What have you been watching? Including Y Gwyll/Hinterland, Doctor Who, Ground Floor and The Legend of Hercules

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Yes, I’m back. Hopefully, you’ll have noticed already, if not, let this be my notice to you. So what have you been watching this Christmas? For me, not a lot of tele, although after the jump, I’ll be running through the likes of Doctor Who, Ground Floor, The Librarians, Mulaney, State of Affairs and Y Gwyll/Hinterland – I’ve already reviewed Galavant and Marco Polo elsewhere, in case those float your boat.

No, as is traditional over the Christmas period, it’s been all about the movies.

Despicable Me (2010)/Despicable Me 2 (2013) – iTunes
Evil villain dedicates his life to evil, only to find himself saving the day when an even worse evil turns up. If that sounds very similar to Megamind, that’s because it is and Despicable Me at least is decidedly inferior to that movie. However, many of the elements from the first movie that were more of an annoyance in Despicable Me – the three girls the evil ‘Gru’ adopts and his small yellow minions – come into their own in the far superior second movie, with the minions in particular turning into some very entertaining French-speaking oddities that are now warranting their own spin-off movie. Still not as good as Megamind, but more suitable for a younger audience and not without considerable charms.

Frozen (2013) – iTunes
Late to the show as always, I finally got round to watching the most popular animated movie in history. And actually, it’s not bad and its ending is pleasingly different from virtually all other Disney movies, with a story that’s more about the value of sisterhood than finding true love. It’s also got a couple of catchy songs that despite the occasional dodgy lyric (‘frozen fractal’ – oh dear God) you’ll find yourself quoting the best bits of at random points during the day and Kristen Bell turns out to be quite a good singer/voice actress. It’s just annoying that after a slightly uninspiring start, along the way, the whole thing feels like it’s been directed with the aim of having a stage show on ice spin-off, with some scenes even shot exactly like a West End musical rather than a film. But it’s survived a couple of re-watches already, so it must be a good ‘un, I reckon.

The Legend of Hercules (2014) – Netflix
Surprisingly, of the two Hercules movies released last year, this turns out to be far the superior to the Dwayne Johnson version and is faithful enough to both call him Alcides for most of the movie, rather than Herakles/Hercules, and to have a decent recreation of Tiryns based on the discoveries at Mycenae. It stars Kellan Lutz (Syrup, Twilight) as Alcides, who has to deal with both his evil god-rejecting mortal dad Amphitryon (Scott Adkins) and the revelation that his true dad is Zeus, king of the gods. While the movie eschews the conventional Labours bar the Nemean Lion in favour of new plots, it’s not to its credit that it messes around with the natures of Amphitryon, Alcmene and Iphicles in quite the way it does; neither is the strange middle section where the film decides it wants to be Spartacus so much it actually brings in Spartacus himself (Liam McIntyre) and sticks him and Hercules into a gladiatorial arena to fight baddies, more than a millennium before the gladiatorial arenas for thousands of spectators existed. But while it does stray, it does so in interesting ways. No one’s walking away with any acting or writing awards, but if you’re going to watch a Hercules movie, this is the best one.

Maleficent (2014) – iTunes
Disney does a Wicked with the wicked witch of Sleeping Beauty (Angelina Jolie), giving us the inside track on why she became evil and whether things were quite as one-sided as other movies might have suggested. Oddly, a much better film when dealing with the younger, pre-Jolie Maleficent and the whole thing boils down to ‘some boy done me wrong’, but innovative and enjoyable despite the relentless Disney co-branding.

Non-stop (2014) – Amazon Instant Video
Essentially an Agatha Christie locked room mystery, with one passenger on a plane killing off the others, one at a time, unless he or she is paid a big sum of money. Only air marshall Liam Neeson can find out who it is – by punching and shooting people a lot. Quite a taut and nuanced post-9/11 thriller that’s only slightly stupid at first but which turns into absolute bobbins once the identity of the killer is revealed. Nevertheless, there are worse action thrillers out there, a lot of them starring Liam Neeson, too.

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Streaming TV

Season review: Marco Polo (Netflix)

Marco Polo

On the Internet: Available on Netflix

There are a lot of names in history that we learn at school that if we stop to pause and consider them, we realise we still know very little about them. Marco Polo. He went to China. Did he discover China? Was he the first European to discover China? Was he the first Italian to trade with China?

That wasn’t something they really taught you in school.

Ditto Genghis Khan and his grandson Kublai. What did they do, apart from rule a bit of Asia? Did you even know Kublai Khan was his grandson in fact?

Some of you will probably know all this, most won’t. So in many ways, now that period dramas have pretty much exhausted the 17-20th centuries in the UK and the US and are looking for new times and places to explore, we should be grateful for the likes of Marco Polo, Netflix’s new 10-episode drama released en masse over Christmas, for illustrating a period of Asian and European history about which most people know mere names at best.

The show tells the story of the eponymous Marco Polo, a young Viennese trader whose father returns from the East after years away, and decides to drag him and a few priests back to the court of the great Mongol leader Kublai Khan. Kublai Khan is looking to expand his empire to include South China by defeating the Song Dynasty, who have been walled up in a nearby city that has withstood assault for nearly 30 years.

Kublai Khan decides to take the young and loquacious Polo into his court and show him Mongol ways. But how will Polo to take to them? Will he survive the intrigues and politics of the court? Will he find love with a princess? And how good a pupil will he be to the blind Daoist monk 100 Eyes at the art of kung fu?

Wait… what was that?

Yes, because despite being on Netflix, which is normally a sign of good quality, Marco Polo was originally lined up to be a Starz production. Starz – that would be the home of Torchwood: Miracle Day and historically accurate fare such as Spartacus, Camelot and Da Vinci’s Demons.

So although this $90 million series is lavish and has many pluses, including filming in both Malaysia and the steppes of Kazakhstan, don’t expect a history lesson so much as a halfway house between Netflix and Starz’s sensibilities – think Game of Thrones meets The Last Samurai meets Crouching Tiger, Hidden Dragon, spiced up with the usual female nudity.

Here’s a trailer.

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What have you been watching? Including Ascension, The Fall, State of Affairs, Ground Floor and Scorpion

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Yes, a doubler – two in one week to cater for the Christmas break and mop up a few leftovers. There’s only been one new show of note this week, though, and that’s…

Ascension (US: Syfy; UK: Sky1)
A spaceship is sent out in the 1960s to colonise a planet in the Alpha Centauri system. 50 years later and the ships’ descendants experience their first murder. Except there’s a Completely Obvious Twist…

I’m only about halfway through the second of the three episodes, so I can’t comment on how this ends, only that the first episode is catastrophically dull as it tries to establish its Mad Men in space vibe while simultaneously trying to avoid giving away that twist, which even a passing acquaintanceship with science, technology, history and the release date of Elton John’s ‘Rocketman’ will reveal within the first ten minutes. However, once the twist is revealed, everything gets a lot more bearable as the writers stop contorting themselves to avoid giving the game away. It’s still not great, and the main stars – Tricia Helfer and Lauren Lee Smith – are lumbered with duller versions of their best known roles, but you might be relieved to know it does at least get better. And you can while away the time spotting references to classic SF authors and noted authors of the 1960s.

After the jump, I’ll be running through only The Fall, Ground Floor, Scorpion and State of Affairs. I’ll tell you now, though – I’m only halfway through Elementary (it’s okay so far – who is the publisher of the ornithology quotes, hmm? – but isn’t this a show that’s supposed to be about Holmes and Watson? I’m not getting that any more).

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The BarrometerA Barrometer rating of 3

Third-episode verdict: The Librarians (US: TNT; UK: SyFy)

In the US: Sundays, 8/7c, TNT
In the UK: Mondays, 8pm, Syfy

Well that rolled around quickly, didn’t it? Yes, time for a third-episode verdict already on TNT’s The Librarians, a spin-off series from the Noah Wyle TV movies that featured the character of the Librarian and is already being described as “Hercules: The Legendary Journeys for a new generation”.

Described by me as that, anyway.

The first couple of episodes were relatively action-packed, seeing Wyle and his helper monkeys defeat a magic-obsessed secret society led by a former Max Headroom who wanted the Crown of King Arthur, Excalibur and the Stone from whence it was taken (except it wasn’t) so they could return magic to the world. Budget now shot and Wyle off to defend the world from alien invaders instead, the third episode had to rely on the helper monkeys to fill the breach.

This was less than successful. The script was actually quite imaginative, giving us a new take on the Greek myth of Theseus and the Minotaur that was surprisingly innovative. And while one could quibble with Christian Kane’s confusion over whether a fresco was Minoan or Helladic – are you blind, man? – the lurching around from historical inaccuracy to historical inaccuracy of the first two episodes wasn’t such an issue in the third.

No, the problem was twofold: the characters and the lack of fun. Without Wyle to bolster up both the supporting characters and the script, episode three revealed the spin-offs flaws like so much wallpaper peeling off from some cracked walls. Without the right kind of action and fun, the show stops being enjoyable and actually becomes quite painful, as we’re forced to watch some really quite dreadful actors try to inject life into some paper-thin characters with dialogue that the average five year old would probably regard as hackneyed. And with a budget far too low for its ambitions, it’s hard to really respect a globe-trotting show that largely sticks inside tunnels, offices and Boston alleyways.

So what we have here is a very variable, family show that lives and dies on its writing, with a cast that can’t save it when that writing falls through. When it’s good, it’s going to be brain-off, adrenaline-on TV; when it’s bad, it’s going to be fingernails on blackboards TV.

Still, Bruce Campbell is Santa Claus next episode. How can that not be aces?

Barrometer rating: 3
Rob’s prediction: Should last a while at least, particularly now we’re reaching Christmas, but it’s still got a long way to go before it finds its feet.

What have you been watching? Including Ground Floor, Arrow, The Flash, The Newsroom, The Machine, Jack Reacher and Red 2

It’s “What have you been watching?”, my chance to tell you what movies and TV I’ve been watching recently that I haven’t already reviewed and your chance to recommend things to everyone else (and me) in case I’ve missed them.

The usual “TMINE recommends” page features links to reviews of all the shows I’ve ever recommended, and there’s also the Reviews A-Z, for when you want to check more or less anything I’ve reviewed ever. And if you want to know when any of these shows are on in your area, there’s Locate TV – they’ll even email you a weekly schedule.

Time for a little bit of a catch-up, given I haven’t done one of these in a fortnight. There are still a few things in my viewing queue that I haven’t yet had time to watch: last night’s The Librarians I’ll cover in a third-episode verdict this week and I’ll probably do the same for The Legacy, although the subtitling makes it hard to watch when I’m doing the ironing. I’ll also try to give Netflix’s Marco Polo a watch, given they dumped the whole series online over the weekend.

I have managed to watch a few films, though.

Red 2 (2013)
The gang from Red are back to far less effect, with Bruce Willis, John Malkovich, Mary-Louise Parker and Helen Mirren joined by Anthony Hopkins, Catherine Zeta-Jones and Lee Byung-hun as the old/amateur spies (plus one deadly young one) forced to use their lifetime of skills to save the world. Again. There’s a lot more travelling to foreign climes but only Byung-hun’s martial arts and Hopkins’ performance really lift the piece above the humdrum, with most of the interesting edges of the first movie filed off or toned down. It does give us a brief onscreen meeting of Hopkins and Brian Cox, which is probably the only time you’ll get two Hannibal Lecters together.

Jack Reacher (2012)
Tom Cruise is improbably the 6’5” military policeman of the Lee Childs novels, here investigating a seemingly random sniper shooting with an obvious suspect who needs his help being vindicated. A perfectly adequate, reasonably intelligent thriller with military trappings that does little to excite, beyond a few decent fights. Rosamund Pike is wasted.

The Machine (2013)
A strange little independent sci-fi thriller funded by the Welsh Government, of all things, in which scientists Toby Stephens and Caity Lotz work on developing intelligent machines for the Ministry of Defence and have to wrestle with the Turing Test, the nature of consciousness and intelligence, and other existential questions, as well as killer robots. Lotz is the obvious star, demonstrating all the qualities that made her such a powerful presence in the second season of Arrow, but Stephens is no slouch either. The film doesn’t quite manage to square all its intellectual concerns with its need for gore, and the ultra low budget means that the action is largely confined to a couple of rooms. But it’s a lot more interesting and intelligent than you might have expected. Plus it’s got Siwan Morris from Mine All Mine and Caerdydd in it

After the jump, I’ll be running through lots and lots of episodes of: Arrow, Constantine, Elementary, The Fall, Forever, The Flash, Gracepoint, Ground Floor, Marvel’s Agents of SHIELD, The Newsroom, Scorpion and State of Affairs.

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