US TV

Review: The Librarians 1×1-1×2 (US: TNT; UK: SyFy)

In the US: Sundays, 8/7c, TNT
In the UK: Mondays, 8pm, Syfy

As I remarked a while back, TNT is best known for airing crime shows, both scripted and unscripted. While there have been a few exceptions over the years, the vast bulk of its output has been about cops and solving mysteries and the few exceptions along the way have mostly perished and died very quickly.

One of the few things on TNT that hasn’t involved crime and yet has survived the years is Noah Wyle. As well as his alien invasion show, Falling Skies, he’s also been the lead in an occasional series of TV movies based around a character called The Librarian. Part Indiana Jones, part Nicolas Cage in National Treasure, the Librarian has roamed the Earth for the best part of a decade, cracking ancient clues, engaging in daring-do, so that he can find lost magical artefacts such as Excalibur and the Spear of Destiny, so they can be safeguarded in a New York magical library run by Bob Newhart and Jane Curtin.

This year, though, TNT is making a concerted effort to branch out into other genres as part of its ‘boom’ campaign. Yes, ‘TNT – boom’: you can imagine how long it took them to think that one up. Surprisingly, ‘boom’s been doing quite well. While Legends isn’t the world’s best show, it’s an decent enough attempt to branch out into the spy genre and has been renewed for a second season. The big cable hit of the summer was TNT’s The Last Ship, a delightful combination of ship warfare and killer viruses that I loved and which is also back for a second season next year.

So perhaps it’s no surprise that TNT’s ‘boom’ is giving us The Librarians, an attempt to turn this occasional movie series into a potentially far more lucrative multi-episode TV series. Beginning with a two part special, the series sees ‘the Serpent Brotherhood’ trying to kill off the Librarian and any other potential Librarians so they can return magic to the world and then rule it.

Wyle has to round up the surviving potential librarians, who are largely former TNT stars (Rebecca Romijn from King & Maxwell and Christian Kane from Leverage), protect the library and save the world. And while it has a budget of about $4, the authenticity of a Ratner’s ring, the attention to historical detail of an Asterix book and an ensemble of actors about as convincing as the average glove puppet, it’s actually a very enjoyable bit of family fun.

Here’s a trailer:

Continue reading “Review: The Librarians 1×1-1×2 (US: TNT; UK: SyFy)”

Nordic TV

Review: The Legacy (Arvingerne) 1×1 (UK: Sky Arts 1; Denmark: DR1)

Arvingerne

In the UK: Wednesdays, 10pm, Sky Arts 1
In Denmark: Aired on DR1 in January 2014. Season two starts January 2015

The Danes are apparently the happiest people in the world (okay, third happiest, having dropped off the top spot this year). You wouldn’t know this from their TV, of course, which is full of serial killers and murderers (The Killing, Those Who Kill) and political intrigue (Borgen), as well as sometimes a mix of the two (The Bridge).

Even their family dramas are a bit gloomy, it turns out. A case in point is the ten-part The Legacy (Arvingerne), which like Those Who Kill has been poached away from its natural Scandi home of BBC4 in favour of AN Other Channel (Sky Arts 1 this time). The series, which comes from the same production company as The Killing, follows noted artist, free spirit and multiple-partnered Veronika Grønnegaard (Kirsten Olesen), who has a less than happy relationship with her three children, who pretty much all hate her guts, but for entirely different reasons: daughter Gro (Trine Dryholm) is miffed at being judged for ‘only’ being a secretary at Grønnegaard’s own firm and for not having any kids; Frederik (Carsten Bjørnlund) has had a bust-up so epic that he hasn’t spoken with Veronika for a year and actively tries to stop his own son from seeing her; and Emil (Mikkel Følsgaard) is off on another continent altogether.

Then there’s Signe (Marie Bach Hansen) who doesn’t even know she’s Veronika’s daughter, despite Veronika dropping into her flower shop and giving her free paintings for no well explained reasons.

But Veronika, being an artistic type, decides to screw the whole lot of them over by failing to mention she has breast cancer and then promptly dying of a stroke, leaving her much sought after house and estate to Signe to divide up between herself and her newfound siblings. That’s going to end well, isn’t it?

The extent you’re going to find The Legacy tolerable is how much you can tolerate both happiness and sadness. Despite their bad relationships with Veronika, all the families seem to be largely happy and enjoying Christmas, dressing up as Santa, having family meals together and losing track of time as they play percussion instruments together out in huts. No one’s poor and even when revelations about infidelities, bad parenting, different parentage et al crop up, no one’s dischuffed enough to even raise their voice much.

True, in case Frederik’s case, that might well be because he’s a closet psychopath whose wife is intensely freaked out by his behaviour, but he’s still a psychopath who continues joking around in his Santa outfit after getting the bad news about his mum, just to make sure his son has a nice time.

If you find all that happiness and luxury nauseating and weird, steer clear of The Legacy. Equally, if you fear family strife, dying parents, illness, old people looking like they’re dementing, upset children, will contention and slightly psychopathic sons who really want the family home, steer clear.

There’s not much by way action, which I’m sure will change with episode two, as upset siblings glare at each other and talk in hushed tones when they’re really angry (okay, maybe not psycho Frederik). But it’s a good start with different characters from the usual set you’re probably used to in such family dramas. It’ll probably be a bit ‘eat your greens’, and I suspect I’ll have to force myself to watch these, even though I did quite enjoy the first episode, but we’ll see if the show manages to up the ante in subsequent weeks. Simple scheduling maths should tell you that people should be at each other’s throats at this rate by, ooh, round about Christmas. That’ll be something to look forward to, won’t it?

Classic TV

Preview: Space: 1999 – The Bringers of Wonder (Special Edition)

Space: 1999 - Bringers of Wonder

Space: 1999 - Bringers of Wonder

Starring: Barbara Bain, Martin Landau
Price: £13
Released: December 8 2014

Today is a day of firsts. Not only is it December 1st, the first day of Advent, it’s also the first time since I started this blog up way back in 2005 (gosh, nearly 10 years ago!) that I’ve published a guest post. Isn’t that amazing?

This first guest post is by noted author and critic Mr James Cooray Smith, who has bitten the bullet and done something I could never do: watch Space: 1999 again. In this case, he’s watched the forthcoming limited edition Blu-ray release of the show’s only ever two-part episode, The Bringers of Wonder, as well as the cinema version of said two-parter, Destination Moonbase Alpha get it while it’s hot, because only 1,999 copies of this are being produced.

After the jump, Jim will let you know what he thinks and reveals that the show is officially considered a form of torture in the US. Before then, here’s a trailer, and if you’re feeling brave, I’ve also provided the two episodes in question, so you can see what you’re going to get (NB: watching the episodes may be considered illegal under Geneva conventions of all kinds):

Continue reading “Preview: Space: 1999 – The Bringers of Wonder (Special Edition)”

What have you been watching? Including The Imitation Game, Great Britain, State of Affairs and The Fall

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Last round-up for a fortnight, since I’m going to be away next week. But with it being Thanksgiving this week and a lot of shows delivering up their mid-season finales, I’m not sure there’s going to be a lot on to watch next week. I might even have to watch British TV for a change. Shudder.

I didn’t quite have time to get round to watching and reviewing Sky Arts’ Danish import The Legacy, but I’ll definitely be doing that on Monday. Definitely. And I’m in two minds about whether to bother with BBC One’s spooky Remember Me, featuring Michael Palin. But I did manage to watch both a movie and a play.

The Imitation Game (2014)
A potted biography of British mathematician and computer scientist Alan Turing (Benedict Cumberbatch), covering his childhood, work during World War Two breaking the Nazi Engima machine cypher and eventual chemical castration following conviction for his criminal conviction for homosexuality. Cumberbatch is outstanding as the older Turing, while Keira Knightley excels as a fellow Bletchley Park brain and Turing’s fiancée, despite having a pretty underwritten role to deal with. Although the script is more at pains to express how much international involvement there was in the Engima effort, unlike certain movies I could mention, it isn’t brilliantly executed and glosses over a lot of the work necessary in the decryption, both before and after it was initially cracked. However, the story, Turing and the cast (which also includes Mark Strong, Matthew Goode, Charles Dance and Rory Kinnear) are strong enough that despite the script’s flaws, the movie still wows over the audience and is deservedly likely to be this year’s King Speech.

Great Britain (Theatre Royal Haymarket)
Richard Bean (One Man, Two Guvnors) casts his eyes over UK newspaper history for the past 30 years and sticks it all together in one tabloid, The Free Press, which soon discovers that hacking people’s voicemails isn’t that hard – particularly if you’re both literally and figuratively in bed with the police. It’s a very well executed piece that draws on fake TV broadcasts, newspapers, audience interaction and even YouTube mash-ups to tell its story, and the more you know, the funnier it gets, with Andy Coulson, Kelvin MacKenzie, Rupert Murdoch, Rebekah Brooks, Piers Morgan and others all getting skewered by proxy through their various fictional amalgams and equivalents. Lucy Punch (Ben and Kate, The Class, Bad Teacher) takes over from Billie Piper in this production, as the definitely-not-any-real-person tabloid protagonist, and makes the role her own, even if her accent fails to convince as either working class or Bristolian. Definitely of interest to anyone who knows anything about modern newspaper history and knows what the News Bunny was, or to anyone who likes a laugh.

After the jump, I’ll be running through: Constantine, Elementary, The Fall, The Flash, Gotham, Gracepoint, Mulaney, The Newsroom, Scorpion and State of Affairs.

Continue reading “What have you been watching? Including The Imitation Game, Great Britain, State of Affairs and The Fall”

What have you been watching? Including Cara Fi, The Comeback, Neville’s Island, Robocop (2014), Constantine and The Fall

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

First, I’ll apologise in advance for the typos: I’m just heading out the door to watch The Imitation Game.

Anwyay, we’re nearing Thanksgiving and the Christmas season (aka ‘December’) which means that viewing options are starting to drop off, new shows are few and far between, and old shows are giving us their mid-season finales. But I have watched a couple of new things, including State of Affairs, which I’ve reviewed elsewhere.

Cara Fi (UK: S4C)
A dying Welsh village puts the faces of its single men on the sides of milk cartons to attract women there. Starring Dave Coaches (Steffan Rhodri) from Gavin & Stacey, it’s pretty gentle, not especially romantic comedy with a sad basis in reality. I wouldn’t necessarily recommend it, but it’s a different change of pace from the usual fare and it clips along decently enough.

The Comeback (US: HBO; UK: Sky Atlantic)
Lisa Kudrow plays a fading, once semi-famous actress, trying to use reality TV to make a comeback, only to discover that she might get a second chance, playing a thinly veiled pastiche version of herself in a sitcom. Technically the show’s second season, it’s first season airing in 2005, and since then, most of its young stars (Kellan Lutz, Malin Akerman) have gone on to better things, although Akerman makes a cameo in the first episode, Lutz lined up for a later appearance. However, as with the first season, this is such an insider TV show that even though I’ve been writing about TV and US TV for the best part of two decades, even I found it a bit niche. More damningly, I didn’t laugh once. Fans says the show’s simply ahead of the curve, in which case I’ll probably find it funny in 10 years’ time, but seeing as most of it is cringe comedy and laughing at people who’ve fallen on hard times, maybe not.

I’ve also watched a movie:

Robocop (2014)
Remake of the 1980s ‘classic’, this hits neither the original’s lows nor its highs, loses virtually all the satire, and ditches Nancy Allen’s tough female partner for Omar from The Wire. Nevertheless, the story of a murdered cop turned into a cybernetic police officer for a privatised police force does actually do some interesting and different things, looking at the concepts of free will, the nature of perception, media manipulation, the disabled, prosthetics, and the tensions between altruistic science and those funding it. It’s certainly not memorable and will probably be forgotten about soon enough, but it’s nevertheless a pretty decent film that would probably be a lot more noticeable and notable were it not for the original.

And I’ve been to the theatre, too.

Neville’s Island (Duke of York’s)
Four Northern middle managers (Neil Morrissey, Adrian Edmondson, Miles Jupp, Robert Webb) go the wrong way on an outward bounds course and end up stuck on an island in the Lake District. How will they get on together? Will they escape? And will any of them go mad and attack the others? I’m not saying, but it’s a fun play which ultimately doesn’t say a whole lot, but is entertaining nevertheless, with some good performances. It also features one of the best sets I’ve ever seen – or smelt. Seriously, that’s some moist piney goodness they’ve got going on there.

After the jump, I’ll be running through: Arrow, Constantine, Elementary, The Fall, The Flash, Forever, Gotham, Gracepoint, Marvel’s Agents of SHIELD, The Newsroom and Scorpion.

Continue reading “What have you been watching? Including Cara Fi, The Comeback, Neville’s Island, Robocop (2014), Constantine and The Fall”