia: Sundays, 8.30pm, ABC1
In Asia: Sundays, 9pm, HBO Asia

Australia’s been having something of a renaissance when it comes to quality TV of late, particularly in the realm of the period crime drama. We’ve already seen one rather fine effort this year: ABC1’s The Doctor Blake Mysteries, in which Craig McClachlan investigates crime in a small Victoria town in the 1950s. That’s been bought by the BBC and has already been renewed for a second season.

Now, in a co-production with HBO Asia (that network’s first ever original drama series), ABC1 are giving us Serangoon Road, a surprisingly enjoyable and intelligent private detective show. Set in Singapore in 1964, it stars Don Hany (East West 101) as Sam Callaghan, a former Australian soldier who helped the British during the Malay uprising of the 1950s and now helps Joan Chen (Twin Peaks), who has inherited her late husband’s detective business. Callaghan has to deal not only with the local criminals, including the Red Tiger gang, he has to cope with the sometimes helpful Americans (largely Michael Dorman of The Secret Life of Us), the usually unhelpful British and the occasional Australian ex-pat – in particular, Claire Simpson (Maeve Dermody), whose businessman husband is always absent…

Filmed in Malaysia and with an obviously large budget and a cast of huge Australian and Singaporean stars, it would be tempting to think Serangoon Road would be nothing but a beautiful-looking, historical bore. Instead, it’s a vibrant, exciting, multi-lingual show that brings to mind the likes of Bring Em Back Alive and Tales of the Gold Monkey, except thankfully with more intelligence.

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BAFTA events

Preview: Y Gwyll (Hinterland) (UK: S4C/BBC Wales/BBC Four)

Hinterland/Y Gwyll

In the UK (in Welsh): S4C. Starts 29 October.
In the UK (English/Welsh): BBC Wales in early 2014. Then BBC4

TV is getting more and more international. Not only are different countries remaking other countries’ shows, more and more are willing to show the originals, even if they were shot in a different language.

Here in the UK, we have BBC4 and its foreign TV slot of Wallander, Spiral, The Killing, The Bridge, Inspector Montalbano et al; meanwhile, Sky Arts has given us Prisoners of War, Isabel, In Treatment, Grand Hotel, Maison Close, Hard and their like, while Channel 4 has made its first foray into French in years with Canal+’s The Returned.

But it’s easy to forget (well, if you live in England it is) that English isn’t the only native language still spoken in the UK. Although the likes of Manx and Cornish are confined to relatively few speakers, both Scots Gaelic and Welsh not only have thousands of speakers who regard them as their first languages, there are entire TV channels dedicated to programming in these languages: BBC Alba and S4C respectively.

While BBC Alba is a relatively new phenomenon, the output of which is largely confined to dubbed English-language programming, sport and factual programmes, S4C is over 30 years old and has produced everything from soap operas (Pobol Y Cwm) to comedy (Dim Byd) and drama (Caerdydd).

And yet, despite this new keenness for multi-lingual, global programming, you’d be hard-pressed to find any of this home-grown, Welsh language programming on the BBC or Sky Arts, not even in the foreign language slots.

Until now.

Because for the first time since A Mind To Kill 20 years ago, S4C has made a cop show. Not only that, it’s made it simultaneously in both English and Welsh. Airing first on S4C this month and then in the rest of Britain next year on BBC Wales and BBC4, Hinterland/Y Gwyll* follows the investigations of DCI Tom Mathias (Richard Harrington from Lark Rise to Candleford), who’s newly arrived in Aberystwyth from London. Partnered with DI Mared Rhys (Mali Harris from Caerdydd), Mathias has to investigate four dark and disturbing, 120m cases against the backdrop of the Welsh landscape in a way that should appeal to the rest of the world. In fact, Denmark’s already bought it.

Here’s the trailer. A preview with minor spoilers of the first episode after the jump, together with some more information from a Q&A that I attended at BAFTA last week.

Continue reading “Preview: Y Gwyll (Hinterland) (UK: S4C/BBC Wales/BBC Four)”

What did you watch last week? Including Isabel, Mysteries of Lisbon, Agents of SHIELD and Atlantis

It’s “What did you watch last week?, my chance to tell you what movies and TV I watched last week that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. 

With the US fall season upon us, naturally there’s a lot of new shows for me to review. Last week’s bonanza includes:

I also started watching the second episodes of several shows. Unfortunately for them, they were less than engrossing or funny, so I also stopped watching the second episodes of Trophy Wife and Back In The Game.

The first episode of Betrayal – ABC’s tale of rich professionals feeling unsatisfied with their lives so cheating on/murdering their partners – was just dreadful so not even worth a review. Hello Ladies, in which Stephen Merchant chats up lots of American women badly, was very well written but was distilled essence of Merchant’s brand of cringe comedy so I just found it unpleasantly unwatchable. 

Still in the viewing queue are: the third episode of the rather good Serangoon Road and Witches of East End, both of which I should be reviewing in full tomorrow. 

Other shows I tried
Mysteries of Lisbon (Sky Arts)
Acclaimed Portugese period drama, involving a school, a locked-up noblewoman and a lot of people describing things in flashback and then other people saying how interesting that was and then describing some other things in flashback. Very melodramatic in the truest sense of the world, so more for those with greater patience than I have.

Isabel (Sky Arts)
Game of Thrones but in Spanish and based on the real-life Queen Isabel I of Castile, one of the most important women in Spanish history. A lot more fun than I was expecting, although the subtitlers seem to get a bit confused by gender (“Isabel and Alfonso are his brothers” and when discussing a chess game, “If the queen is so important, why can she only move one square at a time?”, being some of the most amusing). Definitely one to try.

Shows I’m watching but not necessarily recommending
Agents of SHIELD (ABC/Channel 4)
Not even a cameo by Samuel L Jackson could enliven this extremely dull affair, which lacked Joss Whedon’s gift for dialogue and was basically an episode of Torchwood. In fact, worryingly, this is now almost exactly Torchwood and I’m not sure the world is ready for another one. Channel’s 4 re-editing of the episode to shift Jackson’s cameo to before the end credits was enjoyable hilarious, though. First episode review.

Atlantis (BBC1/BBC America)
Even more like Merlin than the first episode, right down to some distinctly British forest scenes. Even more liberties taken with myth. Jemima Rooper’s turned up, but even she – and some surprisingly good fight scenes – can’t lift this into the level of decently good. First episode review.

The Blacklist (NBC/Sky Living)
A good second episode for NBC’s most promising new drama. A bit of back-pedalling from the pilot and some fun duplicity from Spader’s character. Megan Boone’s character could do with some more personality, but enjoyable disposable tatt. First episode review

The Bridge (US)
Essentially, an episode designed not to wrap up ends but to ensure the series gets a second season. Not much that was good about the episode, though, and to be honest, it’s a minor echo of the original, so I’ll probably drop out for season two. Looking forward to seeing how Sky and Canal+ handle things when The Tunnel starts this month.

Strike Back (Cinemax/Sky 1)
Lots of soft-corn porn, some involving Stuart Sullivan shagging a Russian woman, the rest involving Philip Winchester running around naked in a medical experimentation unit, which I’m pretty sure happened two seasons ago, too. Some fun fire fights, although baddies can’t appear to shoot straight, but overall, this is turning into a distinctly less impressive season, buoyed up only by constant deaths.

Recommended shows
Elementary (CBS/Sky Living)
Back to the regular routine for Elementary, which was a somewhat mundane tale, enlivened only by having its entire plot ripped off from Sneakers and making mathematical problem P vs NP the centre of the action.

Modern Family (ABC/Sky 1)
A decent enough set of three episodes to start the season with, the gay marriage episode being particularly good. But it’s basically business as usual here, without much innovation.

And in movies….

Agent Carter
Not technically a movie, being a bonus 15-movie Marvel One-Shot on the Iron Man 3 Blu-ray, but an enjoyable enough period romp with Haley Atwell reprising her role from Captain America, Carter now a spy for the US in post-war America. Unfortunately, her boss (Bradley Whitford) thinks that women shouldn’t be doing men’s work, now the men are back from war, so Carter has to prove her worth. 

I really do hope this becomes a TV series, as rumours are suggesting, since it shows more promise than both episodes of Agents of Shield and has as many fun cameos (keep watching until after the titles…).

“What did you watch last week?” is your chance to recommend to friends and fellow blog readers the TV and films that they might be missing or should avoid – and for me to do mini-reviews of everything I’ve watched. Since we live in the fabulous world of Internet catch-up services like the iPlayer and Hulu, why not tell your fellow readers what you’ve seen so they can see the good stuff they might have missed?

US TV

Mini-review: The Millers 1×1 (CBS/Comedy Central)


In the US: Thursdays, 8.30/7.30c, CBS
In the UK: Mondays, 9.30pm, Comedy Central. Starts October 14

This season in the US appears to be one for great casts and great creative talents turning in comedies that are more than a little short on actual laughs. We’ve already suffered through Dads and Mom, and now we have CBS’s The Millers, starring Will Arnett, Beau Bridges, Jayma Mays and Margot Martindale, and written by My Name is Earl‘s Greg Garcia. Arnett and Mays are brother and sister, Bridges and Martindale their parents. Arnett gets a divorce and when his father finds out, he’s inspired to do the same. Cue hilarity as old people try to cope with the single life, fulfil supressed ambitions, and mess around in their kids’ lives and ‘over share’.

Now there is at least the germ of a comedic idea in there and although it’s CBS, the home of mean-spirited comedy, Greg Garcia is a far more amiable writer. Unfortunately, that means Arnett, who is always fabulous as pampered, spoiled and slightly evil characters, is here playing second-fiddle to Bridges and Martindale, their comedic foil who has to bounce off them, rather than vice versa. Despite being a TV reporter, he’s shown to quite nice: a generous brother who helps support Mays and her husband’s struggling business.

Meanwhile, Bridges and Martindale dominate the action, shouting at one another. Bridges, however, is a buffoon verging on the senile, a source of fart gags and a man incapable of using a microwave without his soon-to-be-ex-wife’s help. Martindale, by contrast, is a controlling nightmare, picking away at her entire family, oblivious to her faults. Mays just gets to be the glue that joins everything together, with barely a joke headed her way the entire episode.

And if you find befuddled, farting old men and old women critcising everyone they come across, while Arnett mugs for all he’s worth, you might well like The Millers. But unfortunately, that’s really the extent of the comedy in the show, so if your tastes are a little more discerning, look elsewhere for laughs because you won’t find them here.

US TV

Mini-reviews: Sean Saves The World 1×1 (NBC)

Sean Saves The World

In the US: Thursdays, 9/8c, NBC

Well, ITV has already shown us what you get when you take a traditional British sitcom format and fill it with much loved gay actors playing (horribly) stereotypical gay characters: you get the terrible Vicious. Now NBC shows us when happens when you take a traditional US sitcom format and fill with a much love gay actor playing a (slightly) stereotypical gay character: you get something a lot better.

Sean Saves The World is a multi-camera comedy, filmed in front of a studio audience and directed by James Burrows of Cheers fame, who’s been directing sitcoms since the 1980s. It sees Sean Hayes from Will and Grace playing a single dad trying to bring up his teenage daughter with the help and hindrance of his mother (Linda Lavin). At the same time, he also has to deal with his employees at work (including Vik Sahay from Chuck) as well as his company’s new owner (Thomas Lennon from Reno 911).

So far, so absolutely conventional. A lot of the dialogue is very conventional and there’s heart-warming family bonding at the end. Beyond the fact it has a gay central character, this could have been shot in practically any decade since the 1960s.

The show has two big points things going for it though. The first is Hayes, who manages to lift even the most ordinary dialogue into something much better. The result is quite a few laughs, which in this year’s season of supposed comedies, is a standout trait.

The second is Thomas Lennon. Not only does he have the same comedic talent as Hayes, his evil boss character is something different: he constantly imagines himself to be in a battle of wits with Hayes, trying to score points and lay traps at every point, even claiming prizes when he wins. Pretty much every scene with him in it is better than any other scene without him.

And, just to repeat, it’s actually quite funny. Okay, the female characters aren’t especially, with teenage daughter (Samantha Isler) really there as a problem to be solved and Sean’s mother no different from any other hectoring, not especially maternal sitcom mom, ready to toss out zingers at her progeny’s expense. There’s also a co-worker (Megan Hilty, who replaced Lindsay Sloane directed after the show went to series) who’s a colossal over-actor, too.

But, again, this does need repeating again, it’s actually quite funny. Will marvels never cease?